<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-14405711</id><updated>2011-12-28T21:07:54.349-08:00</updated><title type='text'>GALATEA'S POETRY LIBRARY</title><subtitle type='html'>A Poetry Library-In-The-Making.  Listed in alphabetical order by author's name. Frequently updated.  If you are a poet who would like your book in our library, contact Eileen Tabios (see books "FOR TRADE" below via Links).  The Chatelaine plans to read all poems ever written.  Cheers!</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>26</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-14405711.post-356549021056560337</id><published>2011-12-28T05:02:00.000-08:00</published><updated>2011-12-28T21:07:54.355-08:00</updated><title type='text'>AUTHORS: Z</title><content type='html'>&lt;strong&gt;ALL LISTINGS AS OF 12/28/11&lt;/strong&gt; [Each post updated over time with purchases or discoveries of poetry books scattered throughout the house. Also listed are other works if the authors or creators are poets.] &lt;br /&gt;&lt;br /&gt;&lt;em&gt;Unless specified within parentheses after titles, each title is a poetry book. Trades are available (mostly) for titles where more than 1 copy is shown, or for titles listed in left hand column.  Poets can trade their own books, but anyone can offer a trade whether or not they authored the poetry book they are willing to trade.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CYNTHIA ZARIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE SWORDFISH TOOTH&lt;/em&gt; (Knopf, New York, 1989)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARIANO ZARO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The House of Mae Rim / La casa de Mae Rim &lt;/em&gt;(Carayan Press, San Francisco, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANDRENA ZAWINSKI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TRAVELING IN REFLECTED LIGHT &lt;/em&gt;(Pig Iron Press, Youngstown, OH, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HANNAH ZEAVIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;poems from: Redress&lt;/em&gt; (Belladonna Chaplet, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LILA ZEMBORAIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GUARDIANES DEL SECRETO / GUARDIANS OF THE SECRET&lt;/em&gt;, Trans. by Rose Alcala (Noemi Press, Las Cruces, NM, 2009)&lt;br /&gt;&lt;em&gt;Mauve Sea-Orchids&lt;/em&gt;, Trans. by Rosa Alcala &amp; Monica de la Torre (Belladonna Books, Brooklyn, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HARRIET ZINNES&lt;/strong&gt; &lt;br /&gt;&lt;em&gt;Drawing on the Wall&lt;/em&gt; (Marsh Hawk Press, New York, 2002)&lt;br /&gt;&lt;em&gt;Whither Nonstopping&lt;/em&gt; (Marsh Hawk Press, New York, 2005)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-356549021056560337?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/356549021056560337/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=356549021056560337' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/356549021056560337'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/356549021056560337'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2009/10/authors-z.html' title='AUTHORS: Z'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-113779371661621666</id><published>2006-01-20T13:48:00.000-08:00</published><updated>2011-05-02T21:50:31.188-07:00</updated><title type='text'>AUTHORS: Y</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARK YAKICH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE IMPORTANCE OF PEELING POTATOES IN UKRAINE&lt;/em&gt; (Penguin Books, New York, 2008)&lt;br /&gt;&lt;em&gt;Unrelated Individuals Forming A Group Waiting to Cross &lt;/em&gt;(Penguin Books, New York, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEFFREY YANG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AN AQUARIUM&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ARAKI YASUSADA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Doubled Flowering: Form the Notebooks of Araki Yasusada &lt;/em&gt;(Roof Books, New York, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN YAU&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;100 MORE JOKES FROM THE BOOK OF THE DEAD&lt;/em&gt;, collaboration with ARCHIE RAND (Meritage Press, St. Helena and San Francisco, 2001. 25-plus copies)&lt;br /&gt;&lt;em&gt;A.R. PENCK &lt;/em&gt;(art monograph, Abrams, New York, 1984)&lt;br /&gt;&lt;em&gt;Berlin Diptychon&lt;/em&gt;, with photographs by BILL BARRETTE (Timken Publishers, Lafayette, N.Y., 1995)&lt;br /&gt;&lt;em&gt;Exhibits &lt;/em&gt;(chap, Letter Machine Editions, Chicago and Denver, 2010)&lt;br /&gt;&lt;em&gt;BIG CITY PRIMER: Reading New York at the End of the Twentieth Century&lt;/em&gt;, with photographs by BILL BARRETTE (Timken Publishers, Lafayette, N.Y., 1991)&lt;br /&gt;&lt;em&gt;BORROWED LOVE POEMS &lt;/em&gt;(Penguin, New York, 2002)&lt;br /&gt;&lt;em&gt;"COLD WATER FLAT"&lt;/em&gt; with ARCHIE RAND (37-numbered special edition etching, 2001. 5-plus copies)&lt;br /&gt;&lt;em&gt;Corpse and Mirror &lt;/em&gt;(Holt, Rhinehart and Winston, New York, 1983. 2 copies)&lt;br /&gt;&lt;em&gt;CROSSING CANAL STREET &lt;/em&gt;(chap, The Bellevue Press, Binghamton, N.Y., 1976)&lt;br /&gt;&lt;em&gt;"DOUBLE HEADED CREATURE FEATURE", &lt;/em&gt;with MAX GIMBLETT AND TOBY HINES (Artists' Book, 17.5 X 7 X 0.5 IN. 200_)&lt;br /&gt;&lt;em&gt;EDIFICIO SAYONARA &lt;/em&gt;(Black Sparrow, Santa Rosa, 1992)&lt;br /&gt;&lt;em&gt;ED MOSES: A Retrospective of the Paintings and Drawings, 1951-1996 &lt;/em&gt;(art monograph, The Museum of Contemporary Art, Los Angeles, UC Press Berkeley &amp; Los Angeles, 1996)&lt;br /&gt;&lt;em&gt;FORBIDDEN ENTRIES &lt;/em&gt;(Black Sparrow, Santa Rosa, 1996)&lt;br /&gt;&lt;em&gt;HAWAIIAN COWBOYS &lt;/em&gt;(short stories or prose poetry, Black Sparrow, Santa Rosa, 1995)&lt;br /&gt;&lt;em&gt;ING GRISH&lt;/em&gt;, with art by THOMAS NOZKOWSKI (Saturnalia Books, Philadelphia, 2005)&lt;br /&gt;&lt;em&gt;In The Realm of Appearances: The Art of Andy Warhol &lt;/em&gt;(prose, Ecco Press, Hopewell, N.J., 1993)&lt;br /&gt;&lt;em&gt;I Was A Poet in the House of Frankenstein &lt;/em&gt;(chap, Meeting Eyes Binder, Brooklyn, 1999)&lt;br /&gt;&lt;em&gt;JOHN&lt;/em&gt;, collaboration with MARTIN NOEL and BERND FINKELDEY (Stadtische Galerie Gopingen, Bonn, 1998)&lt;br /&gt;&lt;em&gt;“John Yau Symposium” in TALISMAN: A Journal of Contemporary Poetry and Poetics&lt;/em&gt;, No. 5, Fall 1990, Ed. Edward Foster (journal, Hoboken, N.J., 2 copies)&lt;br /&gt;&lt;em&gt;LOWELL CONNECTOR: Lines &amp; Shots from Kerouac's Town&lt;/em&gt;, with CLARK COOLIDGE and MICHAEL GIZZI and photographs by BILL BARRETTE and CELIA COOLIDGE (poems and photographs, Hard Press, Inc., West Stockbridge, MA, 1993)&lt;br /&gt;&lt;em&gt;LOUISE FISHMAN &lt;/em&gt;(art monograph, Cheim &amp; Reed, New York, 2000)&lt;br /&gt;&lt;em&gt;MAX GIMBLETT: The Language of Drawing&lt;/em&gt; (art monograph, Queensland Art Gallery, South Brisbane, Australia, 2002)&lt;br /&gt;&lt;em&gt;MY HEART IS THAT ETERNAL ROSE TATTOO &lt;/em&gt;(Black Sparrow, Santa Rosa, 2001)&lt;br /&gt;&lt;em&gt;MY SYMPTOMS &lt;/em&gt;(Black Sparrow, Santa Rosa, 1998)&lt;br /&gt;&lt;em&gt;MARKO SPALATIN &lt;/em&gt;(art monograph, The Butler Institute of Contemporary Art, Ohio, 1995)&lt;br /&gt;&lt;em&gt;PARADISO DIASPORA &lt;/em&gt;(Penguin, New York, 2006)&lt;br /&gt;&lt;em&gt;"PICADILLY OR PARADISE"&lt;/em&gt; with TREVOR WINKFIELD (Signed Liimited Edition of 65, 12.5 X 9.5 IN, FERRIS EDITIONS)&lt;br /&gt;&lt;em&gt;POEM PRINTS: Norman Bluhm &amp; John Yau &lt;/em&gt;(art monograph, Code Editions, New York, 1987)&lt;br /&gt;&lt;em&gt;RADIANT SILHOUETTE: New &amp; Selected Works 1974-1988&lt;/em&gt; (Black Sparrow, 1994)&lt;br /&gt;&lt;em&gt;Sometimes &lt;/em&gt;(Sheep Meadow, New York, 1979)&lt;br /&gt;&lt;em&gt;The Passionate Spectator: Essays on Art and Poetry &lt;/em&gt;(University of Michigan Press, Ann Arbor, MI, 2006)&lt;br /&gt;&lt;em&gt;The Sleepless Night of Eugene Delacroix &lt;/em&gt;(Release Press, Brooklyn, N.Y., 1980. 2 copies)&lt;br /&gt;&lt;em&gt;The United States of Jasper Johns &lt;/em&gt;(essay, Zoland, Cambridge, 1996. 2 copies)&lt;br /&gt;As Editor, &lt;em&gt;FETISH &lt;/em&gt;(anthology, Four Walls Eight Windows, New York, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WILLIAM BUTLER YEATS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;W.B. Yeats: Selected Poems &lt;/em&gt;(Gramercy Books, New York, 1992)&lt;em&gt;Yeats At Work &lt;/em&gt;by Curtis Bradford (study, Southern Illinois University Press, Carbondale, Il., 1965)&lt;br /&gt;&lt;em&gt;Six Modernist Moments in Poetry &lt;/em&gt;(Rainer Maria Rilke, William Butler Yeats, Wallace Stevens, William Carlos Williams, Marianne Moore, Eugenie Montale by David Young (study, University of Iowa, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HERIBERTO YEPEZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WARS. THREESOMES. DRAFTS. &amp; MOTHERS &lt;/em&gt;(Heretical Texts, Factory School, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;YEVGENY YEVTUSHENKO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Almost at the End&lt;/em&gt;, Trans. by Antonina W. Bouis, Albert C. Todd, and Yevgeny Yevtushenko (Owl Book/Henry Holt, New York, 1987)&lt;br /&gt;&lt;em&gt;STOLEN APPLES &lt;/em&gt;(Doubleday, New York, 1971)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AARON LEE SOON YONG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Visitation of Sunlight: Poems 1990-96 &lt;/em&gt;(Ethos Books, Singapore, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LU YOU&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Late Poems of Lu You, The Old Man Who Does A2 He Pleases, New Translations by Burton Watson &lt;/em&gt;(Ahadada Books, Tokyo &amp; Toronto, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;C. DALE YOUNG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE SECOND PERSON&lt;/em&gt; (Four Way Books, New York City, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID YOUNG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Six Modernist Moments in Poetry &lt;/em&gt;(Rainer Maria Rilke, William Butler Yeats, Wallace Stevens, William Carlos Williams, Marianne Moore, Eugenie Montale (study, University of Iowa, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DEAN YOUNG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PRIMITIVE MENTOR&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KEVIN YOUNG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TO REPEL GHOSTS &lt;/em&gt;(Zoland Books, South Royalton, VT, 2001)&lt;br /&gt;&lt;em&gt;TWO CENTS, Works on Paper by JEAN-MICHEL BASQUIAT and Poetry by KEVIN YOUNG&lt;/em&gt; (Centre Gallery/Miami Dade Community College, Miami, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARK YOUNG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;At Trotsky's Funeral&lt;/em&gt; (Kilmog Press, Dunedin, New Zealand, 2010. Limited edition hardback of 50)&lt;br /&gt;&lt;em&gt;BETABET&lt;/em&gt; (PDF file available via e-mail to mhcyoung@gmail.com, 2006)&lt;br /&gt;&lt;em&gt;EPISODES &lt;/em&gt;by Mark Young (xPress(ed), 2006)&lt;br /&gt;&lt;em&gt;Falsely Goethe &lt;/em&gt;(Otoliths, 2007)&lt;br /&gt;&lt;em&gt;Genji Monogatari &lt;/em&gt;(Otoliths, 2010)&lt;br /&gt;&lt;em&gt;GEOGRAPHIES &lt;/em&gt;(Dysphasia Press, Canada, 2011)&lt;br /&gt;&lt;em&gt;In Conversation with Martin Edmond &lt;/em&gt;(CD, University of Auckland, Australia, July 2004)&lt;br /&gt;&lt;em&gt;Lunch Poems&lt;/em&gt; (chap, Soapbox Press, Auckland, NZ, 2008)&lt;br /&gt;&lt;em&gt;more from SERIES MAGRITTE&lt;/em&gt; (Moria Poetry, Chicago, 2009)&lt;br /&gt;&lt;em&gt;Poles Apart &lt;/em&gt;with JUKKA-PEKKA KERVINEN, (xPress(ed), Espoo, Finland, 2004)&lt;br /&gt;&lt;em&gt;from SERIES MAGRITTE&lt;/em&gt; (Moria Poetry, Chicago, 2006)&lt;br /&gt;&lt;em&gt;The Allegrezza Ficcione&lt;/em&gt; (novella with poems, Otoliths, 2006 version and 2008 version)&lt;br /&gt;&lt;em&gt;The Cicerone: Series Magritte #15 &lt;/em&gt;((xPress(ed), Espoo, Finland, 2005)&lt;br /&gt;&lt;em&gt;THE ORACULAR SONNETS&lt;/em&gt; with JUKKA-PEKKA KERVINEN (PDF File/E-collection, Meritage Press, St. Helena &amp; San Francisco, 2004)&lt;br /&gt;As Co-Editor with JEAN VENGUA, &lt;em&gt;The First Hay(na)ku Anthology &lt;/em&gt;(Meritage Press, St. Helena &amp; San Francisco, 2005. 2 copies)&lt;br /&gt;As Co-Editor with JEAN VENGUA, &lt;em&gt;The Hay(na)ku Anthology, Vol. 2 &lt;/em&gt;(Meritage Press, St. Helena &amp; San Francisco, 2008. 10-plus copies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEPHANIE YOUNG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TELLING THE FUTURE OFF &lt;/em&gt;(Tougher Disguises Press, San Diego, 2005)&lt;br /&gt;&lt;em&gt;TELLING THE FUTURE OFF &lt;/em&gt;(stapled xerox, New Langton Arts, San Francisco, 2002)&lt;br /&gt;&lt;em&gt;Postcard Poems&lt;/em&gt; with CASSIE LEWIS (chap, Poetry Espresso, Fremont, CA, 2002. copies)&lt;br /&gt;&lt;em&gt;Postcard Poems&lt;/em&gt; with CATHERINE MENG (chap, Poetry Espresso, Fremont, CA)&lt;br /&gt;As Editor, &lt;em&gt;BAY POETICS &lt;/em&gt;(Faux Press, Cambridge, MA, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TIM YU&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Postcard Poems&lt;/em&gt; with CASSIE LEWIS (chap, Poetry Espresso, Fremont, CA, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALFRED A. YUSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DREAM OF KNIVES &lt;/em&gt;(Philippine Literary Arts Council, Manila, 1986)&lt;br /&gt;&lt;em&gt;Eight Stories &lt;/em&gt;(short stories, University of the Philippines Press Jubilee Student Edition, Quezon City, 2002)&lt;br /&gt;&lt;em&gt;FVR, Sin, Erap, Javvo &amp; Other Peeves&lt;/em&gt; (essays, Anvil Publishing, Pasig City, 1997)&lt;br /&gt;&lt;em&gt;GREAT PHILIPPINE JUNGLE ENERGY CAFÉ &lt;/em&gt;(novel, Adriana Printing, Manila, 1988)&lt;br /&gt;&lt;em&gt;Hairtrigger Loves: 50 Poems on Woeman &lt;/em&gt;(University of the Philippines Press, Quezon City, 2002)&lt;br /&gt;&lt;em&gt;Mothers Like Elephants: Selected Poems and New &lt;/em&gt;(Anvil Publishing, Pasig City, 2000)&lt;br /&gt;&lt;em&gt;Poems Singkwenta'y Cinco &lt;/em&gt;(Anvil Publishing, Pasig City, 2010)&lt;br /&gt;&lt;em&gt;SEA SERPENT &lt;/em&gt;(Monsoon Press, Manila, 1980)&lt;br /&gt;&lt;em&gt;THE MUSIC CHILD and Other Stories &lt;/em&gt;(stories, Anvil Publishing, Pasig City, 1991. 2 copies)&lt;br /&gt;&lt;em&gt;The Word on Paradise: Essays 1991-2000 On Writers and Writing &lt;/em&gt;(essays, Anvil Publishing, Pasig City, 2001)&lt;br /&gt;&lt;em&gt;TRADING IN MERMAIDS &lt;/em&gt;(Anvil Publishing, Manila, 1993)&lt;br /&gt;&lt;em&gt;Voyeurs &amp; Savages &lt;/em&gt;(novel, Anvil Publishing, Pasig City, 1998)&lt;br /&gt;As Translator, &lt;em&gt;Love's a Vice / Bisyo ang Pag-ibig&lt;/em&gt; by MIKE L. BIGORNIA (National Library of the Philippines, Manila, 2004)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-113779371661621666?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/113779371661621666/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=113779371661621666' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113779371661621666'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113779371661621666'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2006/01/authors-y.html' title='AUTHORS: Y'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-113496719863122983</id><published>2006-01-20T09:38:00.000-08:00</published><updated>2006-07-01T22:10:59.160-07:00</updated><title type='text'>AUTHORS: X</title><content type='html'>Currently, there are no books in the library by a poet whose last name begins with "X". (Unless I mis-shelved Xue Di under "D"?)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-113496719863122983?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/113496719863122983/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=113496719863122983' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113496719863122983'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113496719863122983'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2006/01/authors-x.html' title='AUTHORS: X'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-113478520407567493</id><published>2005-12-18T20:36:00.000-08:00</published><updated>2011-12-03T21:09:08.594-08:00</updated><title type='text'>AUTHORS: W</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAN WABER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;all alone again &lt;/em&gt;(Meritage Press Tiny Book, St. Helena &amp; San Francisco, 2007)&lt;br /&gt;&lt;em&gt;Boys, A-Z: A Primer&lt;/em&gt; (Kite Tail Press, Wiules-Barre, PA, 2006)&lt;br /&gt;&lt;em&gt;first adventures of col and sem &lt;/em&gt;(Kite Tail Press, 2007)&lt;br /&gt;&lt;em&gt;IN MEMORY OF REV. MARLEA J. CONRAD WABER &lt;/em&gt;(mail art, 2008/9)&lt;br /&gt;&lt;em&gt;Italic Man&lt;/em&gt; (postcard, Kite Tail Press, Wiules-Barre, PA, 2006. 125 of 128)&lt;br /&gt;&lt;em&gt;$ M A S&lt;/em&gt; (holiday postcard, 2005)&lt;br /&gt;As Editor with Jennifer Hill, &lt;em&gt;poem, home: An Anthology of Ars Poetica &lt;/em&gt;(Paper Kite Press, Kingston, PA, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CATHERINE WAGNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MACULAR HOLE&lt;/em&gt; (Fence Books, New York, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DIANE WAKOSKI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Dancing On The Grave of a Son Of A Bitch &lt;/em&gt;(Black Sparrow, Santa Rosa, 1976)&lt;br /&gt;&lt;em&gt;THIS BOOK IS DEDICATED TO ALL THOSE MEN WHO BETRAYED ME AT ONE TIME OR ANOTHER IN HOPES THEY WILL FALL OFF THEIR MOTORCYCLES AND BREAK THEIR NECKS: THE MOTORCYCLE BETRAYAL POEMS&lt;/em&gt; (Touchstone, New York, 1971)&lt;br /&gt;&lt;em&gt;Virtuoso Literature for Two and Four Hands: New Poems&lt;/em&gt; (Doubleday and Company, Inc., Garden City, New York, 1975)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DEREK WALCOTT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;COLLECTED POEMS 1948-1984 &lt;/em&gt;(FSG, New York, 1986)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DIANE WALD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Lucid Suitcase &lt;/em&gt;(Red Hen Press, Los Angeles, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANNE WALDMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GIANT NIGHT &lt;/em&gt;(Corinth Books, New York, 1970)&lt;br /&gt;&lt;em&gt;In the Room of Never Grieve: New and Selected Poems 1985-2003 &lt;/em&gt;(with companion CD, Coffee House Press, Minneapolis, 2003)&lt;br /&gt;&lt;em&gt;KILL OR CURE &lt;/em&gt;(Penguin Poets, New York, 1994)&lt;br /&gt;&lt;em&gt;Vow to Poetry: Essays, Interviews &amp; Manifestos &lt;/em&gt;(Coffee House Press, Minneapolis, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CLARICE WALDMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Victory &lt;/em&gt;(film as poetic text, BlazeVOX Books, Buffalo, N.Y., 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LIZ WALDNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Point Is That Which Has No Point&lt;/em&gt; (University of Iowa Press, Iowa City, IA, 2000)&lt;br /&gt;&lt;em&gt;TRUST &lt;/em&gt;(Cleveland State University Poetry Center, Cleveland, OH, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PETER WALDOR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DOOR TO A NOISY ROOM&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KEITH WALDROP&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE HOUSE SEEN FROM NOWHERE&lt;/em&gt; (Litmus Press, Brooklyn, 2002)&lt;br /&gt;&lt;em&gt;Transcendental Studies: A Trilogy &lt;/em&gt;(University of California Press, Berkeley et al, 2009)&lt;br /&gt;&lt;em&gt;The Silhouette of the Bridge&lt;/em&gt; (Memory Stand-Ins) (Avec, Penngrove, CA, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROSMARIE WALDROP&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A FORM OF TAKING IT ALL &lt;/em&gt;(novel, Station Hill Press, Barrytown, N.Y., 1991)&lt;br /&gt;&lt;em&gt;A KEY INTO THE LANGUAGE OF AMERICA &lt;/em&gt;(New Directions, New York, 1994)&lt;br /&gt;&lt;em&gt;Love, Like Pronouns &lt;/em&gt;(Omnidawn, Richmond, CA, 2003)&lt;br /&gt;&lt;em&gt;Peculiar Motions&lt;/em&gt;, with illustrations by Jennifer Macdonald (Kelsey St. Press, Berkeley, 1990)&lt;br /&gt;&lt;em&gt;RELUCTANT GRAVITIES &lt;/em&gt;(New Directions, New York, 1999)&lt;br /&gt;&lt;em&gt;SPLIT INFINITIES &lt;/em&gt;(Singing Horse Press, Philadelphia, 1998)&lt;br /&gt;&lt;em&gt;THE REPRODUCTION OF PROFILES &lt;/em&gt;(New Directions, New York, 1987)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SHAWN LYNN WALKER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Purchase of a Day&lt;/em&gt; (pdf file, handwritten press, Philadelphia, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HELEN PRUITT WALLACE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SHIMMING THE GLASS HOUSE &lt;/em&gt;(____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARK WALLACE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Walking Dreams &lt;/em&gt;(BlazeVOX Books, Buffalo, N.Y. 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RONALD WALLACE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;FOR A LIMITED TIME ONLY&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WILLIAM WANTLING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WILLIAM WANTLING: A BIOGRAPHY &amp; SELECTED WORKS&lt;/em&gt;, Ed. by John Pyros (Spoon River, Peoria, IL, 1981)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DANA WARD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Goodnight Voice &lt;/em&gt;(House Press, 2008)&lt;br /&gt;&lt;em&gt;THE WRONG TREE &lt;/em&gt;(chap, Dusie, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DIANE WARD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;NEVER WITHOUT ONE &lt;/em&gt;(Roof, New York, 1984)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SIM WARKOV&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CHAPTER AND VERSE: POEMS OF JEWISH IDENTITY&lt;/em&gt;, As Editor with Rose Black, Margaret Kaufman, Melanie Maier &amp; Susan Terris (Conflux Press, Prescott, AZ, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EMILY WARN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SHADOW ARCHITECT&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JIM WARNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;nine teen hours (radio edit)&lt;/em&gt; (Chapbookpublisher.com, Pennsylvania, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALLI WARREN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HOUNDS &lt;/em&gt;(chap, sf, 2005)&lt;br /&gt;&lt;em&gt;Schema &lt;/em&gt;(chap, Housepress, Oakland, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LEWIS WARSH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Maharajah’s Son &lt;/em&gt;(Angel Hair Books, New York, 1977)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MATTHEW WASCOVICH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;FEBRUARY 03&lt;/em&gt;, with Todd Colby, Alex Gildzen and Thurston Moore (Slow Toe (Slow Toe Publications, Cleveland, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BURTON WATSON&lt;/strong&gt;&lt;br /&gt;As Translator, &lt;em&gt;Late Poems of Lu You, The Old Man Who Does A2 He Pleases, New Translations by Burton Watson &lt;/em&gt;(Ahadada Books, Tokyo &amp; Toronto, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BARRETT WATTEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LENINGRAD: AMERICAN WRITERS IN THE SOVIET UNION&lt;/em&gt;, memoir by Michael Davidson, Lyn Hejinian, Ron Silliman, Bruce Watten (Mercury House, San Francisco, 1991)&lt;br /&gt;&lt;em&gt;THE GRAND PIANO, Part 1: An Experiment in Collective Autobiography&lt;/em&gt;, with Bob Perelman, Steve Benson, Carla Harryman, Tom Mandel, Ron Silliman, Kit Robinson, Lyn Hejinian, Rae Armantrout, &amp; Ted Pearson (Mode A, Detroit, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEPHEN WATTS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Music while drowning: German Expressionist Poems&lt;/em&gt;, Co-edited with David Miller (Tate Publishing, London, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;M.L. WEBER&lt;/strong&gt;&lt;br /&gt;As Editor with Sheila E. Murphy, &lt;em&gt;&gt;2: An Anthology of New Collaborative Poetry &lt;/em&gt;(Sugar Mule, Colorado Springs, CO, 2007).&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GILLIAN WEGENER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE OPPOSITE OF CLAIRVOYANCE&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KEN WEISNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Sacred Geometry of Pedestrians&lt;/em&gt; (Hummingbird Press, Santa Cruz, CA, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID WEISS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GNOMON &lt;/em&gt;(____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARK WEISS&lt;/strong&gt;&lt;br /&gt;As translator, &lt;em&gt;Stet: Selected Poems&lt;/em&gt; by Jose Kozer (Junction Press, New York, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARJORIE WELISH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Art and Language Writes an Epitaph &lt;/em&gt;(chap, Belladonna Books, Brooklyn, 2006)&lt;br /&gt;&lt;em&gt;ISLE OF THE SIGNATORIES&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;em&gt;THE ANNOTATED “HERE” AND SELECTED POEMS &lt;/em&gt;(Coffee House Press, Minneapolis, 2000)&lt;br /&gt;&lt;em&gt;WORD GROUP&lt;/em&gt; (Coffee House Press, Minneapolis, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MAC WELLMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LEFT GLOVE&lt;/em&gt; (Solid Objects, New York, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARJORY WENTWORTH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Night Jars &lt;/em&gt;(chap, Laurel Publishing, Charleston, SC, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WENDY WERRIS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;An Alphabetical Life: Living It Up in the World of Books&lt;/em&gt; (memoir, Carroll and Graff, New York, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ASSIA WEVILL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Lover of Unreason: Assia Wevill, Sylvia Plath's Rival and Ted Hughes's Doomed Love &lt;/em&gt;by Yehuda Koren and Eilat Negev (biography of ASsia Wevill, Carroll and Graf, New York, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PHILIP WHALEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;OVERTIME: Selected Poems&lt;/em&gt;, Ed. Michael Rothenberg (Penguin, New York, 1999)&lt;br /&gt;&lt;em&gt;POETS ON THE PEAKS: Gary Snyder, Philip Whalen &amp; Jack Kerouac in the North Cascades&lt;/em&gt;, text and photographs by John Suiter (Counterpoint/Perseus, New York, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HAZEL WHITE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PERIL AS ARCHITECTURAL ENRICHMENT&lt;/em&gt; (Kelsey Street Press, Berkeley, CA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;J.P. WHITE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Sleeper At The Party &lt;/em&gt;(Defined Providence Press, Warwick, N.Y., 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WALT WHITMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Leaves of Grass &lt;/em&gt;(Penguin, New York, 1959)&lt;br /&gt;&lt;em&gt;Leaves of Grass&lt;/em&gt; (International Collectors Library, Garden City, N.Y.)&lt;br /&gt;&lt;em&gt;THE PORTABLE WALT WHITMAN&lt;/em&gt;, Ed. by Mark Van Doren (Penguin, New York, 1977)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID WHYTE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE HEART AROUSED: Poetry and the Preservation of the Soul in Corporate America &lt;/em&gt;(prose, Doubleday, New York, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;C.K. WILLIAMS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;COLLECTED POEMS &lt;/em&gt;(Farrar Straus Giroux, New York, 1996)&lt;br /&gt;&lt;em&gt;SELECTED POEMS &lt;/em&gt;(Noonday / FSG, New York, 1994)&lt;br /&gt;&lt;em&gt;REPAIR &lt;/em&gt;(FSG, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SAUL WILLIAMS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE DEAD EMCEE SCROLLS: THE LOST TEACHINGS OF HIP-HOP &lt;/em&gt;(MTV Books / Simon &amp; Schuster, New York, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WILLIAM CARLOS WILLIAMS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;I WANTED TO WRITE A POEM: THE AUTOBIOGRAPHY OF THE WORKS OF A POET &lt;/em&gt;(New Directions, New York, 1958)&lt;br /&gt;&lt;em&gt;Selected Poems&lt;/em&gt;, Ed. by Charles Tomlinson (New Directions, New York, 1985)&lt;br /&gt;&lt;em&gt;The Autobiography of William Carlos Williams &lt;/em&gt;(Random House, New York, 1951)&lt;br /&gt;&lt;em&gt;The Letters of Denise Levertov and William Carlos Williams&lt;/em&gt;, Ed. by Christopher MacGowan (New Directions, New York, 1998)&lt;br /&gt;&lt;em&gt;William Carlos Williams and The Ethics of Painting &lt;/em&gt;by Terence Diggory (Princeton University Press, Princeton, N.H., 1991)&lt;br /&gt;&lt;em&gt;Six Modernist Moments in Poetry &lt;/em&gt;(Rainer Maria Rilke, William Butler Yeats, Wallace Stevens, William Carlos Williams, Marianne Moore, Eugenie Montale by David Young (study, University of Iowa, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELIZABETH WILLIS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;All the Paintings of Giorgione&lt;/em&gt; (chap, Belladonna Books, Brooklyn, 2006)&lt;br /&gt;&lt;em&gt;METEORIC FLOWERS &lt;/em&gt;(chap, Atticus/Finch, Buffalo, N.Y., 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EVAN WILLNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;homemade traps for new world Brians &lt;/em&gt;(BlazeVOX Books, Buffalo, N.Y. 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RONALDO V. WILSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;NARRATIVE OF THE LIFE OF THE BROWN BOY AND THE WHITE MAN&lt;/em&gt;  (____, 2008)&lt;br /&gt;&lt;em&gt;POEMS OF THE BLACK OBJECT&lt;/em&gt; (__, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ULJANA WOLF&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ALIENS: AN ISLAND&lt;/em&gt;, Trans. from the German by Monica Zobel (Belladonna Chaplet, Brooklyn, 2011) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;REBECCA WOLFF&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MANDERLEY &lt;/em&gt;(University of Illinois Press, Urbana, IL, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TERRY WOLVERTON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Shadow and Praise &lt;/em&gt;(Main Street Rag, Charlotte, NC, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JANET S. WONG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Behind the Wheel: Poems About Driving &lt;/em&gt;(Margaret K. Elderberry Books/Simon &amp; Schuster, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NELLIE WONG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Death of Long Steam Lady &lt;/em&gt;(West End Press, Los Angeles, 1984)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID WOO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Eclipses &lt;/em&gt;(BOA Editions, Rochester, N.Y. 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSEPH WOOD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GUTTER CATHOLIC LOVE SONG &lt;/em&gt;(chap, mitzvah chaps, Kansas, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANNE HARDING WOODWORTH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SPARE PARTS: A NOVELLA IN VERSE &lt;/em&gt;(____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUSAN G. WOOLDRIDGE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;poemcrazy: freeing your life with words &lt;/em&gt;(essays, Clarkson Potter/Publishers, New York, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;J.D. WOOLERY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;by parked cars &lt;/em&gt;(Berkeley Poets Workshop, Berkeley, CA, 1986)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KOON WOON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE TRUTH IN RENTED ROOMS &lt;/em&gt;(Kaya Press, New York, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WILLIAM WORDSWORTH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Prelude 1799, 1805, 1850&lt;/em&gt;, Ed. by Jonathan Wordsworth, M.H. Abrams, and Stephen Gill (Norton, New York, 1979)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELIZABETH WORKMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;opolis&lt;/em&gt;, with images and graphic design by Erik Brandt (chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRYAN THAO WORRA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BARROW &lt;/em&gt;(__, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;C.D. WRIGHT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Cooling Time: An American Poetry Vigil &lt;/em&gt;(essays, Copper Canyon Press, Port Townsend, WA, 2005)&lt;br /&gt;&lt;em&gt;RISING, FALLING, HOVERING&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;em&gt;String Light &lt;/em&gt;(University of Georgia Press, Athens and London, 1991)&lt;br /&gt;&lt;em&gt;Tremble &lt;/em&gt;(Ecco Press, Hopewell, N.J., 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHARLES WRIGHT&lt;/strong&gt;&lt;br /&gt;As Guest Editor, &lt;em&gt;The Best American Poetry 2008&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FRANZ WRIGHT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;God's Silence &lt;/em&gt;(Knopf, New York, 2008)&lt;br /&gt;&lt;em&gt;WALKING TO MARTHA’S VINEYARD &lt;/em&gt;(Knopf, New York, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAMES WRIGHT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A WILD PERFECTION: The Selected Letters of James Wright&lt;/em&gt;, Ed. by Anne Wright and Saundra Rose Maley (Farrar Straus &amp; Giroux, New York, 2005)&lt;br /&gt;&lt;em&gt;The Delicacy and Strength of Lace&lt;/em&gt; with LESLIE MARMON SILKO, Ed. by Anne Wright (letters, Graywolf Press, St. Paul, Minn., 1986)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEFFREY CYPHERS WRIGHT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;OCTOBER CENTERFOLD: A Collaborative Escapade &lt;/em&gt;with images by Nathaniel Hester (chap, Dummy Books, New York, 2009)&lt;br /&gt;&lt;em&gt;"MAKE IT HAPPEN"&lt;/em&gt; (postcard-broadside. Signed 142/150. Linocut, Eden type set, printed by Dikko. PurgatoryPierPress.com)&lt;br /&gt;As Editor, &lt;em&gt;Live Mag!&lt;/em&gt; Issue 5 (New York, 2008)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-113478520407567493?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/113478520407567493/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=113478520407567493' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113478520407567493'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113478520407567493'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/12/authors-w.html' title='AUTHORS: W'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-113478500304423055</id><published>2005-12-17T18:03:00.000-08:00</published><updated>2011-05-17T10:06:00.300-07:00</updated><title type='text'>AUTHORS: V</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NANOS VALAORITIS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;My Afterlife Guaranteed &lt;/em&gt;(City Lights Books, San Francisco, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAUL VALERY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Selected Writings of Paul Valery&lt;/em&gt;, with various translators (New Directions, New York, 1950)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CESAR VALLEJO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CONDUCTORS OF THE PIT: Major Works by Rimbaud, Vallejo, Cesaire, Artaud, Holan&lt;/em&gt;, Trans. by Clayton Eshleman (Paragon House, New York, 1988)&lt;br /&gt;Poemas Humanos / Human Poems, Trans. by Clayton Eshleman (Grove Press, New York, 1968)&lt;br /&gt;&lt;em&gt;The Complete Posthumous Poetry&lt;/em&gt;, Trans. by Clayton Eshleman and Jose Rubia Barcia (University of California Press, Berkeley, 1978)&lt;br /&gt;&lt;em&gt;Trilce&lt;/em&gt;, Trans. by David Smith (Grossman Publishers, New York, 1973)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KATRINA VANDENBERG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ATLAS &lt;/em&gt;(Milkweed Editions, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAN VANSTAVERN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE LONG BIRTH &lt;/em&gt;(chap, Conflux Press, Prescott, AZ, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;REETIKA VAZIRANI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Radha Says: Last Poems&lt;/em&gt;, Eds. Leslie McGrath and Ravi Shankar (Drunken Boat Press, Stonington, CT, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT VAN VLIET&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Inventions &lt;/em&gt;(chap, N.V. Press, Minneapolis, 1998)&lt;br /&gt;&lt;em&gt;the light's agitation &lt;/em&gt;(chap, N.V. Press, Minneapolis, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NICO VASSILAKIS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TEXT LOSES TIME &lt;/em&gt;(ManyPenny Press, Moscow, ID, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LOURDES VAZQUEZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;May the transvestites of my island who tap their heels exquisitely &lt;/em&gt;(chap, Belladonna Books, Brooklyn, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GLYNDA TEJADA VELASCO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;UNSENT LETTERS: SELECTED POEMS &lt;/em&gt;(Vallejo Phoenix Rising Collective Press, Vallejo, CA, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HELEN VENDLER&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;Part of Nature, Part of Us: Modern American Poets &lt;/em&gt;(Harvard University Press, Cambridge, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEAN VENGUA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PARTICLE AND WAVE and FROM THE CHAIR&lt;/em&gt; (&lt;a href="http://meritagepress.blogspot.com/2010/02/haynaku-for-haiti.html"&gt;Hay(na)ku for Haiti &lt;/a&gt;booklet, Open Palm Press / Meritage Press, San Francisco &amp; St. Helena, 2010)&lt;br /&gt;&lt;em&gt;PRAU &lt;/em&gt;(Meritage Press, San Francisco &amp; St. Helena, 2007. 5-plus)&lt;br /&gt;&lt;em&gt;The Aching Vicinities&lt;/em&gt; (Otoliths, Rockhampton, Australia, 2006)&lt;br /&gt;As Co-Editor with MARK YOUNG, &lt;em&gt;The First Hay(na)ku Anthology &lt;/em&gt;(Meritage Press, St. Helena &amp; San Francisco, 2005. 2 copies)&lt;br /&gt;As Co-Editor with MARK YOUNG, &lt;em&gt;The Hay(na)ku Anthology, Vol. 2 &lt;/em&gt;(Meritage Press, St. Helena &amp; San Francisco, 2008. 2 copies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAUL VERLAINE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Paul Verlaine: Selected Poems&lt;/em&gt;, Trans. by C.F. MacIntyre (University of California Press, Berkeley, 1948)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CECILIA VICUNA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;beforehand &lt;/em&gt;(vizpo, Belladonna Chaplet #131, Brooklyn, 2011)&lt;br /&gt;&lt;em&gt;Instan &lt;/em&gt;(Kelsey St. Press, Berkeley, 2002)&lt;br /&gt;&lt;em&gt;Unravelling Words &amp; the Weaving of Water&lt;/em&gt;, Trans. by Eliot Weinberger and Suzanne Jill Levine (Graywolf Press, St. Paul, Minn. 1992)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSE GARCIA VILLA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Appassionata: Poems in Praise of Love&lt;/em&gt; (King &amp; Cowen, New York, 1979. 2 copies)&lt;br /&gt;&lt;em&gt;Doveglion: Collected Poems&lt;/em&gt;, Ed. by John Edwin Cowen w/ Introduction by Luis H. Francia (Penguin Classics, New York, 2008)&lt;br /&gt;&lt;em&gt;Doveglion &amp; Other Cameos &lt;/em&gt;by Quijano de Manila (Nick Joaquin) (profiles, National Book Store, Manila, 1977)&lt;br /&gt;&lt;em&gt;FOOTNOTE TO YOUTH &lt;/em&gt;(short stories, Charles Scribner’s Sons, New York, 1933)&lt;br /&gt;&lt;em&gt;HAVE COME, AM HERE&lt;/em&gt; (Viking, New York, 1942. 2 copies)&lt;br /&gt;&lt;em&gt;JOSE GARCIA VILLA: 55 POEMS&lt;/em&gt;, Selected and Translated into Tagalog by Hilario S. Francia (University of the Philippines Press, Quezon City, 1988.  Collector’s Book Edition: No. 212 of 250)&lt;br /&gt;&lt;em&gt;JOSE GARCIA VILLA: 55 POEMS&lt;/em&gt;, Selected and Translated into Tagalog by Hilario S. Francia (University of the Philippines Press, Quezon City, 1988)&lt;br /&gt;&lt;em&gt;Mir-i-Nisa: A Tale of the Philippine South Seas&lt;/em&gt;, Illustrated by Larry Alcala (Alberto S. Florentino, Manila, 1966)&lt;br /&gt;&lt;em&gt;SELECTED POEMS AND NEW&lt;/em&gt; (Bookmark, Manila, 1958)&lt;br /&gt;&lt;em&gt;SELECTED POEMS AND NEW &lt;/em&gt;(McDowell, Obolensky, New York, 1958. copies)&lt;br /&gt;&lt;em&gt;THE ANCHORED ANGEL, Selected Writings by Jose Garcia Villa&lt;/em&gt;, Ed. by Eileen Tabios (Kaya Press, New York, 1999. 10-plus copies)&lt;br /&gt;&lt;em&gt;THE CRITICAL VILLA: Essays in Literary Criticism by Jose Garcia Villa&lt;/em&gt;, Ed. by Jonathan Chua (Ateneo de Manila University Press, Quezon City, 2002)&lt;br /&gt;&lt;em&gt;THE PARLEMENT OF GIRAFFES: Poems for Children -- Eight to Eighty&lt;/em&gt;, Tagalog Translation by Larry Francia, Edited by John Cowen (Anvil Publishing, Pasig, 1999)&lt;br /&gt;&lt;em&gt;VOLUME TWO &lt;/em&gt;(New Directions, New York, 1949. 2 copies)&lt;br /&gt;As Editor, &lt;em&gt;BRAVO 2: The Poet’s Magazine &lt;/em&gt;(Bravo Editions, New York, 1982)&lt;br /&gt;As Editor, &lt;em&gt;The New Doveglion Book of Philippine Poetry &lt;/em&gt;(Anvil, Manila, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VITO Q. VILLALON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;RIVULETS OF THOUGHTS: Selected Poems 1996-2000 &lt;/em&gt;(chap, sf, San Francisco, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RICH VILLAR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ACHIOTE SEEDS&lt;/em&gt;, with Rebecca Mabanglo-Mayor and Barbara Jane Reyes (Achiote Press, Spring 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEPHEN VINCENT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WALKING &lt;/em&gt;(Junction Press, Northhampton, MA, 2003)&lt;br /&gt;&lt;em&gt;WALKING THEORY&lt;/em&gt; (Junction Press, New York, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MANUEL A. VIRAY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;After This Exile&lt;/em&gt; (Phoenix Publishing House/Alemar, Quezon City, 1965)&lt;br /&gt;&lt;em&gt;Morning Song&lt;/em&gt; (De L Salle University, Manila, 1990)&lt;br /&gt;&lt;em&gt;The Epistolary Criticism of Manual A. Viray: In Memoriam&lt;/em&gt;, Collected by L.M. Grow (Giraffe Books, Quezon City, 1998. 2 copies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VIRGIL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE AENEID&lt;/em&gt;, Trans. by Robert Fitzgerald (Vintage/Random House, New York, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT VAN VLIET&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Inventions &lt;/em&gt;(chap, NV Press, Minneapolis, 1998)&lt;br /&gt;&lt;em&gt;the light's agitation &lt;/em&gt;(chap, NV Press, Minneapolis, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CONNIE VOISINE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;RARE HIGH MEADOW OF WHICH I MIGHT DREAM&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MEGAN A. VOLPERT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;face blindness &lt;/em&gt;(BlazeVOX Books, Buffalo, N.Y., 2007)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-113478500304423055?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/113478500304423055/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=113478500304423055' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113478500304423055'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113478500304423055'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/12/authors-v.html' title='AUTHORS: V'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-113478447696676617</id><published>2005-12-17T17:53:00.000-08:00</published><updated>2006-07-01T22:09:31.870-07:00</updated><title type='text'>AUTHORS: U</title><content type='html'>Currently, there are no books in the library by a poet whose last name begins with "U".&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-113478447696676617?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/113478447696676617/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=113478447696676617' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113478447696676617'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113478447696676617'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/12/authors-u.html' title='AUTHORS: U'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-113477070549144776</id><published>2005-12-16T17:36:00.000-08:00</published><updated>2011-11-19T16:17:42.852-08:00</updated><title type='text'>AUTHORS: T</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EILEEN R. TABIOS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;After the Egyptians Determined The Shape of the World is a Circle&lt;/em&gt; (chap, Pometaphysics Publishing, Lutherville, MD, 1996. 2 copies)&lt;br /&gt;&lt;em&gt;ALPHABET: Hay(na)ku Drawings &lt;/em&gt;(limited edition "Tiny Book", Meritage Press, 2007)&lt;br /&gt;&lt;em&gt;Behind The Blue Canvas &lt;/em&gt;(short story collection with poems, Giraffe Books, Quezon City, 2004. 10 copies-plus)&lt;br /&gt;&lt;em&gt;Beyond Life Sentences &lt;/em&gt;(Anvil, Manila, 1998. 5 copies)&lt;br /&gt;&lt;em&gt;Black Lightning: Poetry In Progress &lt;/em&gt;(essays/interviews, Asian American Writers Workshop, New York, 1998. 2 copies)&lt;br /&gt;&lt;em&gt;Dredging For Atlantis&lt;/em&gt; (Otoliths, Rockhampton, Australia, 2006)&lt;br /&gt;&lt;em&gt;Ecstatic Mutations: Experiments in the Poetry Library &lt;/em&gt;(poetry and prose, Giraffe Books, Quezon City, 2000. 5 copies)&lt;br /&gt;&lt;em&gt;Footnotes to Algebra: Uncollected Poems 1995-2009 &lt;/em&gt;(BlazeVOX Books, Buffalo, N.Y., 2009. 5 copies)&lt;br /&gt;&lt;em&gt;I TAKE THEE, ENGLISH, FOR MY BELOVED &lt;/em&gt;(Multidisciplinary: poetry, experimental novel, play, poetics essays, interviews, art monograph, questionnaire, Marsh Hawk Press, New York, 2005. 25-plus copies)&lt;br /&gt;&lt;em&gt;IT'S CURTAINS&lt;/em&gt; (wee chap, Dusie, Switzerland, 2006)&lt;br /&gt;&lt;em&gt;Menage a Trois With the 21st Century &lt;/em&gt;(xPress(ed), Espoo, Finland. 25-plus copies)&lt;br /&gt;&lt;em&gt;NOTA BENE EISWEIN &lt;/em&gt;(Ahadada Books, Tokyo &amp; Toronto, 2009. 5-plus copies)&lt;br /&gt;&lt;em&gt;My Romance&lt;/em&gt; (art essays with poetry, Giraffe Books, Quezon City, 2001. 10-plus copies)&lt;br /&gt;&lt;em&gt;On A Pyre: An Ars Poetica &lt;/em&gt;(booklet, Open Palm Press, St. Helena, 2010. 10-plus copies)&lt;br /&gt;&lt;em&gt;POST BLING BLING &lt;/em&gt;(Moria Books, Chicago, 2005. 5 copies)&lt;br /&gt;&lt;em&gt;Reproductions of The Empty Flagpole &lt;/em&gt;(Marsh Hawk Press, New York, 2002. 25-plus copies)&lt;br /&gt;&lt;em&gt;SILENCES: The Autobiography of Loss &lt;/em&gt;(Blue Lion Books, Espoo and Massachusetts, 2007. 2 copies)&lt;br /&gt;&lt;em&gt;The Blind Chatelaine's Keys: Her Biography Through Your Poetics &lt;/em&gt;(BlazeVOX Books, Buffalo, New York, 2008. 20-plus copies)&lt;br /&gt;&lt;em&gt;The Empty Flagpole &lt;/em&gt;(CD, Jeepney Productions, San Francisco, 2000. 3-plus copies)&lt;br /&gt;&lt;em&gt;The Estrus Gaze(s)&lt;/em&gt; (chap, Belladonna Books, Brooklyn, 2004. 2 copies)&lt;br /&gt;&lt;em&gt;THE LIGHT SANG AS IT LEFT YOUR EYES: OUR AUTOBIOGRAPHY &lt;/em&gt;(Marsh Hawk Press, New York, 2007. 25-plus copies)&lt;br /&gt;&lt;em&gt;The Secret Lives of Punctuations, Vol. I&lt;/em&gt; (xPress(ed), Espoo, 2006, 5-plus copies)&lt;br /&gt;&lt;em&gt;THE SINGER And Others &lt;/em&gt;(chap, Dusie, Switzerland, 2007. 2 copies)&lt;br /&gt;&lt;em&gt;THE THORN ROSARY: SELECTED PROSE POEMS AND NEW 1998-2010&lt;/em&gt;, Edited by Thomas Fink (Marsh Hawk Press and Anvil Publishing, New York and Philippines, 2010. 10-plus copies)&lt;br /&gt;&lt;em&gt;NOVEL CHATELAINE &lt;/em&gt;(novel, Teeny Tiny Press, Edmonds, WA, 2009. 2-plus copies)&lt;br /&gt;&lt;em&gt;SILK EGG: Collected Novels 2009-2009 &lt;/em&gt;(Shearsman Books, Exeter, U.K., 2011. 10-plus copies)&lt;br /&gt;As Curator with Ivy Alvarez, John Bloomberg-Rissman and Ernesto Priego, &lt;em&gt;THE CHAINED HAY(NA)KU &lt;/em&gt;PROJECT (Meritage Press, St. Helena and San Francisco, 2010. 5 copies)&lt;br /&gt;As Editor with Nick Carbo, &lt;em&gt;Babaylan: An Anthology of Filipina and Filipina-American Writers&lt;/em&gt; (Aunt Lute Press, San Francisco, 2000. 4 copies)&lt;br /&gt;As Editor, &lt;em&gt;Bridgeable Shores: Poems 1969-2001 &lt;/em&gt;by Luis Cabalquinto(Kaya Press, New York, 2001. 5 copies)&lt;br /&gt;As Editor, &lt;em&gt;Gravities of Center &lt;/em&gt;by Barbara J. Pulmano Reyes (Arkipelago Books, San Francisco, 2003. 2 copies)&lt;br /&gt;As Editor, with M. Evelina Galang, Sunaina Maira, Jordan Isip, &lt;em&gt;Screaming Monkeys: Critiques of Asian American Images&lt;/em&gt; (Coffee House, Minneapolis, 2003)&lt;br /&gt;As Editor, &lt;em&gt;The Anchored Angel: Selected Writings By Jose Garcia Villa &lt;/em&gt;(Kaya Press, New York, 1999. 10 copies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEFF TAGAMI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;OCTOBER LIGHT &lt;/em&gt;(Kearny Street Workshop Press, San Francisco, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANTHONY L. TAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Poems for Muddas &lt;/em&gt;(Anvil, Manila, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOEL BARRAQUIEL TAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;El Canto De Animal &lt;/em&gt;(chap, Noice Press, San Francisco, 2005)&lt;br /&gt;&lt;em&gt;Monster &lt;/em&gt;(Noice Press, San Francisco, 2002)&lt;br /&gt;As Editor, &lt;em&gt;Queer PAPI Porn &lt;/em&gt;(erotica anthology, Cleis Press, San Francisco, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KENNY TANEMURA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THROUGH THE FISSURE &lt;/em&gt;(chap, overhere press, Mass., 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANNE TARDOS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Uxudo &lt;/em&gt;(TUUMBA PRESS / O BOOKS, Berkeley / Oakland, CA, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHRISTOPHE TARKOS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Ma Langue est Poetique--Selected Work &lt;/em&gt;(Roof Books, New York, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRONWEN TATE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SOUVENIRS &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAMES TATE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WORSHIPFUL COMPANY OF FLETCHERS &lt;/em&gt;(Ecco Press,  Hopewell, N.J. 1994)&lt;br /&gt;&lt;em&gt;Selected Poems &lt;/em&gt;(Wesleyan University Press, Hanover, CT, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SAM TAYLOR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BODY OF THE WORLD&lt;/em&gt; (Ausable Press, Keene, N.Y. 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;THOMAS LOWE TAYLOR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;JFK: The Adirondack Diary &lt;/em&gt;(chap, Texture Press, Norman, OK, 1993)&lt;br /&gt;&lt;em&gt;Kilobyte Magnificat &lt;/em&gt;(chap, Anabasis, Oysterville, WA, 2001)&lt;br /&gt;&lt;em&gt;MANDALA &amp; The One, the Same, and the Other &lt;/em&gt;(anabasis.xtant, Charlottesville, VA, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALFRED TENNYSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Selected Poems&lt;/em&gt;, Ed. William C. DeVane (Appleton Century Crofts Classics, New York, 1957)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUSAN TERRIS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Natural Defenses &lt;/em&gt;(Marsh Hawk Press, New York, 2004)&lt;br /&gt;&lt;em&gt;THE HOMELESSNESS OF SELF&lt;/em&gt; by Susan Terris (Arctos Press, Sausalito, CA, 2011)&lt;br /&gt;&lt;em&gt;CHAPTER AND VERSE: POEMS OF JEWISH IDENTITY&lt;/em&gt;, As Editor with Sim Warkov, Rose Black, Margaret Kaufman &amp; Melanie Maier (Conflux Press, Prescott, AZ, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TOD THILLEMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Corybantes &lt;/em&gt;(Spuyten Duyvil, New York, 1997)&lt;br /&gt;&lt;em&gt;THREE MOUTHS&lt;/em&gt; (Spuyten Duyvil, Brooklyn, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DYLAN THOMAS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Collected Poems of Dylan Thomas 1934-1952 &lt;/em&gt;(New Directions, New York, 1957)&lt;br /&gt;&lt;em&gt;The Love Letters of Dylan Thomas &lt;/em&gt;(J.M. Dent, London, 2001)&lt;br /&gt;&lt;em&gt;POETS IN THEIR YOUTH: JOHN BERRYMAN, ROBERT LOWELL, RANDALL JARRELL, DELMORE SCHWARTZ, THEODORE ROETHKE AND DYLAN THOMAS&lt;/em&gt; by Eileen Simpson (memoir, The Noonday Press / Farrar Straus and Giroux, New York, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GAIL THOMAS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Finding the Bear &lt;/em&gt;(Perugia Press, Shutesbury, Mass., 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT THOMAS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Door to Door&lt;/em&gt; (Fordham University Press, New York, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MATTHEW THORBURN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SUBJECT TO CHANCE &lt;/em&gt;(New Issues/Western Michigan, Kalamazoo, MI, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MAUREEN THORSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Special Edition of Five Poems&lt;/em&gt; (FOURSQUARE chap, Charlottesville, VA, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EDITH L. TIEMPO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AN EDITH TIEMPO READER&lt;/em&gt;, Eds. Gemino H. Abad, Isagani R. Cruz, Cristina Pantoja-Hidalgo, Alfred Yuson and Edna Zapanta Manlapaz (University of the Philippines Press, Manila, 1999)&lt;br /&gt;&lt;em&gt;BEYOND, EXTENSIONS &lt;/em&gt;(chap, La Diane, Manila, 1993)&lt;br /&gt;&lt;em&gt;ONE, TILTING LEAVES &lt;/em&gt;(novel, Giraffe Books, Quezon City, 1995)&lt;br /&gt;&lt;em&gt;THE ALIEN CORN &lt;/em&gt;(New Day Publishers, Quezon City, 1992)&lt;br /&gt;&lt;em&gt;THE TRACKS OF BABYLON And Other Poems &lt;/em&gt;(Giraffe Books, Quezon City, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MADELINE TIGER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Birds of Sorrow and Joy: New and Selected Poems &lt;/em&gt;(Marsh Hawk Press, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEVE TILLS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Behave: California Rant 66&lt;/em&gt; (dPress, Sebastopol, CA, 2004)&lt;br /&gt;&lt;em&gt;Mr. Magoo&lt;/em&gt; (chap, Loose Gravel Press, Arroyo Grande, CA, 1997)&lt;br /&gt;&lt;em&gt;Rugh Stuff&lt;/em&gt; (theenk Books, Canandaigua, NY, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MATTHEW TIMMONS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE NEW POETICS&lt;/em&gt; (poetry/cultural critique, `Les Figues Press, Los Angeles, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TINY, aka LISA GRAY-GARCIA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CRIMINAL OF POVERTY: Growing Up Homeless in America &lt;/em&gt;(memoir, City Light Books, San Francisco, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAMES TOLAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;RED WALLS&lt;/em&gt; (Dos Madres Press, Loveland, OH, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOEL M. TOLEDO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;the long lost startle &lt;/em&gt;(University of the Philippines Press, Dilliman, Quezon City, Philippines, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHARLES TOMLINSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SKYWRITING And Other Poems&lt;/em&gt; (Ivan R. Dee, Chicago, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LEE A. TONOUCHI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;da word &lt;/em&gt;(Bamboo Ridge Press, Honolulu, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EMMANUEL TORRES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Smuile on Smokey Mountain &amp; Other Poems&lt;/em&gt; (Ateneo de Manila University Press, Quezon City, Philippines, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROWENA T. TORREVILLAS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;FLYING OVER KANSAS: Personal Views &lt;/em&gt;(essays, Giraffe Books, Quezon City, 1998)&lt;br /&gt;&lt;em&gt;Mountain Sacraments: Selected Poems &lt;/em&gt;(De La Salle University Press, Manila, 1991)&lt;br /&gt;&lt;em&gt;The Sea-Gypsies Stay &lt;/em&gt;(University of the Philippines Press, Quezon City, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RODRIGO TOSCANO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TO LEVELING SWERVE &lt;/em&gt;(Krupskaya, San Francisco, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TONY TOST&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Invisible Bride &lt;/em&gt;(Indiana State University, Baton Rouge, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TONY TOWLE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;“AUTOBIOGRAPHY” AND OTHER POEMS &lt;/em&gt;(Coach House South, New York, 1977)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALISON TOWNSEND&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Blue Dress &lt;/em&gt;(White Pine Press, Buffalo, N.y. 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEORGE TRAKL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AUTUMN SONATA: Selected Poems of George Trakl&lt;/em&gt;, Trans. by Daniel Simko (Asphodel Press, Rhode Island, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BARBARA TRAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;In the Mynah Bird’s Own Words &lt;/em&gt;(Tupelo Press, Dorset, VT, 2002)&lt;br /&gt;&lt;em&gt;THE SEAMSTRESS CYCLE &amp; Other Poems &lt;/em&gt;(chap, sp, New York, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TRUONG TRAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;FOUR LETTER WORDS&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;em&gt;Placing the Accents &lt;/em&gt;(Apogee Press, Berkeley, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TOMAS TRANSTRUMER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE GREAT ENIGMA: NEW COLLECTED POEMS&lt;/em&gt;, trans. by Robin Fulton (New Directions, New York, 1987-2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELIZABETH TREADWELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CHANTRY &lt;/em&gt;(Chax Press, Tucson, AZ., 2004)&lt;br /&gt;&lt;em&gt;CORNSTARCH FIGURINE &lt;/em&gt;(Dusie, Switzerland, 2007)&lt;br /&gt;&lt;em&gt;LILYFOIL + 3&lt;/em&gt; (O Books, Oakland, 2004)&lt;br /&gt;&lt;em&gt;POPULACE &lt;/em&gt;(Avec Books, Penngrove, CA 1999)&lt;br /&gt;&lt;em&gt;THE GRACES&lt;/em&gt; (wee chap, Dusie, 2006)&lt;br /&gt;&lt;em&gt;The Milk Bees &lt;/em&gt;(chap, Double Lucy Books, Berkeley, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NATASHA TRETHEWEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;NATIVE GUARD&lt;/em&gt; (Houghton Mifflin, Boston / New York, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID TRINIDAD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ANSWER SONG &lt;/em&gt;(High Risk Books, London, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;QUINCY TROUPE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Architecture of Language&lt;/em&gt; (Coffee House, Minneapolis, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ADDIE TSAI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;when half a body sings &lt;/em&gt;(manuscript form)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LORI TSANG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Passages and Totems &lt;/em&gt;(chap, Dog Star Press, Washington D.C., 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JENNIFER TSENG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Man with my Face &lt;/em&gt;(Asian American Writers Workshop, New York, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SANDY TSENG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SEDIMENT &lt;/em&gt;(___, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HUNG Q. TU&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Structures of Feeling &lt;/em&gt;(Krupskaya, San Francisco, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEAN TUPPER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WOMAN IN RAINLIGHT&lt;/em&gt; (Hobblebush Books, Brookline, NH, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LEWIS TURCO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The New Book of Forms: A Handbook of Poetics&lt;/em&gt; (University Press of New England, Hanover and London, 1986)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-113477070549144776?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/113477070549144776/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=113477070549144776' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113477070549144776'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113477070549144776'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/12/authors-t.html' title='AUTHORS: T'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-113299847831773214</id><published>2005-12-02T00:01:00.000-08:00</published><updated>2011-12-21T08:32:04.581-08:00</updated><title type='text'>AUTHORS: S</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PENTTI SAARIKOSKI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Edge of Europe / A Kinetic Image,&lt;/em&gt; translated by Anselm Hollo(novel, ACTIONBOOKS, Notre Dame, IN, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CARLY SACHS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;the steam sequence &lt;/em&gt;(Washington Writers' Publishing House, Washington D.C., 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NUBIAN SAGE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;VERBAL ABSTRACTIONS: POETRY OF LOVE, POWER AND DRAMA&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOYCELYN SAIDENBERG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CUSP &lt;/em&gt;(Kelsey St. Press, Berkeley, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALBERT SAIJO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;OUTSPEAKS: A RHAPSODY &lt;/em&gt;(Bamboo Ridge Press, Honolulu, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CYNTHIA SAILERS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LAKE SYSTEMS &lt;/em&gt;(Tougher Disguises Press, Oakland, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ST. JOHN OF THE CROSS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE POEMS&lt;/em&gt;, Trans. by Roy Campbell (The Harvill Press, London, 1951)&lt;br /&gt;&lt;em&gt;SELECTED WRITINGS&lt;/em&gt;, Ed. by Kieran Kavanaugh (The Classics of Western Spirituality / Paulist Press, 1987)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PRIMUS ST. JOHN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;COMMUNION: Poems 1976-1998 &lt;/em&gt;(Copper Canyon Press, Port Townsend, WA, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KAIA SAND&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;tiny arctic ice &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN SAKKIS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Moveable Ones &lt;/em&gt;(chap, Transmission Press, San Francisco, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KALAMU YA SALAAM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A NATION OF POETS &lt;/em&gt;(New Orleans, 1989)&lt;br /&gt;&lt;em&gt;MY STORY, MY SONG &lt;/em&gt;(tape)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARK SALERNO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HATE &lt;/em&gt;(96 Tears Press, Los Angeles, 1995)&lt;br /&gt;&lt;em&gt;METHOD &lt;/em&gt;(The Figures, Great Barrington, Mass, 2002)&lt;br /&gt;&lt;em&gt;SO ONE COULD HAVE &lt;/em&gt;(Red Hen, Los Angeles, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARY JO SALTER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Unfinished Painting &lt;/em&gt;(Knopf, New York, 1989)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TOMAZ SALAMUN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;POKER&lt;/em&gt;, Trans. by Joshua Beckman (Ugly Duckling Presse, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANTHEM SALGADO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Knuckle Up Butterfly &lt;/em&gt;(chap, San Francisco, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;E. SAN JUAN, JR.&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Smile of the Medusa: Selected Fictions &lt;/em&gt;(short stories, Anvil, Manila, 1994)&lt;br /&gt;&lt;em&gt;The Ashes of Pedro Abad Santos and Other Poems &lt;/em&gt;(Philippines Research Center, Mansfield Depot, Ct. 1985)&lt;br /&gt;&lt;em&gt;The Exorcism and Other Poems &lt;/em&gt;(author’s Xerox of Panitikan Publications Limited Edition, Manila, 1967)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KAIA SAND&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LOTTO &lt;/em&gt;(wee chap, Dusie, Switzerland, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CARL SANDBURG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CHICAGO POEMS &lt;/em&gt;(Dove, New York, 1994),&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JESUS MANUEL SANTIAGO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GITARA: Poems * Mga Tula 1975-1985 &lt;/em&gt;(Sipat Publications, Quezon City, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BIENVENIDO N. SANTOS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DISTANCES: IN TIME: SELECTED POEMS&lt;/em&gt; (Ateneo De Manila University Press, Quezon City, 1983)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JANICE SAPIGAO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;small sky: a collection of writings &lt;/em&gt;(chap, sp, San Jose, CA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SAPPHO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE LOVE SONGS OF SAPPHO&lt;/em&gt;, Trans. by Paul Roche (Signet Classic/Penguin, New York, 1966)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NADINE SARREAL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;In the Fullness of Time &lt;/em&gt;(Giraffe Books, New Day, Quezon City, 1991. 2 copies)&lt;br /&gt;&lt;em&gt;Start of Infinity &lt;/em&gt;(as Nadine Lynn. F. Rodriguez, New Day Booklet, Quezon City, 1974)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MAY SARTON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;At Eighty-Two: A Journal &lt;/em&gt;(journal, Norton, New York, 1996)&lt;br /&gt;&lt;em&gt;At Seventy &lt;/em&gt;(journal, Norton, New York, 1984)&lt;br /&gt;&lt;em&gt;Endgame: A Journal of the Seventy-Ninth Year &lt;/em&gt;(journal, Norton, New York, 1992)&lt;br /&gt;&lt;em&gt;I Knew A Phoenix: Sketches for an Autobiography &lt;/em&gt;(Norton, New York, 1959)&lt;br /&gt;&lt;em&gt;Journal of a Solitude &lt;/em&gt;(journals, Norton, New York, 1973)&lt;br /&gt;&lt;em&gt;Kinds of Love &lt;/em&gt;(novel, Norton/Penguin, New York, 1970. 2)&lt;br /&gt;&lt;em&gt;MAY SARTON &lt;/em&gt;by Margot Peters (biography,Ballantine, New York, 1997)&lt;br /&gt;&lt;em&gt;Mrs. Stevens Hears The Mermaids Singing &lt;/em&gt;(novel, Norton, New York, 1965)&lt;br /&gt;&lt;em&gt;Plant Dreaming Deep&lt;/em&gt; (memoir, Norton, New York, 1968)&lt;br /&gt;&lt;em&gt;Recovering: A Journal &lt;/em&gt;(journal, Norton, New York, 1980. 2)&lt;br /&gt;&lt;em&gt;SARTON Selected: An Anthology of the Journals, Novels, and Poetry of May Sarton&lt;/em&gt;, Ed. by Bradford Dudley Daziel (Norton, New York, 1991)&lt;br /&gt;&lt;em&gt;The Education of Harriet Hatfield &lt;/em&gt;(novel, Norton, New York, 1989)&lt;br /&gt;&lt;em&gt;The Fur Person&lt;/em&gt;, with illustrations by DAVID CANRIGHT (fictional biography, Norton, New York, 1983)&lt;br /&gt;&lt;em&gt;The House By The Sea &lt;/em&gt;(journal, Norton, New York, 1977)&lt;br /&gt;&lt;em&gt;The Magnificent Spinster &lt;/em&gt;(novel, Norton, New York, 1985. 2)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CATHERINE SASANOV&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Had Slaves &lt;/em&gt;(Firewheel Editions, Danbury, CT, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HIROAKI SATO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ONE HUNDRED FROGS: FROM RENGA TO HAIKU TO ENGLISH&lt;/em&gt; (Weatherhill, New York and Tokyo, 1983)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALEX SAVAGE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE FLESH IS LIKE A KIND OF MUPPET CAPER &lt;/em&gt;(Hey Tiger, Kansas, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LARRY SAWYER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;UNABLE TO FULLY CALIFORNIA &lt;/em&gt;(Otoliths, Rockhampton, Australia, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LESLIE SCALAPINO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Return of Painting &lt;/em&gt;(Dia Art Foundation, New York, 1988)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JENNIFER SCAPPETTONE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BEAUTY [IS THE NEW ABSURDITY]&lt;/em&gt; (chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STANDARD SCHAEFER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WATER &amp; POWER &lt;/em&gt;(Agincourt Press, New York, undated)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUSAN FROMBERG SCHAEFFER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Autobiography of Foudini M. Cat&lt;/em&gt; (prose, Fawcett Books, New York, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KATHRIN U. SCHAEPPI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;a frog jumps in haibun journal &lt;/em&gt;(chap, Dusi/e, Switzerland, 2007)&lt;br /&gt;&lt;em&gt;Sonja Sekula Grace in a cow's EYE: a memoir :&lt;/em&gt; (Black Radish Books, Lafayette, LA, 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL SCHARF&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TELEMACHIAD &lt;/em&gt;(sugarhigh, no location, 1999/2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JIM SCHLEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AS WHEN, IN SEASON&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL SCHMIDT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LIVES OF THE POETS &lt;/em&gt;(anthology of biographies, Knopf, N.Y. 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ZACHARY SCHOMBURG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE MAN SUIT &lt;/em&gt;(Black Ocean, Boxton, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUSAN M. SCHULTZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;And Then Something Happened&lt;/em&gt; (Salt Publishing, Cambridge, U.K., 2004)&lt;br /&gt;&lt;em&gt;Dementia Blog &lt;/em&gt;(Singing Horse Press, San Diego, CA, 2008)&lt;br /&gt;&lt;em&gt;MEMORY CARDS 2010-2011 SERIES&lt;/em&gt; (Singing Horse Press, San Diego, CA 2011)&lt;br /&gt;&lt;em&gt;Memory Cards &amp; Adoption Papers &lt;/em&gt;(Potes &amp; Poets Press, Bedford, MA, 2001)&lt;br /&gt;&lt;em&gt;Memory Cards : Wolsak Series&lt;/em&gt; (chap, sp, July 2010)&lt;br /&gt;&lt;em&gt;No_Guns_No_Durian &lt;/em&gt;(chap, Tinfish Press, Honolulu, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MATT SCHUMACHER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SPILLING THE MOON&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DELMORE SCHWARTZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Ego Is Always at the Wheel: Bagatelles&lt;/em&gt;, Ed. by Robert Philllips (bagatelles, New Directions, New York, 1948-1986)&lt;br /&gt;&lt;em&gt;POETS IN THEIR YOUTH: JOHN BERRYMAN, ROBERT LOWELL, RANDALL JARRELL, DELMORE SCHWARTZ, THEODORE ROETHKE AND DYLAN THOMAS&lt;/em&gt; by Eileen Simpson (memoir, The Noonday Press / Farrar Straus and Giroux, New York, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MATTHEW SCHWARTZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BLESSINGS FOR THE HANDS&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAMES SCHUYLER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Diary of James Schuyler&lt;/em&gt;, Ed. by Nathan Kernan (Black Sparrow Press, Santa Rosa, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BARRY SCHWABSKY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;book left open in the rain&lt;/em&gt; (Brooklyn Rail / Black Square Editions, New York, 2008)&lt;br /&gt;&lt;em&gt;DRAFTS OF WATER &lt;/em&gt; with prints by LUISA RABBIA (Limited Edition Artists' Book, EDIZIONI CANOPO, PRATO, ITALY, I of XX, 2002)&lt;br /&gt;&lt;em&gt;Fate/Seen in the Dark&lt;/em&gt; (chap, Burning Deck, Providence, 1985)&lt;br /&gt;&lt;em&gt;For Despair&lt;/em&gt; (chap, Seeing Eye Books, Los Angeles, 2005. 2 copies)&lt;br /&gt;&lt;em&gt;MARIA MORGANTI: STORIA DI UN QUADRO (HISTORY OF A PAINTING) CON UNA POESIA DI (WITH A POEM BY) BARRY SCHWABSKY&lt;/em&gt;, Also Trans. From English to Italian by Anny Ballardini (Barbara Behan Contemporary ARt London &amp; Edizioni Corraini, Italy, 2006)&lt;br /&gt;&lt;em&gt;OPERA: Poems 1981-2002 &lt;/em&gt;(Meritage Press, St. Helena/San Francisco, 2003. 25+ copies)&lt;br /&gt;&lt;em&gt;TEPHRA &lt;/em&gt;(chap, Black Square Editions, New York, 2005)&lt;br /&gt;&lt;em&gt;[ways]&lt;/em&gt;, with visual artist HONG SEUNG-HYE (Artsonje Center, Seoul and Meritage Press, St. Helena/San Francisco, 2005. 25+ copies)&lt;br /&gt;&lt;em&gt;THE WIDENING CIRCLE: CONSEQUENCES OF MODERNISM IN CONTEMPORARY ART &lt;/em&gt;(art essays, Cambridge University Press, Cambridge and New York, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARK SCOTT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Bedroom Occupation: Love Elegies&lt;/em&gt; (Lumen Inc., Santa Fe, NM, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SIR WALTER SCOTT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Poems of Scott, Volume 2&lt;/em&gt; (The Co-Operative Publication Society, New York and London)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEROME P. SEATON&lt;/strong&gt;&lt;br /&gt;As Translator, &lt;em&gt;THE WINE OF ENDLESS LIFE: TAOIST DRINKING SONGS FROM THE YUAN DYNASTY &lt;/em&gt;(White Pine Press, New York, 1985, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANDREA SELCH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Startling &lt;/em&gt;(Turning Point, Cincinnati, OH, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEAN-MARK SENS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;APPETITE &lt;/em&gt;(Red Hen Press, Los Angeles, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ILIASSA SEQIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;quintets &lt;/em&gt;(chap, o-blek editions/The Garlic Press, Stockbridge, Mass., 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ZVI A. SESLING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ACROSS STONES OF BAD DREAMS &lt;/em&gt;(chap, Cervena Barva Press, Somerville, MA, 2011)&lt;br /&gt;&lt;em&gt;King of the Jungle&lt;/em&gt; (Ibbetson Street Press, Somerville, MA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VIKRAM SETH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE GOLDEN GATE&lt;/em&gt; (poem-novel, Vintage Books, New York, 1986)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LOLAN BUHAIN SEVILLA&lt;/strong&gt;&lt;br /&gt;As co-editor with Roseli Ilano, &lt;em&gt;WALANG HIYA: literature taking risks toward liberatory practice &lt;/em&gt;(Carayan Press, San Francisco, 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANNE SEXTON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ANNE SEXTON: A BIOGRAPHY &lt;/em&gt;by Diane Wood Middlebrook (biography, Virago Press, London, 1991)&lt;br /&gt;&lt;em&gt;ANNE SEXTON: A SELF-PORTRAIT IN LETTERS&lt;/em&gt;, Ed. by Linda Gray Sexton and Lois Ames (Mariner Books, Houghton Mifflin, New York, 2004. 2)&lt;br /&gt;&lt;em&gt;Anne Sexton: The Last Summer &lt;/em&gt;(photographs and writings) by Arthur Furst (St. Martin’s Press, New York, 2000)&lt;br /&gt;&lt;em&gt;Love Poems &lt;/em&gt;(Houghton Mifflin, New York, 1999)&lt;br /&gt;&lt;em&gt;THE COMPLETE POEMS&lt;/em&gt; (Houghton Mifflin, Boston, 1981)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELAINE SEXTON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CAUSEWAY &lt;/em&gt;(____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SHIN SHALOM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;POEMS&lt;/em&gt;, Trans. by Ada Aharoni (Eked, Tel Aviv, 1981)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NTOZAKE SHANGE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Daughter’s Geography &lt;/em&gt;(St. Martin’s Press, New York, 1983)&lt;br /&gt;&lt;em&gt;for colored girls who have considered suicide/ when the rainbow is enuf: a choreopoem&lt;/em&gt; (Scribner, New York, 1975-1977)&lt;br /&gt;&lt;em&gt;Nappy Edges &lt;/em&gt;(St. Martin’s Press, New York, 1972-1978)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RAVI SHANKAR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;INSTRUMENTALITY &lt;/em&gt;(Cherry Grove, Cincinnati, 2004)&lt;br /&gt;&lt;em&gt;WANTON TEXTILES&lt;/em&gt;, collaboration with Reb Livingston (No Tell Books, 2006)&lt;br /&gt;As Editor with Tina Chang and Nathalie Handal, &lt;em&gt;LANGUAGE FOR A NEW CENTURY: CONTEMPORARY POETRY FROM THE MIDDLE EAST, ASIA AND BEYOND&lt;/em&gt; (Norton, New York, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID SHAPIRO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Burning Interior&lt;/em&gt; (The Overlook Press, Woodstock, 2002)&lt;br /&gt;&lt;em&gt;After a Lost Original &lt;/em&gt;(The Overlook Press, Woodstock, 1994)&lt;br /&gt;&lt;em&gt;NEW AND SELECTED POEMS (1965-2006)&lt;/em&gt; (The Overlook Press, Woodstock &amp; New York, 2007)&lt;br /&gt;&lt;em&gt;Uncontrollable Beauty: Towards a New Aesthetics &lt;/em&gt;with BILL BECKLEY (anthology of art prose, Watson-Guptill Publications, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HARVEY SHAPIRO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Selected Poems &lt;/em&gt;(Wesleyan University Press, Hanover/London, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DON SHARE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;UNION &lt;/em&gt;(Zoo Press, Lincoln, Nebraska, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PRAGEETA SHARMA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE OPENING QUESTION &lt;/em&gt;(Fence Books, New York, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRENDA SHAUGHNESSY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HUMAN DARK WITH SUGAR&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAURIE SHECK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Black Series &lt;/em&gt;(Knopf, New York, 2001)&lt;br /&gt;&lt;em&gt;IO AT NIGHT &lt;/em&gt;(Knopf, New York, 1990)&lt;br /&gt;&lt;em&gt;The Willow Grove &lt;/em&gt;(Knopf, New York, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PERCY BYSSHE SHELLEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE CENCI: A TRAGEDY IN FIVE ACTS &lt;/em&gt;(Phaeton Press, New York, 1970)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RICHARD SHELTON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Crossing The Yard: Thirty Years as a Prison Volunteer &lt;/em&gt;(memoir, The University of Arizona Press, Tucson, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;REGINALD SHEPHERD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Fata Morgana &lt;/em&gt;(University of Pittsburgh Press, 2007)&lt;br /&gt;&lt;em&gt;ITINERARY &lt;/em&gt;(chap, Green Tower Press, Maryville, Missouri, 2006)&lt;br /&gt;&lt;em&gt;Orpheus in the Bronx: Essays on Identity, Politics, and the Freedom of Poetry &lt;/em&gt;(The University of Michigan Press, Ann Arbor, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRANDON SHIMODA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Pines, Volume One&lt;/em&gt; with PHIL CORDELLI (chap, Pines Press, Ridgefield, Conn., 2005)&lt;br /&gt;&lt;em&gt;The Pines, Volume Two&lt;/em&gt; with PHIL CORDELLI (chap, Pines Press, Southern California, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUN YUNG SHIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SKIRT FULL OF BLACK &lt;/em&gt;(Coffee House Press, Minneapolis, Minn., 2007) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELY SHIPLEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BOY WITH FLOWERS&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KAZUKO SHIRAISHI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Seasons of Sacred Lust&lt;/em&gt;, Ed. by Kenneth Rexroth and Trans. by Ikuko Atsumi, John Solt, Carol Tinker, Yasuyo Morita and Kenneth Rexroth (New Directions, New York, 1978)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EVIE SHOCKLEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;a half-red sea&lt;/em&gt; (Carolina Wren Press Poetry Series Ten, Durham, North Carolina, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID SHUMATE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE FLOATING BRIDGE&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELENI SIKELIANOS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BODY CLOCK &lt;/em&gt;(Coffeehouse Press, Minneapolis, 2008)&lt;br /&gt;&lt;em&gt;Earliest Worlds &lt;/em&gt;(Coffeehouse Press, Minneapolis, 2001)&lt;br /&gt;&lt;em&gt;The Book of Jon &lt;/em&gt;(memoir, City Lights Press, 2004)&lt;br /&gt;&lt;em&gt;THE MONSTER LIVES OF BOYS AND GIRLS &lt;/em&gt;(Green Integer 88, Kobenhavn and Los Angeles, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RICHARD SIKEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Crush &lt;/em&gt;(Yale, New Have, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LESLIE MARMON SILKO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Delicacy and Strength of Lace&lt;/em&gt; with JAMES WRIGHT, Ed. by Anne Wright (letters, Graywolf Press, St. Paul, Minn., 1986)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RON SILLIMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Age of Huts (compleat)&lt;/em&gt; (University of California Press, 2007)&lt;br /&gt;&lt;em&gt;LIT &lt;/em&gt;(Potes and Poets Press, Elmwood, Conn, 1987)&lt;br /&gt;&lt;em&gt;N/O&lt;/em&gt; (Roof Books, New York, 2004)&lt;br /&gt;&lt;em&gt;R&lt;/em&gt; (Drogue Press, New York, 1995)&lt;br /&gt;&lt;em&gt;RON SILLIMAN AND THE A*L*P*H*A*B*E*T &lt;/em&gt;(Quarry West 34, Santa Cruz, CA 1998)&lt;br /&gt;&lt;em&gt;THE NEW SENTENCE &lt;/em&gt;(poetics, Roof Books, New York, 1995)&lt;br /&gt;&lt;em&gt;TONER &lt;/em&gt;(Potes and Poets Press, Elmwood, Conn, 1992)&lt;br /&gt;&lt;em&gt;Tjanting &lt;/em&gt;(Salt, Cambridge, 2002)&lt;br /&gt;&lt;em&gt;UNDER ALBANY &lt;/em&gt;(Salt, Cambridge, 2004)&lt;br /&gt;&lt;em&gt;Xing &lt;/em&gt;(Meow Press, Buffalo, 2004)&lt;br /&gt;&lt;em&gt;LENINGRAD: AMERICAN WRITERS IN THE SOVIET UNION&lt;/em&gt;, memoir by Michael Davidson, Lyn Hejinian, Ron Silliman, Bruce Watten (Mercury House, San Francisco, 1991)&lt;br /&gt;&lt;em&gt;THE GRAND PIANO, Part 1: An Experiment in Collective Autobiography&lt;/em&gt;, with Bob Perelman, Barrett Watten, Steve Benson, Carla Harryman, Tom Mandel, Kit Robinson, Lyn Hejinian, Rae Armantrout, &amp; Ted Pearson (Mode A, Detroit, 2006)&lt;br /&gt;As Editor, &lt;em&gt;IN THE AMERICAN TREE &lt;/em&gt;(anthology, National Poetry Foundation / University of Maine, Orono, 1986)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SALLY SILVERS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Body of Words: Performance Texts&lt;/em&gt;, with Alexandra Beller, Lauren Nicole Nixon, and Rosamond S. King (Belladonna #129, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHARLES SIMIC&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Fly in the Soup &lt;/em&gt;(memoir, University of Michigan Press, 2000)&lt;br /&gt;&lt;em&gt;A Wedding In Hell &lt;/em&gt;(Harcourt Brace, New York, 1994)&lt;br /&gt;&lt;em&gt;Hotel Insomnia &lt;/em&gt;(Harcourt Brace, New York, 1992)&lt;br /&gt;&lt;em&gt;The Book of Gods and Devils &lt;/em&gt;(Harcourt Brace, New York, 1990)&lt;br /&gt;&lt;em&gt;The Uncertain Certainty: Interviews, Essays, and Notes on Poetry &lt;/em&gt;(University of Michigan Press, 1985)&lt;br /&gt;&lt;em&gt;The Unemployed Fortune-Teller: Essays and Memoirs &lt;/em&gt;(University of Michigan Press, 1994)&lt;br /&gt;&lt;em&gt;The World Doesn’t End &lt;/em&gt;(Harcourt Brace, New York, 1985-1989)&lt;br /&gt;&lt;em&gt;Walking The Black Cat &lt;/em&gt;(Harcourt Brace, New York, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DVORAH SIMON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MERCY&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SANDRA SIMONDS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;STEAM &lt;/em&gt;(chap, SF, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CAROLINE SINAVAIANA-GABBARD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Alechemies of Distance &lt;/em&gt;(Subpress/ Tinfish/ Insitute of Pacifid Studies, Honolulu and Suva, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSE MARIA SISON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;JOSE MARIA SISON: At Home in the World, Portrait of a Revolutionary. Conversations with Ninotchka Rosca &lt;/em&gt;(reader, Open Hand Publishing, Greensboro, NC, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EDITH SITWELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE CANTICLE OF THE ROSE: POEMS 1917-1949&lt;/em&gt; (The Vanguard Press, New York, 1949)&lt;br /&gt;&lt;em&gt;THE SONG OF THE COLD&lt;/em&gt; (The Vanguard Press, New York, 1948)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARY MARGARET SLOAN&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;MOVING BORDERS: THREE DECADES OF IINNOVATIVE WRITING BY WOMEN&lt;/em&gt; (anthology, Talisman, Jersey City, N.J., 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CARMEN GIMENES SMITH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Can We Talk Here&lt;/em&gt; (Belladonna Chaplet #132, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DALE SMITH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;American Rambler&lt;/em&gt; (Thorp Springs, Austin, 2000)&lt;br /&gt;&lt;em&gt;Black Stone &lt;/em&gt;(effing press, Austin, 2007)&lt;br /&gt;&lt;em&gt;My Vote Counts &lt;/em&gt;(chap, effing press, Austin, 2004)&lt;br /&gt;&lt;em&gt;THE FLOOD &amp; THE GARDEN: A Daybook &lt;/em&gt;(journal, First Intensity Press, Lawrence, KS, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LOGAN RYAN SMITH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;2 poems from the bottom of the barrel &lt;/em&gt;(chap, Dusie, 2006)&lt;br /&gt;&lt;em&gt;STUPID BIRDS &lt;/em&gt;(Transmission Press, San Francisco, 2007)&lt;br /&gt;&lt;em&gt;THE SINGERS &amp; THE NOTES &lt;/em&gt;(Dusie Press, Zurich, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PATTI SMITH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WITT &lt;/em&gt;(Gotham Book Mart, New York, 1973)&lt;br /&gt;&lt;em&gt;Patti Smith: a biography &lt;/em&gt;by Nick Johnstone (Omnibus Press, London, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SHANNON SMITH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;negative inventory &lt;/em&gt;(chap, one acre down, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SIMON SMITH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Reverdy Road &lt;/em&gt;(Salt, Cambridge, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MIKE SNIDER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;44 Sonnets &lt;/em&gt;(chap, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAY SNODGRASS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MONSTER ZERO &lt;/em&gt;(Elixir Press, Minneapolis, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;W.D. SNODGRASS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AFTER IMAGES: Autobiographical Sketches &lt;/em&gt;(BOA Editions, Rochester, N.Y. 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GARY SNYDER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Earth House Hold &lt;/em&gt;(New Directions, New York, 1957)&lt;br /&gt;&lt;em&gt;MYTHS &amp; TEXTS &lt;/em&gt;(New Directions, New York, 1960)&lt;br /&gt;&lt;em&gt;Riprap and Cold Mountain Poems &lt;/em&gt;(Counterpoint, Berkeley, CA, 50th Anniversary Edition 2009)&lt;br /&gt;&lt;em&gt;A Place in Space: Ethics, Aesthetes and Watersheds: New and Selected Prose &lt;/em&gt;(Counterpoint, Washington D.C., 1995)&lt;br /&gt;&lt;em&gt;PASSAGE THROUGH INDIA &lt;/em&gt;(illustrated travelogue, Shoemaker &amp; Hoard, 1972-2007)&lt;br /&gt;&lt;em&gt;POETS ON THE PEAKS: Gary Snyder, Philip Whalen &amp; Jack Kerouac in the North Cascades&lt;/em&gt;, text and photographs by John Suiter (Counterpoint/Perseus, New York, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RICK SNYDER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GUESTBOOK &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GUSTAF SOBIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;IN PURSUIT OF A VANISHING STAR &lt;/em&gt;(novel, Norton, N.Y., 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAURA SOLORZANO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;lobo de labio / lip wolf&lt;/em&gt;, Trans. by Jen Hofer (Action Books, Tuscaloosa, AL, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOANNA SONDHEIM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THAUMATROPE &lt;/em&gt;(chap, Sona Books, Brooklyn, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONYA SONES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;STOP PRETENDING: what happened when my big sister went crazy&lt;/em&gt; (HarperCollins, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CATHY SONG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PICTURE BRIDE &lt;/em&gt;(Yale, New Haven, 1983)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;IRENE SUICO SORIANO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Safehouses &lt;/em&gt;(chap, disorient, Los Angeles, 1998. 2 copies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GILBERT SORRENTINO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Lunar Follies &lt;/em&gt;(satire, Coffee House Press, Minneapolis, 2005)&lt;br /&gt;&lt;em&gt;New and Selected Poems 1958-1998 &lt;/em&gt;(Green Integer 143, Kobenhavn &amp; Los Angeles, 2004)&lt;br /&gt;&lt;em&gt;WHITE SAIL &lt;/em&gt;(Black Sparrow, Santa Barbara, 1977)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BOYD SPAHR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GIFT FROM JULIA &lt;/em&gt;(chap, Dusi/e, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JULIANA SPAHR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Fuck You-Aloha-I Love You &lt;/em&gt;(Wesleyan University Press, Middletown, Conn., 2001)&lt;br /&gt;&lt;em&gt;GENTLE NOW, DON’T ADD TO HEARTACHE &lt;/em&gt;(subpoetics self-publish or perish, Oakland, 2004)&lt;br /&gt;&lt;em&gt;From "The Tradition" &lt;/em&gt;(Meritage Press "Tiny Book", St. Helena and San Francisco, 2008)&lt;br /&gt;&lt;em&gt;The Transformation &lt;/em&gt;(memoir, Atelos, 2007)&lt;br /&gt;&lt;em&gt;Things of each possible relation hashing against one another &lt;/em&gt;(chap, Palm Press, Newfield, N.Y. 2003)&lt;br /&gt;&lt;em&gt;Thisconnectionofeveryonewithlungs&lt;/em&gt; (University of California Press, Berkeley, 2005)&lt;br /&gt;As Editor with CLAUDIA RANKINE, &lt;em&gt;AMERICAN WOMEN POETS IN THE 21ST CENTURY: WHERE LYRIC MEETS LANGUAGE &lt;/em&gt;(study, Wesleyan University Press, Middletown, Conn. 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DOUGLAS SPANGLE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PERSEUS PURSUING &lt;/em&gt;(chap, nine muses books, Winston, Oregon, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;A.B. SPELLMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THINGS I MUST HAVE KNOWN&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEPHEN SPENDER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SELECTED POEMS &lt;/em&gt;(Random House, New York, 1964)&lt;br /&gt;&lt;em&gt;The Edge of Being &lt;/em&gt;(Random House, New York, 1949)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EDMUND SPENSER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SELECTIONS FROM THE POETICAL WORKS OF EDMUND SPENSER&lt;/em&gt;, Ed. by S.K. Heninger, Jr. (Houghton Mifflin, New York, 1970)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JACK SPICER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;my vocabulary did this to me: The Collected Poetry of Jack Spicer&lt;/em&gt;, Eds. Peter Gizzi and Kevin Killian (Wesleyan University Press, Middletown, Conn., 2008)&lt;br /&gt;&lt;em&gt;POET BE LIKE GOD: Jack Spicer and the San Francisco Renaissance &lt;/em&gt;by Lewis Ellingham and Kevin Killian (biography, Wesleyan University Press, Hanover, NH, 1998)&lt;br /&gt;&lt;em&gt;THE COLLECTED BOOKS OF JACK SPICER&lt;/em&gt;, Ed. by Robin Blaser (Black Sparrow, Santa Rosa, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARK SPITZER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Age of the Demon Tools &lt;/em&gt;(Ahadada Books, Toronto &amp; Tokyo, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JANE SPRAGUE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Sacking the Henwife &lt;/em&gt;(chap, Dusie, Switzerland, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MADELON SPRENGNETHER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Angel of Duluth: Prose Poems &lt;/em&gt;(White Pine Press, Buffalo, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHRISTOPHER STACKHOUSE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Slip &lt;/em&gt;(chap, Corollary Press, Northhampton, MA, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WILLIAM STAFFORD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;EARLY MORNING: Remembering My Father William Stafford &lt;/em&gt;by Kim Stafford (memoir, Graywolf Press, St. Paul, Minn. 2002)&lt;br /&gt;&lt;em&gt;You Must Revise Your Life &lt;/em&gt;(poetry and prose (University of Michigan Press, Ann Arbor, 1986)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MATINA L. STAMATAKIS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ek-ae: A Journey into Ekphrastic Aesthetics &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAURA STAMPS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE YEAR OF THE CAT: NEW POEMS &lt;/em&gt;(Artemesia Publishing, Columbia, SC. 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELEANOR STANFORD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE BOOK OF SLEEP&lt;/em&gt;  (____, 2008) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WILL STAPLE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE ONE THAT GOT AWAY&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LARA STAPLETON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE THIRDEST WORLD&lt;/em&gt;, with Eric Gamalinda and Gina Apostol (fiction &amp; essays, Factory School, New York, N.Y., 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SOFIA M. STARNES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A COMMERCE OF MOMENTS &lt;/em&gt;(Pavement Saw Press, Columbus, OH, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAN STECKEL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Underwater Hospital &lt;/em&gt;(Zeitgeist Press, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SASHA STEENSEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE METHOD &lt;/em&gt;(Fence Books, Albany, N.Y., 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRIAN KIM STEFANS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Angry Penguins &lt;/em&gt;(Harry Tankoos Books, New York, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GERTRUDE STEIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GERTRUDE STEIN &lt;/em&gt;by Bettina L. Knapp (critical biography, Continuum, New York, 1990)&lt;br /&gt;&lt;em&gt;NARRATION: Four Lectures with an Introduction by Thornton Wilder &lt;/em&gt;(University of Chicago Press, Collector’s Edition, 1935)&lt;br /&gt;&lt;em&gt;SELECTED WRITINGS OF GERTRUDE STEIN&lt;/em&gt;, Ed. by Carl Van Vechten (anthology, Vintage, New York, 1962)&lt;br /&gt;&lt;em&gt;STANZAS IN MEDITATION &lt;/em&gt;(Sun &amp;amp; Moon, Los Angeles, 1980)&lt;br /&gt;&lt;em&gt;The Autobiography of Alice B. Toklas &lt;/em&gt;(Vintage, New York, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARJORIE STEIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AN ATLAS OF LOST CAUSES &lt;/em&gt;(Kelsey Street Press, Berkeley, CA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JORDAN STEMPLEMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Their Fields &lt;/em&gt;(Moria Books, Chicago, 2005)&lt;br /&gt;&lt;em&gt;WHAT'S THE MATTER &lt;/em&gt;(Otoliths, Australia, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;IAN STEPHEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Offshore Onshore&lt;/em&gt;, with artist DAVID CONNEARN (poem folio, Morning Star Publications, Edinburgh, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL STEPHENS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Jigs and Reels &lt;/em&gt;(Hanging Loose, Brooklyn, 1992)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GERALD STERN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;American Sonnets &lt;/em&gt;(Norton, N.Y., 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WALLACE STEVENS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;OPUS POSTHUMOUS: Poems, Plays, Prose&lt;/em&gt;, Ed. by Samuel French Morse (Vintage, New York, 1982)&lt;br /&gt;&lt;em&gt;PARTS OF A WORLD: Wallace Stevens Remembered &lt;/em&gt;by Peter Brazeau (oral biography, Random House, New York, 1983)&lt;br /&gt;&lt;em&gt;The Collected Poems &lt;/em&gt;(Vintage, New York, 1990)&lt;br /&gt;&lt;em&gt;The Necessary Angel: Essays on Reality and the Imagination &lt;/em&gt;(Vintage, New York, 1951)&lt;br /&gt;&lt;em&gt;Six Modernist Moments in Poetry &lt;/em&gt;(Rainer Maria Rilke, William Butler Yeats, Wallace Stevens, William Carlos Williams, Marianne Moore, Eugenie Montale by David Young (study, University of Iowa, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUSAN STEWART&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;RED ROVER&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALISON STINE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LOT OF MY SISTER &lt;/em&gt;(Wick Poetry Chapbook Series Two, No. 10, Kent State University Press, Kent, Ohio and London, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RUTH STONE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WHAT LOVE COMES TO: NEW &amp; SELECTED POEMS&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DONNA STONECIPHER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE COSMOPOLITAN&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAMES STOTTS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LOST ORPHICS &lt;/em&gt;(chap, sp, 2008, 7/10)&lt;br /&gt;&lt;em&gt;NURSERY RHYMES &lt;/em&gt;(chap, sp, 2008. 17/50)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;J.H. STOTTS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;remainders for the earth: poems &lt;/em&gt;(chap) (sp)&lt;br /&gt;&lt;em&gt;Since &lt;/em&gt;(O'er Books, Boston, 2009)&lt;br /&gt;As Translator from the Russian, &lt;em&gt;14 &lt;/em&gt;by Boris Ryzhii (manuscript form)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID LEVI STRAUSS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MANOEUVRES &lt;/em&gt;(Aleph Press, San Francisco, 1980)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRIAN STRANG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;dark adapt &lt;/em&gt;(chap, Cricket Press, West Hartford, CT, 2007)&lt;br /&gt;&lt;em&gt;Dark Adapt &lt;/em&gt;(manuscript form)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEPHANIE STRICKLAND&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Red Virgin: A Poem of Simone Weil &lt;/em&gt;(University of Wisconsin Press, Madison, Wisconsin, 1993)&lt;br /&gt;&lt;em&gt;ZONE : ZERO &lt;/em&gt;(Ahsahta Press, Boise, ID, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LENY M. STROBEL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A BOOK OF HER OWN: Words and Images to Honor the Babaylan &lt;/em&gt;(T’boli Publishing, San Francisco, 2005)&lt;br /&gt;&lt;em&gt;Coming Full Circle: The Process of Decolonization Among Post-1965 Filipino Americans &lt;/em&gt;(study, Giraffe Books, Quezon City, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHRIS STROFFOLINO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;New Orleans Benefit CD&lt;/em&gt;--Continuous Peasant (CD, 2005)&lt;br /&gt;&lt;em&gt;Speculative Primitive &lt;/em&gt;(Tougher Disguises, Oakland, 2004)&lt;br /&gt;&lt;em&gt;SPIN CYCLE: Selected Essays and Reviews (1989-1999)&lt;/em&gt; (Spuyten Duyvil, New York, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LYNN STRONGIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Dovey &amp; Me&lt;/em&gt; (chap, Solo Press, Carpinteria, CA 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN STRULOEFF&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE MAN I WAS SUPPOSED TO BE&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ABELARDO SUBIDO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Sonnets From A Gardener and Other Poems &lt;/em&gt;(A Milestone Publication, Philippines, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TARROSA SUBIDO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PRIVATE EDITION: Sonnets and Other Poems &lt;/em&gt;(A Milestone Publication, Philippines, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSE ANTONIO RAMOS SUCRE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Selections from ENAMEL SKY&lt;/em&gt;, Trans. by Guillermo Parra(pamphlet printed on the occasions of a reading by the translation in Raleigh, NC on 24 April 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GARY SULLIVAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HOW TO PROCEED IN THE ARTS &lt;/em&gt;(Faux Press, Cambridge, Mass., 2001)&lt;br /&gt;&lt;em&gt;SWOON&lt;/em&gt; with Nada Gordon (correspondence-memoir, Granary Books, New York, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUSAN SUNTREE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Eye of the Womb &lt;/em&gt;(Power Press, Nevada City, CA, 1981)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOYCE SUTPHEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Straight Out of View &lt;/em&gt;(Beacon Press, Boston, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AIMEE SUZARA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;the space between &lt;/em&gt;(chap, Finishing Line Press, Georgetown, Kentucky, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MATHIAS SVALINA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;destruction myth &lt;/em&gt;(Cleveland State University Poetry Center, Cleveland, OH, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHAD SWEENEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AN ARCHITECTURE &lt;/em&gt;(BlazeVOX Books, Kenmore, N.Y., 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHARLES SWEETMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ENTERPRISE, INC.&lt;/em&gt; (____, 2008) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;COLE SWENSEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Oh &lt;/em&gt;(Apogee Press, Berkeley, 2000)&lt;br /&gt;&lt;em&gt;Walk &lt;/em&gt;(chap, Leave Books, Buffalo, N.Y. 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ARTHUR SZE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ARCHIPELAGO &lt;/em&gt;(Copper Canyon Press, Port Townsend, Washington, 1995)&lt;br /&gt;&lt;em&gt;ARTHUR SZE &lt;/em&gt;(video, Lannan Literary Videos, Santa Fe, 1997)&lt;br /&gt;&lt;em&gt;“Before Sunrise”&lt;/em&gt; (broadside, Dia Center for the Arts, New York, 1998)&lt;br /&gt;&lt;em&gt;DAZZLED &lt;/em&gt;(Floating Island Publications, Point Reyes, CA, 1982)&lt;br /&gt;&lt;em&gt;QUIPU &lt;/em&gt;(Copper Canyon, Port Townsend, 2005)&lt;br /&gt;&lt;em&gt;RIVER RIVER &lt;/em&gt;(Lost Roads, Providence, 1987)&lt;br /&gt;&lt;em&gt;The Gingko Light &lt;/em&gt;(Copper Canyon Press, Port Townsend, Washington, 2009. 2)&lt;br /&gt;&lt;em&gt;The Redshifting Web: Poems 1970-1998 &lt;/em&gt;(Copper Canyon Press, Port Townsend, 1998. 2 copies)&lt;br /&gt;&lt;em&gt;The Silk Dragon: Translations From The Chinese &lt;/em&gt;(Copper Canyon, Port Townsend, 2001)&lt;br /&gt;&lt;em&gt;THE WILLOW WIND: Translations from the Chinese and Poems &lt;/em&gt;(Tooth of Time, 1981)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FIONA SZE-LORRAIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WATER THE MOON &lt;/em&gt;(Marick Press, Grosse Point, MI, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WISLAWA SZYMBORSKA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Poems New and Collected 1957-1997&lt;/em&gt;, Trans. by Stanislaw Baranczak and Clare Cavanagh (Harcourt Brace, New York, 1998)&lt;br /&gt;View with a Grain of Sand: Selected Poems, Trans. by Stanislaw Baranczak and Clare Cavanagh (Harcourt Brace, San Diego/New York/London, 1993)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-113299847831773214?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/113299847831773214/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=113299847831773214' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113299847831773214'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113299847831773214'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/12/authors-s.html' title='AUTHORS: S'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-113160040223518338</id><published>2005-11-11T00:12:00.000-08:00</published><updated>2011-12-22T17:03:49.776-08:00</updated><title type='text'>AUTHORS: R</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CLEMENTINE C. RABASSA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;POLLOCK'S POLKA &lt;/em&gt;(Nightingale Editions, Merrick, N.Y. 2004) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GREGORY RABASSA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;If This Be Treason: Translation and its Dyscontents &lt;/em&gt;(memoir, New Directions, New York, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELLEN RACHLIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;UNTIL THE CRAZY CATCHES &lt;/em&gt;ME (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BURTON RAFFEL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HOW TO READ A POEM&lt;/em&gt; (prose, Meridian/Penguin, New York, 1984)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RAJAHKALI9&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Beloved Ma Ma Pilipina &lt;/em&gt;(broadside)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BIN RAMKE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Difference between Night and Day &lt;/em&gt;(Yale University Press, New Haven, 1978)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PETER RAMOS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Please Do Not Feed The Ghost &lt;/em&gt;(BlazeVOX Books, Buffalo, N.Y., 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DOUG RAMSPECK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BLACK TUPELO COUNTRY&lt;/em&gt; (____, 2008) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARGARET RANDALL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Sandino's Daughters: Testimonies of Nicaraguan Women in Struggle&lt;/em&gt;, Edited by Lynda Yanz (study, New Star Books, Vancouver,/Toronto, 1981)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELAINE RANDELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Faulty Mothering &lt;/em&gt;(Shearsman Books, Exeter, U.K., 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CLAUDIA RANKINE&lt;/strong&gt;&lt;br /&gt;As Editor with JULIANA SPAHR, &lt;em&gt;AMERICAN WOMEN POETS IN THE 21ST CENTURY: WHERE LYRIC MEETS LANGUAGE &lt;/em&gt;(study, Wesleyan University Press, Middletown, Conn. 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KATHRYN RANTALA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Plant Waterer and other things in common&lt;/em&gt; (Ravenna Press, Washington, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JONAH RASKIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BONE LOVE &lt;/em&gt;(chap, Alexander Book Company, San Francisco, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROCHELLE RATNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BALANCING ACTS&lt;/em&gt; (Marsh Hawk Press, 2006)&lt;br /&gt;&lt;em&gt;COMBING THE WAVES &lt;/em&gt;(Hanging Loose, Brooklyn, 1979)&lt;br /&gt;&lt;em&gt;House and Garden &lt;/em&gt;(Marsh Hawk Press, New York, 2003)&lt;br /&gt;&lt;em&gt;LEADS &lt;/em&gt;(Otoliths, Rockhampton, Australia, 2007)&lt;br /&gt;&lt;em&gt;PRACTICING TO BE A WOMAN &lt;/em&gt;(The Scarecrow Press, Inc., Metuchen, N.J. &amp; London, 1982)&lt;br /&gt;&lt;em&gt;Sea Air in a Grave Ground Hog Turns Toward &lt;/em&gt;('Gull Press, Brooklyn, 1980)&lt;br /&gt;&lt;em&gt;The Tightrope Walker &lt;/em&gt;(The Pennyworth Press, Calgary, 1976)&lt;br /&gt;&lt;em&gt;QUARRY &lt;/em&gt;(New Rivers Press, Brooklyn, 1978)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TOM RAWORTH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ETERNAL SECTIONS &lt;/em&gt;(Sun &amp; Moon, Los Angeles, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HILDA RAZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ALL ODD AND SPLENDID&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BINO A. REALUYO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE GODS WE WORSHIP LIVE NEXT DOOR&lt;/em&gt; (University of Utah Press, 2006)&lt;br /&gt;&lt;em&gt;The Umbrella Country &lt;/em&gt;(novel, Ballantine Books, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DIOSCORO R. RECIO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;NO FILIPINOS ALLOWED &lt;/em&gt;(chap, prose and poetry, San Francisco, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SRIKANTH REDDY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;FACTS FOR VISITORS&lt;/em&gt; (University of California, Berkeley, Los Angeles, London, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JENNIFER REIMER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;OUT OF WEDLOCK&lt;/em&gt;, with Craig Perez (chap, sf, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAISLEY REKDAL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A CRASH OF RHINOS &lt;/em&gt;(University of Georgia Press, Athens, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SPENCER REESE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE CLERK'S TALE &lt;/em&gt;(Houghton Mifflin, New York, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOAN RETALLACK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ICARUS FFFFALLING&lt;/em&gt; (chap, leave books, Buffalo, N.Y. 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;G. EMIL REUTTER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Blue Collar Poet&lt;/em&gt; (StoneGarden.net Publishing, Danville, CA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PIERRE REVERDY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PROSE POEMS&lt;/em&gt;, Translated by Ron Padgett (The Brooklyn Rail/Black Square Editions, Brooklyn, N.Y., 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANDREA REXILIUS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TO BE HUMAN IS TO BE A CONVERSATION&lt;/em&gt; (Rescue Press, Milwaukee, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KENNETH REXROTH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Alternative Society: Essays from the Other World &lt;/em&gt;(Herder and Herder, New York, 1970)&lt;br /&gt;&lt;em&gt;A Life of Kenneth Rexroth &lt;/em&gt;by Linda Hamalian (biography, Norton, New York, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BARBARA JANE REYES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ACHIOTE SEEDS&lt;/em&gt;, with Rich Villar and Rebecca Mabanglo-Mayor (Achiote Press, Spring 2007)&lt;br /&gt;&lt;em&gt;DIWATA &lt;/em&gt;(BOA Editions, Rochester, N.Y., 2010. 2)&lt;br /&gt;&lt;em&gt;EASTER SUNDAY&lt;/em&gt; (chap, ypolita press, 2008)&lt;br /&gt;&lt;em&gt;GRAVITIES OF CENTER &lt;/em&gt;(Arkipelago Books, San Francisco, 2003)&lt;br /&gt;&lt;em&gt;Lists, Love Poems, And Ritual &lt;/em&gt;(chap, San Francisco, 2000)&lt;br /&gt;&lt;em&gt;Poeta en San Francisco&lt;/em&gt; (manuscript form and book, Tinfish Press, Kaneohe, HI, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HELEN STEINER RICE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;In The Vineyard of the Lord: Lights and Shadows from the Life of Helen Steiner Rice&lt;/em&gt;, as told to Fred Bauer (Fleming H. Revell Company, Old Tappan, N.J., 1979)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ADRIENNE RICH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BLOOD, BREAD, AND POETRY: Selected Prose 1979-1985 &lt;/em&gt;(prose, Norton, New York, 1986)&lt;br /&gt;&lt;em&gt;LEAFLETS: Poems 1965-1968 &lt;/em&gt;(Norton, New York, 1969)&lt;br /&gt;&lt;em&gt;MIDNIGHT SALVAGE: Poems 1995-1998 &lt;/em&gt;(Norton, New York, 1999)&lt;br /&gt;&lt;em&gt;On Lies, Secrets, and Silence: Selected Prose 1966-1978 &lt;/em&gt;(Norton, New York, 1979)&lt;br /&gt;&lt;em&gt;Poems Selected and New, 1950-1974 &lt;/em&gt;(Norton, New York, 1975)&lt;br /&gt;&lt;em&gt;POETRY AND COMMITMENT &lt;/em&gt;(essay, with Afterword by Mark Doty, Norton, New York, 2007)&lt;br /&gt;&lt;em&gt;WHAT IS FOUND THERE: Notebooks on Poetry and Politics &lt;/em&gt;(prose, Norton, New York, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DEBORAH RICHARDS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PARABLE &lt;/em&gt;(chap, Leroy, San Francisco, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FRANCES RICHARD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;See Through &lt;/em&gt;(Four Way Books, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAMES RICHARDSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;VECTORS: Aphorisms &amp;amp; Ten-Second Essays &lt;/em&gt;(Ausable Press, Keene, N.Y. 2002)&lt;br /&gt;&lt;em&gt;INTERGLACIAL: New and Selected Poems &amp; Aphorism &lt;/em&gt;(Ausable Press, Keene, N.Y. 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FRANCES RICHEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE WARRIOR&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAN RICHMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Because The Brain Can Be Talked Into Anything &lt;/em&gt;(Louisiana State University, Baton Rouge, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAURA RIDING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Selection of the Poems of Laura Riding&lt;/em&gt;, Ed. Robert Nye (Persea Books, New York, 1994)&lt;br /&gt;&lt;em&gt;SELECTED POEMS: IN FIVE SETS&lt;/em&gt; (W.W. Norton &amp; Co., Inc., New York, 1938, 1970)&lt;br /&gt;&lt;em&gt;In Extremis: The Life of Laura Riding &lt;/em&gt;by Deborah Baker (biography, Grove Press, New York, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SARAH RIGGS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;60 TEXTOS&lt;/em&gt; (Ugly Duckling Presse, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RAINER MARIA RILKE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Duino Elegies and The Sonnets to Orpheus&lt;/em&gt;, Trans. by A. Poulin, Jr. (Houghton Mifflin, Boston, 1975)&lt;br /&gt;&lt;em&gt;Letters to a Young Poet&lt;/em&gt;, Trans. by Stephen Mitchell (prose, First Vintage Books, New York, 1986)&lt;br /&gt;&lt;em&gt;Letters on Cezanne&lt;/em&gt;, Ed. Clara Rilke, Trans. by Joel Agee (prose, Fromm International, New York, 1985)&lt;br /&gt;&lt;em&gt;Life of a Poet: Rainer Maria Rilke &lt;/em&gt;by Ralph Freedman (biography, FSG, New York, 1996)&lt;br /&gt;&lt;em&gt;Reading Rilke: Reflections on the Problems of Translation &lt;/em&gt;by William H. Gass (Knopf, New York, 1999)&lt;br /&gt;&lt;em&gt;The Book of Images&lt;/em&gt;, Trans. by Edward Snow (Harper Collins, New York, 1991)&lt;br /&gt;&lt;em&gt;The Notebooks of Malte Laurids Brigge&lt;/em&gt;, Trans. by M.D. Herter Norton (Norton, New York, 1949)&lt;br /&gt;&lt;em&gt;The Notebooks of Malte Laurids Brigge&lt;/em&gt;, Trans. by Stephen Mitchell (Vintage International, New York, 1999)&lt;br /&gt;&lt;em&gt;You Alone Are Real to Me: Remembering Rainer Maria Rilke &lt;/em&gt;by Lou Andreas-Salome, Trans. by Angela von der Lippe (memoir, BOA Editions, Rochester, N.Y., 2003)&lt;br /&gt;&lt;em&gt;Six Modernist Moments in Poetry &lt;/em&gt;(Rainer Maria Rilke, William Butler Yeats, Wallace Stevens, William Carlos Williams, Marianne Moore, Eugenie Montale by David Young (study, University of Iowa, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ARTHUR RIMBAUD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A SEASON IN HELL AND THE DRUNKEN BOAT&lt;/em&gt;, Trans. by Louise Varese (New Directions, New York, 1945-1961)&lt;br /&gt;&lt;em&gt;ARTHUR RIMBAUD: COMPLETE WORKS&lt;/em&gt;, Trans. by Paul Schmidt (Harper &amp;amp; Row, New York, 1967)&lt;br /&gt;&lt;em&gt;CONDUCTORS OF THE PIT: Major Works by Rimbaud, Vallejo, Cesaire, Artaud, Holan&lt;/em&gt;, Trans. by Clayton Eshleman (Paragon House, New York, 1988)&lt;br /&gt;&lt;em&gt;I PROMISE TO BE GOOD: The letters of Arthur Rimbaud, Vol. II&lt;/em&gt;, Ed. and Trans. by Wyatt Mason (Modern Library Edition, New York, 2003)&lt;br /&gt;&lt;em&gt;RIMBAUD &lt;/em&gt;by Graham Robb (biography, Norton, New York, 2000)&lt;br /&gt;&lt;em&gt;RIMBAUD AND JIM MORRISON: The Rebel As Poet&lt;/em&gt; by Wallace Fowlie (memoir, Duke University Press, Durham, 1993)&lt;br /&gt;&lt;em&gt;Total Eclipse &lt;/em&gt;by Christopher Hampton (screenplay re Rimbaud &amp; Verlaine, Faber and Faber, London, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELENA RIVERA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SUGGESTIONS AT EVERY TURN &lt;/em&gt;(chap, Seeing Eye Books, Los Angeles, 2005)&lt;br /&gt;&lt;em&gt;Unknowne Land &lt;/em&gt;(Kelsey St. Press, Berkeley, CA, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSE RIZAL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;El Filibusterismo/The Reign of Greed&lt;/em&gt;, Trans. by Charles Derbyshire (novel, Philippine Educational Company, 1974)&lt;br /&gt;&lt;em&gt;El Filibusterismo/The Reign of Greed&lt;/em&gt;, Trans. by Charles Derbyshire (novel, Leon Ma. Guerrero (Longman, London, 1965)&lt;br /&gt;&lt;em&gt;Noli Me Tangere/The Social Cancer&lt;/em&gt;, Trans. by Leon Ma. Guerrero (Longman, London, 1961)&lt;br /&gt;&lt;em&gt;Rizal’s Poems &lt;/em&gt;(1869-1896) (National Historical Institute, Manila, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBIN ROBERTSON&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;MORTIFICATION: WRITERS' STORIES OF THEIR PUBLIC SHAME &lt;/em&gt;(Fourth Estate/HarperCollins, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LISA ROBERTSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LISA ROBERTSON'S MAGENTA SOUL WHIP&lt;/em&gt; (Coach House Books, Toronto, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CORINNE ROBINS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ONE THOUSAND YEARS&lt;/em&gt;, with illustrations by JOYCE ROMANO (Marsh Hawk Press, New York, 2004)&lt;br /&gt;&lt;em&gt;TODAY'S MENU&lt;/em&gt;, with art by Joyce Romano (Marsh Hawk Press, New York, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELIZABETH ROBINSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;APPREHEND &lt;/em&gt;(Fence, Saturnalia, Apogee, 2003)&lt;br /&gt;&lt;em&gt;Bed of Lists&lt;/em&gt; (Kelsey St. Press, Berkeley, 1990)&lt;br /&gt;&lt;em&gt;House Made of Silver&lt;/em&gt; (Kelsey St. Press, Berkeley, 2000)&lt;br /&gt;&lt;em&gt;Pure Descent&lt;/em&gt; (Sun &amp; Moon, Los Angeles, 2003)&lt;br /&gt;&lt;em&gt;Rumor &lt;/em&gt;(chap, Belladonna, Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GAIL ROBINSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;POETS @ KSP&lt;/em&gt;, poems by Mardi May, Jo Mills, Paula Jones, Gail Robinson, Agnes O'Kane, Sally Clarke (chap, Claverton House, Lesmuride Wa, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KIT ROBINSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Balance Sheet&lt;/em&gt; (Roof Books, New York, 1993)&lt;br /&gt;&lt;em&gt;THE GRAND PIANO, Part 1: An Experiment in Collective Autobiography&lt;/em&gt;, with Bob Perelman, Barrett Watten, Steve Benson, Carla Harryman, Tom Mandel, Ron Silliman, Lyn Hejinian, Rae Armantrout, &amp; Ted Pearson (Mode A, Detroit, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SOPHIE ROBINSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;a&lt;/em&gt; `&lt;br /&gt;&lt;em&gt;TRENCHART: TRACER SERIES&lt;/em&gt;, aesthetics by Teresa Carmody, Allison Carter, Kim Rosenfield, Armida Cain and Sophie Robinson, with visual art by Susan Simpson and Ken Ehrlich (Les Figues Press, Los Angeles, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AL ROBLES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Rappin’ With Ten Thousand Carabaos In The Dark&lt;/em&gt; (UCLA Asian American Studies Center, Los Angeles, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANTHONY DAVID ROBLES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ENEMY LINES &lt;/em&gt;(sp, San Francisco, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID RODERICK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Blue Colonial&lt;/em&gt; (The American Poetry Review, Philadelphia, 2006) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LUIS J. RODRIGUEZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Poems Across The Pavement&lt;/em&gt; (Tia Chucha, Chicago, 1989)&lt;br /&gt;&lt;em&gt;The Concrete River &lt;/em&gt;(Curbstone Press, Willimantic, CT, 1991. 2 copies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;THEODORE ROETHKE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;POETS IN THEIR YOUTH: JOHN BERRYMAN, ROBERT LOWELL, RANDALL JARRELL, DELMORE SCHWARTZ, THEODORE ROETHKE AND DYLAN THOMAS&lt;/em&gt; by Eileen Simpson (memoir, The Noonday Press / Farrar Straus and Giroux, New York, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MERCEDES ROFFE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Like the Rains Come: Selected Poems (1987-2006),&lt;/em&gt; Trans. from the Spanish by Janet Greenberg (Shearsman Books, Exeter, U.K., 2008)&lt;br /&gt;&lt;em&gt;Theory of Colors&lt;/em&gt;, Trans. from the Spanish by Margaret Carson (chap, Belladonna #71, Brooklyn, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PATTIANN ROGERS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WAYFARE&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MATTHEW ROHRER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Green Light&lt;/em&gt; (Verse Press, Amherst, MA, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JUDITH ROITMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;no face: selected &amp; new poems &lt;/em&gt;(First Intensity Press, Lawrence, KS, 2008)&lt;br /&gt;&lt;em&gt;The stress of meaning (variations on a line of Susan Howe) &lt;/em&gt;(chap, Standing Stones Press, Morris, MN, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RICHARD RONAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Radiance Like Wind or Water &lt;/em&gt;(Dragon Gate, Inc., Port Townsend, WA, 1984)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SEIDO RAY RONCI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE SKELETON OF THE CROW&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARTHA RONK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Displeasures of the Table: memoir as caricature &lt;/em&gt;(Green Integer 23, Kobenhavn &amp; L.A., 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LEE ANN RORIPAUGH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Beyond Heart Mountain &lt;/em&gt;(Penguin, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PATRICK ROSAL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AMERICAN KUNDIMAN&lt;/em&gt; (Persea, New York, 2006)&lt;br /&gt;&lt;em&gt;Uprock Headspin Scramble and Dive &lt;/em&gt;(Persea, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BENJAMIN ROSE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TAMMY GARCIA: FORM WITHOUT BOUNDARIES&lt;/em&gt;, monograph on the artist with Introduction by Bruce Bernstein, Preface by John Grimes, and Text by Benjamin Rose (Tapestry Press, Irving, TX, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARILYN R. ROSENBERG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;RED &lt;/em&gt;(coil-bound notebook of reproductions of visual poetry, Otoliths, Rockhampton, Australia, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KIM ROSENFIELD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;re:evolution &lt;/em&gt;(Les Figues Press TrenchArt Tracer Series, Los Angeles, 2008)&lt;br /&gt;&lt;em&gt;Trama &lt;/em&gt;(Krupskaya, San Francisco, 2004)&lt;br /&gt;&lt;em&gt;Two Poems &lt;/em&gt;(chap, Leave, Buffalo, 1995)&lt;br /&gt;&lt;em&gt;TRENCHART: TRACER SERIES&lt;/em&gt;, aesthetics by Teresa Carmody, Allison Carter, Kim Rosenfield, Armida Cain and Sophie Robinson, with visual art by Susan Simpson and Ken Ehrlich (Les Figues Press, Los Angeles, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID H. ROSENTHAL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE JOURNEY &lt;/em&gt;(Persea Books, New York, 1992)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;M.L. ROSENTHAL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Poet's Art&lt;/em&gt; (theory, Norton, N.Y., 1987)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RENA ROSENWASSER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DESERT FLATS&lt;/em&gt;, with images by Robert Rosenwasser (Kelsey St. Press, Berkeley, 1979)&lt;br /&gt;&lt;em&gt;ELEPHANTS &amp; ANGELS&lt;/em&gt; (Kelsey St. Press, Berkeley, 1984)&lt;br /&gt;&lt;em&gt;ELEVATORS &lt;/em&gt;(Kelsey Street Press, Berkeley, CA, 2011)&lt;br /&gt;&lt;em&gt;Isle&lt;/em&gt;, with drawings by KATE DELOS (Kelsey St. Press, Berkeley, 1992)&lt;br /&gt;&lt;em&gt;SIMULACRA&lt;/em&gt;, with images by KATE DELOS (Kelsey St. Press, Berkeley, 1986)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHRISTINA ROSSETTI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GOBLIN MARKET: A Tale of Two Sisters&lt;/em&gt;, with pre-Raphaelite paintings by DANTE GABRIEL ROSSETTI, black-print decoration by WILLIAM MORRIS and wood-engraving illustrationsby LAURENCE HOUSMAN (Chronicle Books, San Francisco, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEROME ROTHENBERG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;POEMS FOR THE GAME OF SILENCE &lt;/em&gt;(New Directions, New York, 1960-plus)&lt;br /&gt;As Co-Editor with PIERRE JORIS, &lt;em&gt;The Burial of the Count of Orgaz &amp;amp; other poems&lt;/em&gt; by PABLO PICASSO (Exact Change, Cambridge, MA, 2004)&lt;br /&gt;As Co-Editor with PIERRE JORIS, &lt;em&gt;POEMS FOR THE MILLENNIUM, Vol. I From Fin-de-Siecle to Negritude&lt;/em&gt; (anthology, University of California Press, Berkeley, Los Angeles, London, 1998)&lt;br /&gt;As Co-Editor with PIERRE JORIS, &lt;em&gt;POEMS FOR THE MILLENNIUM, Vol. II From Postwar to Millennium &lt;/em&gt;(anthology, University of California Press, Berkeley, Los Angeles, London, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JESS ROWAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;here, love &lt;/em&gt;(FOURSQUARE Special Edition chap, Charlottesville, VA, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LEV RUBINSTEIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Catalogue of Comedic Novelties: Selected Poems&lt;/em&gt;, Trans. by PHilip Metres and Tatiana Tulchinsky (Ugly Duckling Presse, New York, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RAPHAEL RUBINSTEIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Basement of the Café Rilke&lt;/em&gt; (Hard Press, West Stockbridge, MA, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RUMI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HEARTWOOD: Meditations on Southern Oaks&lt;/em&gt;, Trans. by Coleman Barks and John Moyne, with photographs by William Guion (Bullfinch / Little, Brown &amp; Co., Boston, New York, Toronto, London, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;THADDEUS RUTKOWSKI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Roughhouse &lt;/em&gt;(novel, Kaya Press, New York)&lt;br /&gt;&lt;em&gt;TETCHED: A Novel in Fractals &lt;/em&gt;(Behler Publications, Lake Forest, CA, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PATRICIA RYAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ALSO BORN OF THE FIRE&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BORIS RYZHII&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;14&lt;/em&gt;, translated from the Russian by J.H. Stotts (manuscript form)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-113160040223518338?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/113160040223518338/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=113160040223518338' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113160040223518338'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113160040223518338'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/11/authors-r.html' title='AUTHORS: R'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-113160006052633629</id><published>2005-11-09T21:20:00.000-08:00</published><updated>2008-01-27T23:17:28.858-08:00</updated><title type='text'>AUTHORS: Q</title><content type='html'>&lt;strong&gt;CHERYL QUIMBA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GLACIER ADVANCES &lt;/em&gt;(chap, Dusie, 2007)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-113160006052633629?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/113160006052633629/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=113160006052633629' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113160006052633629'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113160006052633629'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/11/authors-q.html' title='AUTHORS: Q'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-113149973872225892</id><published>2005-11-09T20:42:00.000-08:00</published><updated>2011-04-29T13:19:29.322-07:00</updated><title type='text'>AUTHORS: P</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RON PADGETT&lt;/strong&gt;&lt;br /&gt;As Translator, &lt;em&gt;PROSE POEMS &lt;/em&gt;by Pierre Reverdy (The Brooklyn Rail/Black Square Editions, Brooklyn, N.Y., 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SHIN YU PAI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;De Stijl &lt;/em&gt;(broadside, Anchorite Press, MA, 2004)&lt;br /&gt;&lt;em&gt;EQUIVALENCE &lt;/em&gt;(La Alameda Press, Albuquerque, 2003)&lt;br /&gt;&lt;em&gt;UTDALLAS SOUTHSIDE ARTIST RESIDENCY: THE FIRST TWO YEARS &lt;/em&gt;(artist biographical info anthology, Dallas, 2005)&lt;br /&gt;&lt;em&gt;UNNECESSARY ROUGHNESS &lt;/em&gt;(xPress(ed), Espoo, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LARS PALM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;when the earth moves &lt;/em&gt;(&lt;a href="http://meritagepress.blogspot.com/2010/02/haynaku-for-haiti.html"&gt;Hay(na)ku for Haiti &lt;/a&gt;booklet, Open Palm Press / Meritage Press, San Francisco &amp; St. Helena, 2010)&lt;br /&gt;&lt;em&gt;Cantar de mio Corman &lt;/em&gt;(chap, TeenyTiny Press, Washington, 2009)&lt;br /&gt;&lt;em&gt;OSTERGOTLAND (A FOUND POEM)&lt;/em&gt; (.pdf print of chap, ungovernable press, Sweden, 2008)&lt;br /&gt;&lt;em&gt;DEATH IS&lt;/em&gt; (chap, by the skin of me teeth, armstrong, bc, 2007)&lt;br /&gt;&lt;em&gt;some hay&lt;/em&gt; (Meritage Press "Tiny Books", St. Helena &amp; San Francisco, 2007)&lt;br /&gt;&lt;em&gt;on stealing lips &lt;/em&gt;(chap, The Martian Press, no year but 2007)&lt;br /&gt;&lt;em&gt;riot&lt;/em&gt; (limited edition folded broadside, 14/40, produced for The Ars Interpres Poetry Festival, sp, October 4-6, 2007, Stockholm, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL PALMER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Danish Notebook &lt;/em&gt;(Avec Books, Penngrove, CA, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;R. TORRES PANDAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DAYS OF GRACE: Selected Poems and New (1984-2002) &lt;/em&gt;(USLS Press, Philippines, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ERIC PANKEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CENOTAPH &lt;/em&gt;(Knopf, New York, 2000)&lt;br /&gt;&lt;em&gt;THE LATE ROMANCES &lt;/em&gt;(Knopf, New York, 1997)&lt;br /&gt;&lt;em&gt;THE PEAR AS ONE EXAMPLE: NEW &amp; SELECTED POEMS 1984-2008&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PHILIP PARDI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MEDITATIONS ON RISING AND FALLING&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ISHLE YI PARK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Temperature of This Water &lt;/em&gt;(Kaya Press, New York, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GUILLERMO JUAN PARRA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Caracas Notebook&lt;/em&gt; (chap, Cy Gist Press, New York, 2006)&lt;br /&gt;&lt;em&gt;HOUSE MADE OF DAWN &lt;/em&gt;(broadside, Aaron Tieger, Ithaca, N.Y., 2005)&lt;br /&gt;&lt;em&gt;PHASTASMAL REPEATS &lt;/em&gt;(chap, sp, Durham, NC, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSE ANTONIO RAMOS SUCRE&lt;/strong&gt;&lt;br /&gt;As Translator, &lt;em&gt;Selections from ENAMEL SKY&lt;/em&gt; by Jose Antonio Rammos Sucre (pamphlet printed on the occasions of a reading by the translation in Raleigh, NC on 24 April 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELISE PARTRIDGE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CHAMELEON HOURS&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BORIS PASTERNAK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Poems of Doctor Zhivago &lt;/em&gt;(Trans. by Eugene M. Kayden, with drawings by Bill Greer (Hallmark Editions, Kansas City, MO, 1967)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KENNETH PATCHEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;What Shall We Do Without Us? The Voice and Vision of Kenneth Patchen&lt;/em&gt;, with an Afterword by James Laughlin (picture-poems monograph, Yolly Bolly Press Book published by The Sierra Club Books, San Francisco, 1968)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JULIE PATTON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;"CAR TUNE" &amp; NOT SO BELLA DONNA &lt;/em&gt;(chap, Belladonna Books, Brooklyn, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CESARE PAVESE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Disaffections: Complete Poems 1930-1950&lt;/em&gt;, Trans. by Geoffrey Brock (Copper Canyon Press, Port Townsend, WA, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OCTAVIO PAZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SELECTED POEMS OF OCTAVIO PAZ&lt;/em&gt;, A Bilingual Edition with Translations by Muriel Rukeyser (Indiana University Press, Bloomington, IN, 1963)&lt;br /&gt;&lt;em&gt;AN EROTIC BEYOND: SADE&lt;/em&gt;, Trans. by Eliot Weinberger (poem and essays, Harcourt Brace, New York, 1993)&lt;br /&gt;&lt;em&gt;The Other Voice: Essays on Modern Poetry&lt;/em&gt;, Trans. by Helen Lane (essays, Harcourt Brace, New York, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RICHARD PEABODY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Last of the Red Hot Magnetos &lt;/em&gt;(Paycock Press, Washington D.C., 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MOLLY PEACOCK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Original Love&lt;/em&gt; (Norton, New York, 1995)&lt;br /&gt;&lt;em&gt;Paradise, Piece by Piece &lt;/em&gt;(memoir, Riverhead Books, New York, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NANCY K. PEARSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TWO MINUTES OF LIGHT&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TED PEARSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE GRAND PIANO, Part 1: An Experiment in Collective Autobiography&lt;/em&gt;, with Bob Perelman, Barrett Watten, Steve Benson, Carla Harryman, Tom Mandel, Ron Silliman, Kit Robinson, Lyn Hejinian, &amp; Rae Armantrout (Mode A, Detroit, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OSCAR PENARANDA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;FULL DECK (jokers playing) &lt;/em&gt;(T’Boli Publishing, San Francisco, 2005)&lt;br /&gt;&lt;em&gt;Seasons by the Bay&lt;/em&gt; (short story collection, T'Boli Publishing, San Francisco, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VICTOR PENARANDA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;VOYAGE IN DRY SEASON &lt;/em&gt;(Sipat Publications, Quezon City, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MYRNA PENA-REYES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Almost Home &lt;/em&gt;(The University of the Philippines Press, Quezon City, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JONATHAN PENTON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BLOOD AND SALSA / PAINTING RUST&lt;/em&gt; (chap, Unlikely Stories, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BOB PERELMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE GRAND PIANO, Part 1: An Experiment in Collective Autobiography&lt;/em&gt;, with Barrett Watten, STeve Benson, Carla Harryman, Tom Mandel, Ron Silliman, Kit Robinson, Lyn Hejinian, Rae Armantrout, &amp; Ted Pearson (Mode A, Detroit, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CRAIG SANTOS PEREZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BLUE OUTLINE: after hiroshige &lt;/em&gt;(chap, sp, 2006)&lt;br /&gt;&lt;em&gt;OUT OF WEDLOCK, &lt;/em&gt;with Jennifer Reimer (chap, sp, 2006)&lt;br /&gt;&lt;em&gt;FROM UNINCORPORATED TERRITORY [HACHA] &lt;/em&gt;(Tinfish, Hawai'i, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID PERKINS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A HISTORY OF MODERN POETRY: Modernism and After&lt;/em&gt; (history of British and American poetry from mid-1920s to recent past, Harvard University Press, Cambridge &amp; London, 1987)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FERNANDO PESSOA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Book of Disquiet&lt;/em&gt;, Ed. By Maria Jose  de Lancastre, Trans. by Margaret Jull Costa (Serpent’s Tail, London, 1991)&lt;br /&gt;&lt;em&gt;A Selection From The Book of Disquiet&lt;/em&gt;, Trans. by Iain Watson (Quartet Books, London, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PETRARCH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Selections from The Canzoniere And Other Works&lt;/em&gt;, Ed. Mark Musa (Oxford University Press, Oxford, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SIMON PETTET&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MORE WINNOWED FRAGMENTS &lt;/em&gt;(Talisman House, Jersey City, N.J., 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;M. NOURBESE PHILIP&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ZONG!&lt;/em&gt; (Wesleyan University Press, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FRANCES PHILLIPS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;FOR A LIVING &lt;/em&gt;(Hanging Loose Press, Brooklyn, 1981)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CARL PHILLIPS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Rock Harbor &lt;/em&gt;(Farrar, Straus and Giroux, New York, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LANCE PHILLIPS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CORPUS SOCIUS &lt;/em&gt;(Ahsahta Press, Boise, ID, 2002)&lt;br /&gt;&lt;em&gt;IMPOSTURE NOTEBOOK &lt;/em&gt;(BlazeVOX [books], Buffalo, N.Y., 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WANDA PHIPPS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ROSE WINDOW (OR PROSETTES) &lt;/em&gt;(wee chap, Dusie, 2006)&lt;br /&gt;&lt;em&gt;Silent Pictures Recognize the World &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;em&gt;Your Last Illusion or Break Up Sonnets &lt;/em&gt;(chap, Situations, New York, 2000)&lt;br /&gt;&lt;em&gt;WAKE-UP CALLS: 66 Morning Poems&lt;/em&gt; (Soft Skull Press, Brooklyn, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PABLO PICASSO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Burial of the Count of Orgaz &amp; other poems&lt;/em&gt;, Ed. by Jerome Rothenberg &amp; Pierre Joris (Exact Change, Cambridge, MA, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHELLE NAKA PIERCE &lt;/strong&gt;&lt;br /&gt;&lt;em&gt;48 MINUTES LEFT&lt;/em&gt; (chap, Belladonna Books, Brooklyn, 2003)&lt;br /&gt;&lt;em&gt;TRI / VIA &lt;/em&gt;with Veronica Corpuz (Erudite Fangs, Boulder, CO and PUB LUSH, Pittsburgh, 2003.  2 copies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KEVIN PILKINGTON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Getting By &lt;/em&gt;(chap, Ledge, Glendale, N.Y., 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JON PINEDA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Birthmark &lt;/em&gt;(Crab Orchard/Southern Illinois University Press, Carbondale, IL, 2004)&lt;br /&gt;&lt;em&gt;The Translator's Diary &lt;/em&gt;(New Issues Poetry &amp; Prose/Western Michigan University, Kalamazoo, Mich, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAUL PINES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Last Call At The Tin Palace &lt;/em&gt;(Marsh Hawk Press, New York, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WANG PING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Magic Whip&lt;/em&gt; (Coffee House Press, Minneapolis, 2003)&lt;br /&gt;As Editor, &lt;em&gt;NEW GENERATION: POEMS FROM CHINA TODAY&lt;/em&gt;, Introduction by JOHN YAU (anthology, Hanging Loose, Brooklyn, N.Y. 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NICK PIOMBINO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Theoretical Objects&lt;/em&gt; (Green Integer 34, Kobenhavn &amp; Los Angeles, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VANESSA PLACE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;NOTES ON CONCEPTUALISMS&lt;/em&gt;, with Robert Fitterman (poetics / art theory, Ugly Duckling Presse, Brooklyn, 2009) &lt;br /&gt;&lt;br /&gt;&lt;em&gt;UNTITLED #5&lt;/em&gt; (Belladonna #126, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALLEN PLANZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DUNE HEATH: Selected Poems &lt;/em&gt;(Canio’s Editions, Sag Harbor, N.Y. 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SYLVIA PLATH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ARIEL &lt;/em&gt;(Harper Colophon, New York, 1971)&lt;br /&gt;&lt;em&gt;GIVING UP: The Last Days of Sylvia Plath &lt;/em&gt;by Jullian Becker (memoir, St. Martin’s Press, New York, 2002)&lt;br /&gt;&lt;em&gt;HER HUSBAND: Hughes and Plath—A Marriage &lt;/em&gt;by Diane Middlebrook (biography, Viking, New York, 2003)&lt;br /&gt;&lt;em&gt;ROUGH MAGIC &lt;/em&gt;by Paul Alexander (biography, Penguin, New York, 1991)&lt;br /&gt;&lt;em&gt;Sylvia Plath: Method and Madness &lt;/em&gt;by Edward Butscher (biography, Pocket Books, New York, 1976)&lt;br /&gt;&lt;em&gt;Sylvia Plath Reads &lt;/em&gt;(cassette, HarperCollins / BBC Enterprises, 1977)&lt;br /&gt;&lt;em&gt;The It-Doesn't-Matter-Suit&lt;/em&gt;, Illustrated by Rotraut Susanne Berner (children's story, Faber and Faber, London &amp; Boston, 1996)&lt;br /&gt;&lt;em&gt;The Bell Jar &lt;/em&gt;(novel, Harper and Row, New York, 1976)&lt;br /&gt;&lt;em&gt;The Collected Poems&lt;/em&gt;, Ed. by Ted Hughes (Harper Perennial, New York, 1960-plus)&lt;br /&gt;&lt;em&gt;The Death &amp; Life of Sylvia Plath &lt;/em&gt;by Ronald Hayman (biography, Birch Lane Press, New York, 1991)&lt;br /&gt;&lt;em&gt;THE UNABRIDGED JOURNALS OF SYLVIA PLATH&lt;/em&gt;, Ed. by Karen V. Kukil (journal, Anchor Books, New York, 2000)&lt;br /&gt;&lt;em&gt;Lover of Unreason: Assia Wevill, Sylvia Plath's Rival and Ted Hughes's Doomed Love &lt;/em&gt;by Yehuda Koren and Eilat Negev (biography of ASsia Wevill, Carroll and Graf, New York, 2007)&lt;br /&gt;&lt;em&gt;Wintering: A Novel of Sylvia Plath &lt;/em&gt;by Kate Moses (novel, Anchor Books, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PLATO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PLATO ON POETRY: Ion; Republic 376e-398b, 595-608b&lt;/em&gt;, Edited by Penelope Murray (criticism, Cambridge University Press, Cambridge, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEORGE PLIMPTON&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;POETS AT WORK: The Paris Review Interviews&lt;/em&gt;, Intro by DONALD HALL (Penguin Books, New York, 1989)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEVEN P. PODY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE PANOPTIKON, AN ADVENTURE OF POETIC THOUGHT UPON THE MYRIAD REALMS OF OBSERVABLE SPACE, OF WALLS, AND OF HUMAN PERSPECTIVE&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EDGAR ALLAN POE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Eureka, A Prose Poem &lt;/em&gt;(Green Integer 5, Kobenhavn, 1997)&lt;br /&gt;&lt;em&gt;Selected Poetry &amp; Prose of Edgar Allan Poe&lt;/em&gt;, Ed. T.O. Mabbott (The Modern Library, New York, 1951)&lt;br /&gt;EL CUERVO 7 otros poemas, Edicion bilingue CONMEMORATIVA DEL BICENTENARIO DEL &lt;em&gt;NATALICIO DE Edgar Allen Poe&lt;/em&gt;, Traducciodn de Helbardot, con ilustraciones de Gustavo Abascal (Stonehenge Books, Mexico, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JULIEN POIRIER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Absurd Good News &lt;/em&gt;(chap, Insert Press, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT POLITO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DOUBLES &lt;/em&gt;(The University of Chicago Press, Chicago, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT POMERHN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BLEST FOR THIS POET CREST TO REST ON MY CHEST &lt;/em&gt;(Press of the Third Mind, Chicago, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARIE PONSOT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE BIRD CATCHER&lt;/em&gt; (Knopf, New York, 1998)&lt;br /&gt;&lt;em&gt;TRUE MINDS &lt;/em&gt;(chap, The Pocket Poets Series/City Lights, San Francisco, 1956)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JACQUELYN POPE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Watermark &lt;/em&gt;(Marsh Hawk Press, East Rockaway, N.Y. 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANTOON POSTMA&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;MANGYAN TREASURES: The Ambahan: A Poetic Expression of the Mangyans of Southern Mindoro, Philippines &lt;/em&gt;(Mangyan Heritage Center and St. Nino Catholic House, Inc., Manila, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANTONIO PORTA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;KISSES FROM ANOTHER DREAM&lt;/em&gt;, Trans. Anthony Molino (City Lights, San Francisco, 1987)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PATRICK PORTER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Intrusive Ache of Morning  &lt;/em&gt;(Press of the Third Mind, Chicago, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANTOON POSTMA&lt;/strong&gt;&lt;br /&gt;As Compiler and Translator, &lt;em&gt;MANGYAN TREASURES; The Ambahan: A Poetic Expression of the Mangyans of Southern Mindoro, Philippines &lt;/em&gt;(Mangyan Heritage Center, Oriental Mindoro, Philippines)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEVE POTTER&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;The Wandering Hermit Review: An International Journal of Art &amp; Literature &lt;/em&gt;(journal, Wandering Hermit Productions, Seattle, WA. Summer/Fall 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;A. POULIN, JR.&lt;/strong&gt;&lt;br /&gt;As Translator, &lt;em&gt;Duino Elegies and The Sonnets to Orpheus&lt;/em&gt; by Rainer Marie Rilke (Houghton Mifflin, Boston, 1975)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EZRA POUND&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Digging For The Treasure: Translation After Pound &lt;/em&gt;by Ronnie Apter (criticism, Paragon House, New York, 1987)&lt;br /&gt;&lt;em&gt;Ezra Pound in London and Paris (1908-1925) &lt;/em&gt;by J.H. Wilhelm (biography The Pennsylvania State University Press, 1990)&lt;br /&gt;&lt;em&gt;Gaudier-Brzeska &lt;/em&gt;(memoir, New Directions, New York, 1970)&lt;br /&gt;&lt;em&gt;PERSONAE: The Shorter Poems &lt;/em&gt;(New Directions, New York, 1926-plus)&lt;br /&gt;&lt;em&gt;Pound as Wuz: Recollections and Interpretations&lt;/em&gt; by James Laughlin (memoir, Peter Owen, London, 1989)&lt;br /&gt;&lt;em&gt;Selected Cantos &lt;/em&gt;(New Directions, New York, 1934-plus)&lt;br /&gt;&lt;em&gt;Selected Prose&lt;/em&gt;, Ed. William Cookson (1909-1965) (prose, New Directions, New York, 1973)&lt;br /&gt;&lt;em&gt;The Poetic Achievement of Ezra Pound &lt;/em&gt;by Michael Alexander (criticism, University of California Press, Berkeley, 1979)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DANNYE ROMINE POWELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A NECKLACE OF BEES&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEANNE POWELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;My Own Silence &lt;/em&gt;(Meridien PressWorks, San Francisco, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MINNIE BRUCE PRATT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Inside the Money Machine&lt;/em&gt; (Carolina Wren Press, Durham, NC, 2011)&lt;br /&gt;&lt;em&gt;THE MONEY MACHINE: SELECTED POEMS &lt;/em&gt;(chap, Belladonna Books, Brooklyn, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALEX PREMINGER&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;THE PRINCETON HANDBOOK OF POETIC TERMS &lt;/em&gt;(Princeton University Press, Princeton, 1986)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JACQUES PREVERT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BLOOD AND FEATHERS: Selected Poems of Jacques Prevert&lt;/em&gt;, Ed. by Harriet Zinnes (Asphodel Press / Moyer Bell, Wakefield, R.I. and London, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ERNESTO PRIEGO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;the amazing adventures of Gravity &amp; Grace &lt;/em&gt;(Otoliths, Rockhampton, Australia, 2009)&lt;br /&gt;&lt;em&gt;"…And Then The Wind Did Blow..." &lt;/em&gt;(Meritage Press "Tiny Book", San Francisco &amp; St. Helena, 2007)&lt;br /&gt;&lt;em&gt;NOT EVEN DOGS &lt;/em&gt;(Meritage Press, San Francisco &amp; St. Helena, 2006. 5 copies)&lt;br /&gt;&lt;em&gt;THE BODY ACHES: Poems and Hay(na)ku&lt;/em&gt; (chap, Mexico City, 2005)&lt;br /&gt;&lt;em&gt;THE PRESENT DAY &lt;/em&gt;(Leafe Press, Nottingham, U.K. and Claremont, CA, 2010)&lt;br /&gt;As Co-curator with Ivy Alvarez, John Bloomberg-Rissman &amp; Eileen Tabios, &lt;em&gt;THE CHAINED HAY(NA)KU ANTHOLOGY &lt;/em&gt;(Meritage Press, St. Helena and San Francisco, 2010. 2 copies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KEVIN PRUFER&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;The New Young American Poets &lt;/em&gt;(anthology, Southern Illinois University Press, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAYNE PUPEK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Forms of Intercession &lt;/em&gt;(Mayapple Press, Bay City, MI, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LIA PURPURA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;KING BABY&lt;/em&gt; (____, 2008)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-113149973872225892?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/113149973872225892/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=113149973872225892' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113149973872225892'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/113149973872225892'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/11/authors-p_09.html' title='AUTHORS: P'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-112668079499337371</id><published>2005-09-14T23:24:00.000-07:00</published><updated>2011-12-25T17:32:58.596-08:00</updated><title type='text'>AUTHORS: O</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PHILIP BYRON OAKES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Sard &lt;/em&gt;(Otoliths, Rockhampton, Australia, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEOFFREY O'BRIEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Floating City: Selected Poems 1978-1995 &lt;/em&gt;(Talisman, Jersey City, N.J. 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FRANK O'HARA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ART CHRONICLES 1954-1966&lt;/em&gt; (art essays, Venture/George Braziller, New York, 1975)&lt;br /&gt;&lt;em&gt;CITY POET: The Life and Times of Frank O'Hara &lt;/em&gt;by Brad Gooch (biography, Knopf, New York, 1993(&lt;br /&gt;&lt;em&gt;The Collected Poems of Frank O'Hara&lt;/em&gt;, Edited by Donald Allen (University of California Press, 1995)&lt;br /&gt;&lt;em&gt;Digressions on Some Poems by Frank O'Hara&lt;/em&gt; by Joe LeSueur (memoir, FSG, New York, 2003)&lt;br /&gt;&lt;em&gt;FRANK O'HARA: Poet Among Painters &lt;/em&gt;by Marjorie Perloff (criticism, University of Chicago Press, 1977 and 1998)&lt;br /&gt;&lt;em&gt;FRANK O'HARA: WHAT'S WITH MODERN ART? Selected Short Reviews &amp; Other Art Writings&lt;/em&gt;, Edited by Bill Berkson (Mike &amp; Dale's Press, Austin, 1999)&lt;br /&gt;&lt;em&gt;HOMAGE TO FRANK O'HARA&lt;/em&gt;, Edited by Bill Berkson and Joe LeSueur (Creative Arts Book Company, Berkeley, 1980)&lt;br /&gt;&lt;em&gt;ODES &lt;/em&gt;(chap, The Poets Press, 1960 and 1969)&lt;br /&gt;&lt;em&gt;Poems Retrieved&lt;/em&gt;, Ed. by Donald Allen (Grey Fox Press, San Francisco, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AGNES O'KANE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;POETS @ KSP&lt;/em&gt;, poems by Mardi May, Jo Mills, Paula Jones, Gail Robinson, Agnes O'Kane, Sally Clarke (chap, Claverton House, Lesmuride Wa, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ADRIAN OKTENBERG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE BOSNIA ELEGIES &lt;/em&gt;(Paris Press, New York, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JENI OLIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BLUE COLLAR HOLIDAY &amp; A Valentine to Frank O'Hara&lt;/em&gt;, with art by Larry Rivers (Hanging Loose, Brooklyn, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AKILAH OLIVER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A TOAST IN THE HOUSE OF FRIENDS &lt;/em&gt;(Coffeehouse, Minneapolis, Minn., 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARY OLIVER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THIRST &lt;/em&gt;(Beacon Press, Boston, 2006)&lt;br /&gt;&lt;em&gt;A POETRY HANDBOOK &lt;/em&gt;(prose, Harcourt, Brace and Co., San Diego, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TILLIE OLSEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Tillie Olsen: One Woman, Many Riddles&lt;/em&gt;, biography by Panthea Reid (Rutgers University Press, New Brunswick et al, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHARLES OLSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Allegory of a Poet's Life &lt;/em&gt;by Tom Clark (biography, Norton, New York, 1991)&lt;br /&gt;&lt;em&gt;CHARLES OLSON A NATION OF NOTHING BUT POETRY: Supplementary Poems&lt;/em&gt;, Edited by George F. Butterick (Black Sparrow, Santa Rosa, 1989)&lt;br /&gt;&lt;em&gt;CHARLES OLSON And EZRA POUND: An Encounter at St. Elizabeths&lt;/em&gt;, Edited by Catherine Seelye (Paragon House, New York, 1991)&lt;br /&gt;&lt;em&gt;CHARLES OLSON AND FRANCES BOLDEREFF: A MODERN CORRESPONDENCE&lt;/em&gt;, Eds. Ralph Maud and Sharon Thesen (letters, Wesleyan/New England University Press, Hanover, CT, 1999)&lt;br /&gt;&lt;em&gt;SELECTED POEMS&lt;/em&gt;, Edited by Robert Creeley (University of California Press, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN OLSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Backscatter: new and selected poems &lt;/em&gt;(Black Widow Press, Boston, 2008)&lt;br /&gt;&lt;em&gt;ECHO REGIME&lt;/em&gt; (Black Square Editions, New York, 2000)&lt;br /&gt;&lt;em&gt;SWARM OF EDGES &lt;/em&gt;(chap, bcc, Seattle, 1996)&lt;br /&gt;&lt;em&gt;Souls of Wind &lt;/em&gt;(novel, Quale Press, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KIRBY OLSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WAITING FOR THE RAPTURE &lt;/em&gt;(chap, Persistencia Press, Rhode Island, March 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL ONDAATJE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HANDWRITING &lt;/em&gt;(Knopf, New York, 1999)&lt;br /&gt;&lt;em&gt;THE CINNAMON PEELER: SELECTED POEMS &lt;/em&gt;(Vintage, New York, 1989)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;YOKO ONO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Grapefruit &lt;/em&gt;(Simon and Schuster, New York, 1970)&lt;br /&gt;&lt;em&gt;Woman: The Incredible Life of Yoko Ono &lt;/em&gt;by Alan Clayson, Barb Jungr and Robb Johnson (biography, Chrome Dreams, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEORGE OPPEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SELECTED POEMS&lt;/em&gt;, Ed. Robert Creeley (New Directions, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TOM ORANGE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Day In Switzerland&lt;/em&gt; (wee chap, Dusie, 2006)&lt;br /&gt;&lt;em&gt;On Bathybius &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SIMON J. ORTIZ&lt;/em&gt;&lt;br /&gt;&lt;em&gt;WOVEN STONE &lt;/em&gt;(The University of Arizona Press, Tucson, 1992)&lt;br /&gt;&lt;em&gt;Simon J. Ortiz: A Poetic Legacy of Indigenous Continuance&lt;/em&gt;, Eds. Susan Berry Brill de Ramirez and Evelina Zuni Lucero (University of New Mexico Press, Albuquerque, NM, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NATHAN ORTON&lt;/strong&gt;&lt;br /&gt;As illustrator, by "james and nate", &lt;em&gt;my day on swan island &lt;/em&gt;(chap, abandoned bike, Portland, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;D.R. OSBORNE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SCATTER ME: Poems 1980-1989&lt;/em&gt; (Laughing Coyote, Torrance, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALICE SUSKIN OSTRIKER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;STEALING THE LANGUAGE: The Emergence of Women's Poetry in America&lt;/em&gt; (criticism, The Women's Press, London, 1987)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OVID&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;METAMORPHOSES&lt;/em&gt;, translated by Rolfe Humphries (Indiana University Press, 1983)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MAUREEN OWEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AMERICAN RUSH: Selected Poems &lt;/em&gt;(Talisman, Jersey City, N.J., 1998)&lt;br /&gt;&lt;em&gt;EROSION'S PULL &lt;/em&gt;(Coffee House Press, St. Paul, MN, 2006)&lt;br /&gt;&lt;em&gt;ZOMBIE NOTES &lt;/em&gt;(SUN, New York, 1985)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-112668079499337371?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/112668079499337371/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=112668079499337371' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112668079499337371'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112668079499337371'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/09/authors-o.html' title='AUTHORS: O'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-112555547526535918</id><published>2005-09-02T00:01:00.000-07:00</published><updated>2011-04-23T20:14:03.905-07:00</updated><title type='text'>AUTHORS: N</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KRISTIN NACA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Bird Eating Bird &lt;/em&gt;(HarperPerennial, New York et al, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SAWAKO NAKAYASU&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;INSECT COUNTRY (A) &lt;/em&gt;(chap, Dusie, Switzerland, 2006)&lt;br /&gt;&lt;em&gt;INSECT COUNTRY (B) &lt;/em&gt;(chap, Dusie, Switzerland, 2007)&lt;br /&gt;&lt;em&gt;NOTHING FICTIONAL BUT THE ACCURACY OF ARRANGEMENT (SHE &lt;/em&gt;(Quale Press, 2006)&lt;br /&gt;&lt;em&gt;SO WE HAVE BEEN GIVEN TIME OR&lt;/em&gt; (Verse Press, Amherst, Mass, 2004)&lt;br /&gt;&lt;em&gt;TEXTURE NOTES &lt;/em&gt;(Letter Machine Editions, Chicago, 2010)&lt;br /&gt;As Translator, &lt;em&gt;Time of Sky / Castles in the Air&lt;/em&gt; by Ayane Kawata (Litmus Press, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHRISTOPHER NEALON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Joyous Age&lt;/em&gt; (Black Square Editions, New York, 2004)&lt;br /&gt;&lt;em&gt;The Joyous Age&lt;/em&gt; (chap, Ferocious Rhino Press, Oakland, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARIA NEGRONI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Art and Fugue&lt;/em&gt;, translated by Anne Twitty (chap, Belladonna Books #57, Brooklyn, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARCI NELLIGAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SPECIMEN &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MAGGIE NELSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Something Bright, Then Holes &lt;/em&gt;(chap, Belladonna Books #42, Brooklyn, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MURAT NEMET-NEJAT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE BRIDGE&lt;/em&gt; (Martin Brian &amp; O'Keefe, London, 1977)&lt;br /&gt;As Translator, &lt;em&gt;I, ORHAN VELI &lt;/em&gt;(Hanging Loose Press, Brooklyn, 1989)&lt;br /&gt;As Translator, &lt;em&gt;THE BLIND CAT BLACK AND ORTHODOXIES by ECE AYHAN &lt;/em&gt;(Sun &amp; Moon Classics, Los Angeles, 1997)&lt;br /&gt;As Editor, &lt;em&gt;EDA: An Anthology of Contemporary Turkish Poetry&lt;/em&gt; (Talisman, Jersey City, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PABLO NERUDA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;EXTRAVAGARIA&lt;/em&gt;, bilingual edition translated by Alastair Reid (University of Texas Press, Austin, 1969-1974)&lt;br /&gt;&lt;em&gt;NERUDA: AN INTIMATE BIOGRAPHY &lt;/em&gt;by Volodia Teitelboim, translated by Beverly J. DeLong-Tonelli (biography, University of Texas Press, Austin, 1991)&lt;br /&gt;&lt;em&gt;The Captain's Verses&lt;/em&gt;, translated by Donald Walsh (New Directions, New York, 1972)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PETER SOLIS NERY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;First Few Notes of a Green Symphony &lt;/em&gt;(Giraffe Books, Quezon City, 1994)&lt;br /&gt;&lt;em&gt;The Essential Thoughts of a Purple Cat&lt;/em&gt; (prose and poetry, Giraffe Books, Quezon City, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DENISE NEWMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WILD GOODS&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LANCE NEWMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;COME KANAB: A LITTLE RED SONGBOOK &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;THE NEW YORKER EDITORS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE NEW YORKER BOOK OF POEMS &lt;/em&gt;(anthology, Morrow Quill Paperbacks, New York, 1974)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AIMEE NEZHUKUMATATHIL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Fishbone &lt;/em&gt;(Snails Pace Press, Inc., Cambridge, NewYork, 2000)&lt;br /&gt;&lt;em&gt;Miracle Fruit&lt;/em&gt; (Tupelo Press, Dorset, Vermont, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SIANNE NGAI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CRITERIA &lt;/em&gt;(O Books, Oakland, 1998)&lt;br /&gt;&lt;em&gt;THE COSMOPOLITANS&lt;/em&gt;, with BRIAN KIM STEFANS (chap, Interlope, San Francisco, 2000)&lt;br /&gt;&lt;em&gt;My Novel&lt;/em&gt; (chap, Leave Books, Buffalo, New York, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HOA NGUYEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HECATE LOCHIA&lt;/em&gt; (__, 2009)&lt;br /&gt;&lt;em&gt;Red Juice&lt;/em&gt; (chap, effing press, Austin, TX, 2005)&lt;br /&gt;&lt;em&gt;Your Ancient See Through&lt;/em&gt; (Subpress, Honolulu, 2002)&lt;br /&gt;&lt;em&gt;YOU SAY THE LAND&lt;/em&gt; (broadside, effing press, Austin, TX, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;B.P. NICHOL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;An H in the Heart &lt;/em&gt;(McLelland &amp; Stewart, Inc., Toronto, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TRAVIS NICHOLS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Iowa &lt;/em&gt;(Letter Machine Editions, Chicago, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NICOLE NICHOLSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Raven Feathers &lt;/em&gt;(chap, Raven's Wing Press, Columbus, OH, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LORINE NIEDECKER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Granite Pail: The Selected Poems of Lorine Niedecker&lt;/em&gt;, Edited by Cid Corman (North Point Press, Berkeley, CA 1985)&lt;br /&gt;&lt;em&gt;AMERICA'S GREATEST UNKNOWN POET: Lorine Niedecker Reminiscences, Photographs, Letters and Her Most Memorable Poems&lt;/em&gt;, edited by John Lehman (biography, Zelda Wilde Publishing, Cambridge, Wisconsin, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;A.L. NIELSEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;EVACUATION ROUTES: A USER'S GUIDE &lt;/em&gt;(Score Publications, 1992)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FRIEDRICH NIETZSCHE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PHILOSOPHY AND TRUTH: Selections from Nietzsche's Notebooks of the Early 1870's&lt;/em&gt;, Edited and Translated by Daniel Breazeale (Humanity Books, Amherst, N.Y., 1999)&lt;br /&gt;&lt;em&gt;The Poetry of Friedrich Nietzsche&lt;/em&gt; by Philip Grundlehner (criticism, Oxford University Press, New York, 1986)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAUREN NICOLE NIXON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Body of Words: Performance Texts&lt;/em&gt;, with Alexandra Beller, Sally Silvers, and Rosamond S. King (Belladonna #129, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHARLES NORTH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SONG &lt;/em&gt;(broadside, Hard Press, West Stockbridge, Mass, 1996)&lt;br /&gt;&lt;em&gt;NO OTHER WAY: Seleted Prose&lt;/em&gt; (Hanging Loose Press, Brooklyn, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CAMILLE NORTON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Corruption &lt;/em&gt;(Harper Perennial, New York, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALICE NOTLEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Close to me &amp; Closer ... (The Language of Heaven) and Desamere&lt;/em&gt; (O Books, Oakland, 2005)&lt;br /&gt;&lt;em&gt;Coming After: Essays on Poetry &lt;/em&gt;(essays, University of Michigan Press, Ann Arbor, 2005)&lt;br /&gt;&lt;em&gt;CULTURE OF ONE&lt;/em&gt; (Penguin, New York, 2011)&lt;br /&gt;&lt;em&gt;GRAVE OF LIGHT: NEW AND SELECTED POEMS 1970-2005 &lt;/em&gt;(Wesleyan University, Middletown, Conn., 2008)&lt;br /&gt;&lt;em&gt;IN THE PINES &lt;/em&gt;(Penguin, New York, 2007)&lt;br /&gt;&lt;em&gt;IPHIGENIA &lt;/em&gt;(chap, Belladonna Books #57, Brooklyn, 2002)&lt;br /&gt;&lt;em&gt;Mysteries of Small Houses &lt;/em&gt;(Penguin, New York, 1998)&lt;br /&gt;&lt;em&gt;The Descent of Alette &lt;/em&gt;(Penguin, New York, 1992)&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE ALICE NOTLEY ISSUE, TALISMAN: A Journal of Contemporary POetry and Poetics&lt;/em&gt;, Ed. Ed Foster (Fall 1988, Hoboken, N.J.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;IDRA NOVEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE NEXT COUNTRY&lt;/em&gt; (____, 2008)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-112555547526535918?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/112555547526535918/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=112555547526535918' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112555547526535918'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112555547526535918'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/09/authors-n.html' title='AUTHORS: N'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-112278590497301995</id><published>2005-08-30T00:26:00.000-07:00</published><updated>2011-12-28T21:07:30.369-08:00</updated><title type='text'>AUTHORS: M</title><content type='html'>&lt;em&gt;Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.)&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELYNIA S. MABANGLO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Anyaya Ng Imperyalista / Invitation of the Imperialist &lt;/em&gt;(University of the Philippines Press, Diliman, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;REBECCA MABANGLO-MAYOR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Halo Halo Means Mix Mix: A Short Story with Recipes &lt;/em&gt;(prose poem paragraphs on shuffle-able cards, Author's manuscript)&lt;br /&gt;&lt;em&gt;ACHIOTE SEEDS&lt;/em&gt;, with Rich Villar and Barbara Jane Reyes (Achiote Press, Spring 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NATHANIEL MACKEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DISCREPANT ENGAGEMENT: Dissonance, Cross-Culturality, and Experimental Writing &lt;/em&gt;(University of Alabama Press, Tuscaloosa, AL, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELIZABETH MACKLIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;You've Just Been Told &lt;/em&gt;(Norton, New York, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ARCHIBALD MACLEISH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;J.B.: A PLAY IN VERSE &lt;/em&gt;(Samuel French, Inc., New York, 1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SCOTT MACLEOD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Anne Frank in Jerusalem&lt;/em&gt; (novel excerpts, Ex Nihilo Press, San Francisco, 1999)&lt;br /&gt;&lt;em&gt;Closer to Home &lt;/em&gt;(visual / performance, 2000 Adaline Kent Award Exhibition, 2000)&lt;br /&gt;&lt;em&gt;General Cloudy View of Ladakh&lt;/em&gt;, with "friends" (chap, San Francisco, self-published, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL MADSEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Burning in Paradise &lt;/em&gt;(Incommunicado Press, San Diego, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALANA MADISON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WOW R U A BOT?&lt;/em&gt; (chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL MAGEE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MAINSTREAM &lt;/em&gt;(BlazeVOX Books, Buffalo, N.Y. 2006)&lt;br /&gt;&lt;em&gt;MS &lt;/em&gt;(Spuyten Duyvil, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JILL MAGI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;[from SLOT (to pull an historical site form you)] &lt;/em&gt;(chap/broadside, Dusie, 2007)&lt;br /&gt;&lt;em&gt;TORCHWOOD &lt;/em&gt;(Shearsman Books, Exeter U.K., 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBIN MAGOWAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Memoirs of a Minotaur: from Merrill Lynch to Patty Hearst to Poetry &lt;/em&gt;(memoir, Story Line Press, Ashland, OR, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MELANIE MAIER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CHAPTER AND VERSE: POEMS OF JEWISH IDENTITY&lt;/em&gt;, As Editor with Sim Warkov, Rose Black, Margaret Kaufman &amp; Susan Terris (Conflux Press, Prescott, AZ, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUNAINA MAIRA&lt;/strong&gt;&lt;br /&gt;As Co-Editor with RAJINI SRIKANTH, &lt;em&gt;Contours of the Heart: South Asians Map North America &lt;/em&gt;(anthology, Asian American Writers Workshop, New York, 1996)&lt;br /&gt;As Co-Editor (nonfiction), &lt;em&gt;SCREAMING MONKEYS: CRITIQUES OF ASIAN AMERICAN IMAGES&lt;/em&gt;, with EVELINA M. GALANG (managing editor), EILEEN TABIOS (poetry), JORDIN ISIP (art), and ANIDA YOEU ESGUERRA (found images) (anthology of poetry, prose, and art, Coffee House Press, Minneapolis, Minn, 2003).&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CLARENCE MAJOR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Waiting for Sweet Betty &lt;/em&gt;(Copper Canyon Press, Port Townsend, WA, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SAYD BAHODINE MAJROUH&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;SONGS OF LOVE AND WAR: Afghan Women's Poetry&lt;/em&gt;, Trans. by Marjolijn De Jager (anthology, Other Press, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DORA MALECH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Inside &amp; Elsewhere &lt;/em&gt;(chap, Argonne Hotel Press, Washington D.C., 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEPHANE MALLARME&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;COLLECTED POEMS&lt;/em&gt;, translated by Henry Weinfield (University of California Press, Berkeley, 1994)&lt;br /&gt;&lt;em&gt;MALLARME, of the Poet of Nothingness &lt;/em&gt;by Jean-Paul Sartre, translated by Ernest Sturm (criticism, University of Pennsylvania Press, University Park and London, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TOM MANDEL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;To the Cognoscenti &lt;/em&gt;(Atelos, 2007)&lt;br /&gt;&lt;em&gt;THE GRAND PIANO, Part 1: An Experiment in Collective Autobiography&lt;/em&gt;, with Bob Perelman, Barrett Watten, Steve Benson, Carla Harryman, Ron Silliman, Kit Robinson, Lyn Hejinian, Rae Armantrout, &amp; Ted Pearson (Mode A, Detroit, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OSIP MANDELSTAM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Selected Poems&lt;/em&gt;, a bilingual edition, trans. by David McDuff (The Noonday Press / FSG, New York, 1973)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SARAH MANGOLD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Picture of the Baslet &lt;/em&gt;(chap, Dusie, 2006)&lt;br /&gt;As Editor, &lt;em&gt;Bird Dog&lt;/em&gt;, Issue Nine&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NICHOLAS MANNING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Hi Higher Hyperbole &lt;/em&gt;(chap, ypolita press, 2009)&lt;br /&gt;&lt;em&gt;Novaless (elements towards a metaphysics)&lt;/em&gt; (Otoliths, Rockhampton, Australia, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EDGAR B. MARANAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PASSAGE: poems 1983-2006 &lt;/em&gt;(The Bookmark, Makati, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BOB MARCACCI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Imagining A Baby &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEFANIE MARLIS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;FINE &lt;/em&gt;(Apogee Press, Berkeley, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JACK MARSHALL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GORGEOUS CHAOS: New + Selected Poems 1965-2001 &lt;/em&gt;(Coffee House Press, Minneapolis, Minn., 2002)&lt;br /&gt;&lt;em&gt;THE STEEL VEIL&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JENNIFER MARTENSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Xq281 &lt;/em&gt;(chap, Burning Deck Press, Providence, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DIONISIO D. MARTINEZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CLIMBING BACK &lt;/em&gt;(W.W. Norton, New York and London, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KARL MARX&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LOVE POEMS&lt;/em&gt;, Ed. with translations by Reinhard Lettau and Lawrence Ferlinghetti (City Lights Books, San Francisco, 1977)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN MASEFIELD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;IN GLAD THANKSGIVING: NEW POEMS &lt;/em&gt;(The Macmillan Company, New York, 1967)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DONNA MASINI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;That Kind of Danger &lt;/em&gt;(Beacon Press, Boston, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MAYA DIABLO MASON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AUTOPSY TURVY&lt;/em&gt;, with Thomas Fink (Meritage Press, San Francisco &amp; St. Helena, 2010. 5+ copies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSEPH MASSEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AREAS OF FOG&lt;/em&gt; (Shearsman Books, Exeter, U.K., 2009)&lt;br /&gt;&lt;em&gt;BRAMBLE &lt;/em&gt;(chap, Hot Whiskey Press, Boulder, Co., 2005)&lt;br /&gt;&lt;em&gt;Eureka Slough &lt;/em&gt;(chap, Effing Press, Austin, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID MAS MASUMOTO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Wisdom of the Last Farmer&lt;/em&gt; (memoir, Free Press/Simon &amp; Schuster, New York, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KHALED MATTAWA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AMORISCO &lt;/em&gt;(____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HARRY MATTHEWS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;20 Lines a Day &lt;/em&gt;(Dalkey Archive Press, Elmswood, IL, 1988)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;J.H. MATTHEWS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Toward the Poetics of Surrealism &lt;/em&gt;(criticism, Syracuse University Press, 1976)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SEBASTIAN MATTHEWS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;In My Father's Footsteps &lt;/em&gt;(memoir, Norton, New York, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAMES MAUGHN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE ARAKAKI PERMUTATIONS&lt;/em&gt; Black Radish Books, Lafayette, LA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NICOLE MAURO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Mrs. Quake&lt;/em&gt; (&lt;a href="http://meritagepress.blogspot.com/2010/02/haynaku-for-haiti.html"&gt;Hay(na)ku for Haiti &lt;/a&gt;booklet, Open Palm Press / Meritage Press, San Francisco &amp; St. Helena, 2010)&lt;br /&gt;&lt;em&gt;THE CONFRONTATIONS &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANDREW MAXWELL&lt;/strong&gt;&lt;br /&gt;As Co-editor with MACGREGOR CARD, &lt;em&gt;The Germ &lt;/em&gt;(Santa Cruz, CA, Fall 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARDI MAY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;POETS @ KSP&lt;/em&gt;, poems by Mardi May, Jo Mills, Paula Jones, Gail Robinson, Agnes O'Kane, Sally Clarke (chap, Claverton House, Lesmuride Wa, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BERNADETTE MAYER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Proper Name &amp; Other Stories &lt;/em&gt;(New Directions, New York, 1992-1996)&lt;br /&gt;&lt;em&gt;WHAT'S YOUR IDEA OF A GOOD TIME&lt;/em&gt;, correspondences with Bill Berkson (Tuumba Press, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GILLIAN MCCAIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TILT &lt;/em&gt;(Lingo, West Stockbridge, MA, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAUL MCCARTNEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Blackbird Singing: Poems and Lyrics 1965-1999 &lt;/em&gt;(Norton, New York, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL MCCLURE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Rebel Lions&lt;/em&gt; (New Directions, New York, 1984-1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JIM MCCRARY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PO DOOM &lt;/em&gt;(chap, Hank's Original Loose Gravel Press, Arroyo Grande, Ca, 2011)&lt;br /&gt;&lt;em&gt;M ental Tekst&lt;/em&gt; (chap, 'really old gringo press', Lawrence, KS, Deep Winter 2010)&lt;br /&gt;&lt;em&gt;ALL THAT: THE COLLECTED CHAPBOOKS &lt;/em&gt;(Many Penny Press, Idaho, 2008)&lt;br /&gt;&lt;em&gt;OH MISS MARY &lt;/em&gt;(chap, Really Old Gringo Press, Lawrence, KS, 2006)&lt;br /&gt;&lt;em&gt;BLACK SPRING: THE LAWRENCE ISSUE &lt;/em&gt;(Winter 2005), literary journal featuring David Baptiste-Chirot, Lee Chapman, Stephen Ellis, Robert Grenier, Hawkman, Kenneth Irby, Maryrose Larkin, Jonathan Mayhew, Jim McCrary, Caryn Mirriam-Goldberg, John Moritz, Susan Smith Nash, Monica Peck, Judith Roitman, Dale Smith, Steve Tills &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEFFREY MCDANIEL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ENDARKENMENT&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RAYMOND MCDANIEL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SALTWATER EMPIRE&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CAITLIN GRACE MCDONNELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Dreaming the Tree &lt;/em&gt;(chap, Belladonna #37, Brooklyn, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT MCDOWELL&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;POETRY AFTER MODERNISM &lt;/em&gt; (Storyline Press, Brownsville, OR, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRUCE MCEVER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Full Horizon&lt;/em&gt; (Jeanne Duval Editions, Atlanta, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KATHLEEN MCGOOKEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Whatever Shines &lt;/em&gt;(White Pine Press, Buffalo, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CAMPBELL MCGRATH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SEVEN NOTEBOOKS &lt;/em&gt;(Ecco/HarperCollinsPublishers, New York, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL MCGRIFF&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DISMANTLING THE HILLS&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HEATHER MCHUGH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;EYESHOT &lt;/em&gt;(Wesleyan University Press, Middletown, Conn., 2003)&lt;br /&gt;&lt;em&gt;Hinge &amp; Sign &lt;/em&gt;(Wesleyan University Press, Middletown, Conn., 1994)&lt;br /&gt;As Editor, &lt;em&gt;The Best American POetry 2007&lt;/em&gt; (Scribner Poetry, New York, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SANDY MCINTOSH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;237 More Reasons To Have Sex&lt;/em&gt;, with Denise Duhamel (Otoliths, Rockhampton, Australia, 2009)&lt;br /&gt;&lt;em&gt;Between Earth and Sky &lt;/em&gt;(Marsh Hawk Press, New York, 2002)&lt;br /&gt;&lt;em&gt;ENDLESS STAIRCASE&lt;/em&gt; (Street Press, New York, 1991)&lt;br /&gt;&lt;em&gt;Forty-Nine Guaranteed Ways to Escape Death &lt;/em&gt;(Marsh Hawk Press, New York, 2007)&lt;br /&gt;&lt;em&gt;ERNESTA, IN THE STYLE OF THE FLAMENCO &lt;/em&gt;(Marsh Hawk Press, New York, 2010)&lt;br /&gt;&lt;em&gt;The After-Death History of My Mother &lt;/em&gt;(Marsh Hawk Press, New York, 2005)&lt;br /&gt;&lt;em&gt;WHICH WAY TO THE EGRESS &lt;/em&gt;(Garfield Publishers, New York, 1974)&lt;br /&gt;As Editor, &lt;em&gt;From A Chinese Kitchen &lt;/em&gt;(cookbook, Wok Talk and The American Cooking Guild, Great Neck, N.Y. and Silver Spring, MD, 1985)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MUSA MCKIM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Alone With The Moon: Selected Writings of Musa McKim &lt;/em&gt;(The Figures, Great Barrington, MA, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSHUA MCKINNEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Permutations of the Gallery &lt;/em&gt;(chap, Pavement Saw Press, New York, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SANDRA MCPHERSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The God of Indeterminacy&lt;/em&gt; (University of Illinois Press, Urbana and Chicago, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MOLLY MCQUADE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Barbarism &lt;/em&gt;(Four Way Books, Marshfield, MA, 2000)&lt;br /&gt;&lt;em&gt;Stealing Glimpses of Poetry, Poets, and Things In Between &lt;/em&gt;(essays, Sarabande Books, Louisville, Kentucky, 1999)&lt;br /&gt;As Editor, &lt;em&gt;By Herself: Women Reclaim Poetry &lt;/em&gt;(Graywolf Press, St. Paul, Minn., 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JIM MCRARY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MY BOOK&lt;/em&gt; (chap, sp)&lt;br /&gt;&lt;em&gt;HOTTER AND NOW&lt;/em&gt; (chap, sp)&lt;br /&gt;&lt;em&gt;HOLBOX &lt;/em&gt;(chap, sp)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JANE MEAD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE USABLE FIELD&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DEBORAH MEADOWS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Itinerant Men &lt;/em&gt;(Krupskaya, Berkeley, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LORETA M. MEDINA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HEADING HOME &lt;/em&gt;(Giraffe Books, Quezon City, 1996.  2-plus copies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAMES MEETZE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Instrument &lt;/em&gt;(chap, Sea Lamb Press, San Francisco, 2004)&lt;br /&gt;&lt;em&gt;Serenades &lt;/em&gt;(chap, Cy Press, Cincinnati, 2003)&lt;br /&gt;&lt;em&gt;Instrument &amp; Amplifier&lt;/em&gt; (manuscript)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;D.H. MELHEM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;NEW YORK POEMS &lt;/em&gt;(Syracuse University Press, 2005)&lt;br /&gt;&lt;em&gt;REST IN LOVE&lt;/em&gt; (Confrontation Magazine Press, New York, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TODD MELICKER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;the immaculate autopsy &lt;/em&gt;(chap, Achiote Press, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CATHERINE MENG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Postcard Poems&lt;/em&gt; with STEPHANIE YOUNG(chap, Poetry Espresso, Fremont, CA, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHRISTOPHER MERRILL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Brilliant Water &lt;/em&gt;(White Pine Press, Buffalo, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;THOMAS MERTON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Collected Poems of THOMAS MERTON &lt;/em&gt;(New Directions, New York, 1946)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;W.S. MERWIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE SECOND FOUR BOOKS OF POEMS (The Moving Target, The Lice, The Carrier of Ladders, Writings to an Unfinished Accompaniment)&lt;/em&gt; (Copper Canyon Press, Port Townsend, WA, 1963-1993)&lt;br /&gt;&lt;em&gt;THE SHADOW OF SIRIUS&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SHARON MESMER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Vertigo Seeks Affinities &lt;/em&gt;(chap, Belladonna, Brooklyn, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DOUGLAS MESSERLI&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;50: A CELEBRATION OF SUN &amp; MOON CLASSICS &lt;/em&gt;(anthology, Sun &amp; Moon, Los Angeles, 1995)&lt;br /&gt;As Editor, &lt;em&gt;The Gertrude Stein Awards in Innovative American Poetry 1993-1994 &lt;/em&gt;(anthology, Sun &amp; Moon, Los Angeles, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALESSANDRA MESSINEO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;untitled &lt;/em&gt;sheaf (manuscript)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BERT MEYERS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;IN A DYBBUK'S RAINCOAT: Collected Poems&lt;/em&gt;Edited by Morton Marcus and Daniel Meyers (University of New Mexico Press, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHELANGELO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Life, Letters and Poetry&lt;/em&gt;, translated by George Ball (Oxford University Press, Oxford, 1987)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DUNYA MIKHAIL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Diary of a Wave Outside the Sea&lt;/em&gt;, trans. from the Arabic by Elizabeth Winslow and Dunya Mikhail (New Directions, New York, 2009)&lt;br /&gt;&lt;em&gt;THE WAR WORKS HARD&lt;/em&gt;, trans. from the Arabic by Elizabeth Winslow (New Directions, New York, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BARRY MILES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Ginsberg, Burroughs, and Corso in Paris, 1957-1963 &lt;/em&gt;(biography, Grove Press, New York, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EDNA ST. VINCENT MILLAY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SAVAGE BEAUTY: The Life of Edna St. Vincent Millay &lt;/em&gt;by Nancy Milford (biography, Random House, new York, 2001)&lt;br /&gt;&lt;em&gt;What Lips My Lips Have Kissed: The Loves and Love Poems of Edna St. Vincent Millay &lt;/em&gt;by Daniel Mark Epstein (biography, Henry Holt, New York, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID MILLER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Music while drowning: German Expressionist Poems&lt;/em&gt;, Co-edited with Stephen Watts (Tate Publishing, London, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL MILLER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE JOYFUL DARK&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEPHEN PAUL MILLER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Skinny Eighth Avenue&lt;/em&gt;, with illustrations by NOAH MAVAEL MILLER (Marsh Hawk Press, New York, 2005)&lt;br /&gt;&lt;em&gt;The Bee Flies in May &lt;/em&gt;(Marsh Hawk Press, New York, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JESSICA MILLS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MY MOTHER WEARS COMBAT BOOTS: A Parenting Guide For The Rest of Us &lt;/em&gt;(AK Press, Edinburgh, Oakland and West Virginia, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JO MILLS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;POETS @ KSP&lt;/em&gt;, poems by Mardi May, Jo Mills, Paula Jones, Gail Robinson, Agnes O'Kane, Sally Clarke (chap, Claverton House, Lesmuride Wa, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CZESLAW MILOSZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Year of the Hunter&lt;/em&gt;, translated by Madeline G. Levine (diary, Noonday Press/FSG, New York, 1994)&lt;br /&gt;&lt;em&gt;The Witness of Poetry &lt;/em&gt;(lectures, Harvard University Press, Cambridge and London, 1983)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MIRABAI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MIRABAI: Ecstatic Poems&lt;/em&gt;, Versions (translated) by Robert Bly and Jane Hirshfield (Beacon Press, Boston, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CAROL MIRAKOVE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Occupied &lt;/em&gt;(Kelsey St. Press, Berkeley, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GABRIELA MISTRAL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Selected Prose and Prose Poems&lt;/em&gt; (University of Texas Press, Austin, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROGER MITCHELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;sAvAge bAggAge &lt;/em&gt;(The Figures, Great Barrington, MA 2001)&lt;br /&gt;&lt;em&gt;LEMON PEELED THE MOMENT BEFORE: NEW &amp; SELECTED POEMS 1967-2008&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEPHEN MITCHELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Parables and Portraits &lt;/em&gt;(HarperPerennial, New York, 1994)&lt;br /&gt;As Translator/Adaptor, &lt;em&gt;GILGAMESH &lt;/em&gt;(Free Press/Simon &amp; Schuster, New York, 2004)&lt;br /&gt;As Translator, &lt;em&gt;Letters to a Young Poet &lt;/em&gt;by Rainer Maria Rilke, (prose, First Vintage Books, New York, 1986)&lt;br /&gt;As Translator, &lt;em&gt;The Notebooks of Malte Laurids Brigge &lt;/em&gt;by Rainer Maria Rilke, (Vintage International, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUSAN MITCHELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE WATER INSIDE THE WATER&lt;/em&gt; (HarperPerennial, New York, 1983)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALBERT MOBILIO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ME WITH ANIMAL TOWERING &lt;/em&gt;(Black Square Editions, New York, 2002)&lt;br /&gt;&lt;em&gt;The Geographics&lt;/em&gt; (Hard Press, West Stockbridge, MA, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;K. SILEM MOHAMMAD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Thousand Devils&lt;/em&gt; (Combo Books, 2004)&lt;br /&gt;&lt;em&gt;Deer Head Nation&lt;/em&gt; (Tougher Disguises Press, Oakland, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANITA MOHAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Letters To An Albatross &lt;/em&gt;(BlazeVOX, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CAROL MOLDAW&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CHALKMARKS ON STONE&lt;/em&gt; (La Alameda Press, Albuquerque, 1998)&lt;br /&gt;&lt;em&gt;So Late, So Soon: New and SElected Poems&lt;/em&gt; (Etruscan Press, Wilkes-Barre, PA, 2010)&lt;br /&gt;&lt;em&gt;Taken From The River &lt;/em&gt;(Alef Books, New York, 1993)&lt;br /&gt;&lt;em&gt;THE LIGHTNING FIELD&lt;/em&gt; (Oberlin College Press, Oberlin, OH, 2003)&lt;br /&gt;&lt;em&gt;THE WIDENING &lt;/em&gt;(novel, Etruscan Press, Wilkes-Barre, PA, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;N. SCOTT MOMADAY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;In the Presence of the Sun: Stories and Poems, 1961-1991 &lt;/em&gt;(St. Martin's Press, New York, 1992)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PASCALLE MONNIER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Bayart &lt;/em&gt;(Black Square Editions, New York, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EUGENIE MONTALE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Six Modernist Moments in Poetry &lt;/em&gt;(Rainer Maria Rilke, William Butler Yeats, Wallace Stevens, William Carlos Williams, Marianne Moore, Eugenie Montale by David Young (study, University of Iowa, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HONOR MOORE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Red Shoes &lt;/em&gt;(Norton, New York, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LENARD D. MOORE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A TEMPLE LOOMING&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARIANNE MOORE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Marianne Moore: A Literary Life &lt;/em&gt;by Charles Molesworth (biography, Atheneum, New York, 1990)&lt;br /&gt;&lt;em&gt;The Complete Poems of Marianne Moore &lt;/em&gt;(MacMillan/Viking, New York, 1958)&lt;br /&gt;&lt;em&gt;MARIANNE MOORE&lt;/em&gt;, text by Dave Page and illustrations by Tomi Ungerer (Creative Education, Mankato, Minn., 1994)&lt;br /&gt;&lt;em&gt;Six Modernist Moments in Poetry &lt;/em&gt;(Rainer Maria Rilke, William Butler Yeats, Wallace Stevens, William Carlos Williams, Marianne Moore, Eugenie Montale by David Young (study, University of Iowa, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;THURSTON MOORE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;FEBRUARY 03&lt;/em&gt;, with Todd Colby, Alex Gildzen and Matthew Wascovich (Slow Toe (Slow Toe Publications, Cleveland, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KYOKO MORI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;FALL OUT&lt;/em&gt; (Tia Chucha Press, Chicago, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAURA MORIARTY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A SEMBLANCE: SELECTED AND NEW POEMS 1975-2007 &lt;/em&gt;(Omnidawn, 2007)&lt;br /&gt;&lt;em&gt;Like Roads&lt;/em&gt; (Kelsey St. Press, Berkeley, 1990)&lt;br /&gt;&lt;em&gt;SELF DESTRUCTION&lt;/em&gt; (The Post-Apollo Press, Sausalito, CA 2004)&lt;br /&gt;&lt;em&gt;Ultravioleta &lt;/em&gt;(Atelos, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DANIEL MORRIS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BRYCE PASSAGE &lt;/em&gt;(Marsh Hawk Press, New York, 2004)&lt;br /&gt;&lt;em&gt;Remarkable Modernisms: Contemporary American Authors on Modern Art &lt;/em&gt;(essays, University of Massachusetts Press, Boston, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JIM MORRISON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;RIMBAUD AND JIM MORRISON; The Rebel As Poet &lt;/em&gt;by Wallace Fowlie (memoir, Duke University Press, Durham, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;YEDDA MORRISON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CROP &lt;/em&gt;(Kelsey Street Press, Berkeley, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HOWARD MOSS&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;The Poet's Story &lt;/em&gt;(anthology of short prose fiction by poets, Simon Schuster, New York, 1973)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;THYLIAS MOSS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SMALL CONGREGATIONS: New and Selected Poems &lt;/em&gt;(The Ecco Press, Hopewell, N.J., 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEPHEN MOTIKA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arrival and at Mono &lt;/em&gt;(chap, Sona Books, Brooklyn, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DEREK MOTION&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;escaping over trees &lt;/em&gt;(chap, sp, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JENNIFER MOXLEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Often Capital&lt;/em&gt; (Flood Editions, Chicago, 2005)&lt;br /&gt;&lt;em&gt;The Middle Room&lt;/em&gt; (autobiography, Subpress, Oakland, CA 2007)&lt;br /&gt;&lt;em&gt;The Occasion&lt;/em&gt; (chap, Belladonna #32, Brooklyn, 2002)&lt;br /&gt;&lt;em&gt;The Sense Record and Other Poems &lt;/em&gt;(Edge Book, Washington D.C., 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;THYLIAS MOSS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Last Chance for the Tarzan Holler &lt;/em&gt;(Persea, New York, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAUL MULDOON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HAY &lt;/em&gt;(FSG, New York, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SIMONE MUENCH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LAMBLACK &amp; ASH &lt;/em&gt;(Sarabande Books, Louisville, KY, 2005)&lt;br /&gt;&lt;em&gt;sonoluminescence&lt;/em&gt;, collaboration with William Allegrezza (chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HARRYETTE MULLEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Muse &amp; Drudge&lt;/em&gt; (Singing Horse, Philadelphia, 1995)&lt;br /&gt;&lt;em&gt;LOOKING UP HARRYETTE MULLEN: INTERVIEWS ON&lt;/em&gt; SLEEPING WITH THE DICTIONARY &lt;em&gt;AND OTHER WORKS &lt;/em&gt;by Barbara Henning (Belladonna Books, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAURA MULLEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Tales of Horror &lt;/em&gt;(Kelsey St. Press, Berkeley, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;P.C. MUNOZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PHYSICAL SCIENCE/CODE DETECTIVES&lt;/em&gt; (poem posters with design by DEREK LASSITER, first exhibited at U.C. Berkeley, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID MURA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Angels for the Burning &lt;/em&gt;(BOA Editions, Rochester, N.Y. 2004)&lt;br /&gt;&lt;em&gt;Song for Uncle Tom, Tonto, and Mr. Moto: Poetry and Identity&lt;/em&gt; (University of Michigan Press, Ann Arbor, 2002)&lt;br /&gt;&lt;em&gt;The Colors of Desire &lt;/em&gt;(Anchor Books/Doubleday, New York, 1995)&lt;br /&gt;&lt;em&gt;Turning Japanese: Memoirs of a Sansei &lt;/em&gt;(Anchor Books/Doubleday, New York, 1991)&lt;br /&gt;&lt;em&gt;Where the Body Meets Memory: An Odyssey of Race, Sexuality &amp; Identity &lt;/em&gt;(memoir, Anchor Books/Doubleday, New York, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHELLE MURPHY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Jackknife &amp; Light&lt;/em&gt; (Avec Books, Penngrove, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SHEILA E. MURPHY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;COLLECTED CHAPBOOKS: 1981-2002&lt;/em&gt; (Blue Lion Books, Puhos Finland &amp; West Hartford, Conn., 2008)&lt;br /&gt;&lt;em&gt;FULL-FIGURED RHAPSODY &lt;/em&gt;(chap, Dusi/e, 2006)&lt;br /&gt;&lt;em&gt;how to spell the sound of everything&lt;/em&gt;, with mIEKAL aND (Xerox Sutra Editions, La Farge, Wisconsin, 2009)&lt;br /&gt;&lt;em&gt;INCESSANT SEEDS &lt;/em&gt;(Pavement Saw Press, Columbus, OH, 2005)&lt;br /&gt;&lt;em&gt;Magnificat for the New Year &lt;/em&gt;(broadside, sp, 2010)&lt;br /&gt;&lt;em&gt;Quaternity&lt;/em&gt;, with Scott Glassman (Otoliths, Rockhampton, Australia, 2009. 2)&lt;br /&gt;&lt;em&gt;Separation Theory &lt;/em&gt;(chap, Writers Forum, Cornwall U.K., 2005)&lt;br /&gt;&lt;em&gt;Temperature as Art &lt;/em&gt;(chap, Instress, 1988)&lt;br /&gt;&lt;em&gt;Toward the Year 2006 &lt;/em&gt;(broadside-card, sp, 2005)&lt;br /&gt;&lt;em&gt;For the Year 2010 &lt;/em&gt;(broadside-card, 2010)&lt;br /&gt;&lt;em&gt;Toward the Year Twenty-Twelve&lt;/em&gt; (broadside-card, 2011)&lt;br /&gt;As Editor with M.L. Weber, &lt;em&gt;&gt;2: An Anthology of New Collaborative Poetry &lt;/em&gt;(Sugar Mule, Colorado Springs, CO, 2007). &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHRIS MURRAY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Meme Me Up, Scotty!&lt;/em&gt; (chap, Reading for the Carrboro Poetry Festival, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOAN MURRAY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Looking for the Parade &lt;/em&gt;(Norton, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOAN MURRAY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Poems, &lt;/em&gt; Ed. Grant Code with Foreword by W.H. Auden (print-out of free .pdf from Half Empty/ Half Full, Brooklyn, of the publication originally published by Yale University Press in 1947 as part of Yale Younger Series&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EILEEN MYLES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Chelsea Girls&lt;/em&gt; (Black Sparrow Press, Santa Rosa, 1994)&lt;br /&gt;&lt;em&gt;Dear Lia,&lt;/em&gt; (chap, Belladonna #128, Brooklyn, 2011)&lt;br /&gt;&lt;em&gt;Sorry, Tree&lt;/em&gt; (Wave Books, Seattle/New York, 2007)&lt;br /&gt;&lt;em&gt;THE IMPORTANCE OF BEING ICELAND: TRAVEL ESSAYS IN ART&lt;/em&gt; (Semiotext(e) Native Agents Series, Los Angeles, 2009)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-112278590497301995?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/112278590497301995/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=112278590497301995' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112278590497301995'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112278590497301995'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/08/authors-m.html' title='AUTHORS: M'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-112357023226623449</id><published>2005-08-13T22:50:00.000-07:00</published><updated>2011-12-28T21:06:39.212-08:00</updated><title type='text'>AUTHORS: L</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NANCY LAGOMARSINO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Light From An Eclipse &lt;/em&gt;(White Pine Press, Buffalo, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LARISSA LAI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;welcome to asian women in business / a one stop site for entrepreneurs &lt;/em&gt;(chap, MODL Press, Calgary, Alberta, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL LALLY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MARCH 18, 2003 &lt;/em&gt;(Libellum, New York, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PHILIP LAMANTIA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BED OF SPHINXES: New &amp; Selected Poems 1943-1993&lt;/em&gt; (City Lights Books, San Francisco, 1997)&lt;br /&gt;&lt;em&gt;DESTROYED WORKS &lt;/em&gt;(Auerhahn, San Francisco, 1962)&lt;br /&gt;&lt;em&gt;MEADOWLARK WEST&lt;/em&gt; (City Lights Books, San Francisco, 1986)&lt;br /&gt;&lt;em&gt;TAU by Philip Lamantia and JOURNEY TO THE END by John Hoffman&lt;/em&gt;, Edited by Garrett Caples (City Lights The Pocket Books Series, Number Fifty-Nine, San Francisco, 2008)&lt;br /&gt;&lt;em&gt;The Blood of the Air &lt;/em&gt;(Four Seasons Foundation, San Francisco, 1970)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARTIN LAMMON&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;Written in Water Written in Stone: Twenty Years of Poets on Poetry &lt;/em&gt;(anthology of essays, The University of Michigan Press, Ann Arbor, MI, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARK LAMOUREUX&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ANOTHER NIGHT &lt;/em&gt;(chap, Cy Gist Press #1, Astoria, N.Y., 2005)&lt;br /&gt;&lt;em&gt;ASTROMETRY ORGONON &lt;/em&gt;(BlazeVOX Books, Buffalo, N.Y., 2008. 2)&lt;br /&gt;&lt;em&gt;FILM POEMS &lt;/em&gt;(chap, Katalanche Press, Cambridge, MA, 2005)&lt;br /&gt;&lt;em&gt;NIGHT SEASON &lt;/em&gt;(chap, Dusie, 2006)&lt;br /&gt;&lt;em&gt;SATURNALIA &lt;/em&gt;(broadside-card, sp, New York, 2005)&lt;br /&gt;&lt;em&gt;SOMETIMES THINGS SEEM VERY DARK &lt;/em&gt;(limited edition, Dusie, 2007)&lt;br /&gt;"WISHING YOU A GREEN CHRISTMAS" 2009 holiday broadside featuring "Wind Farm" (chap anthology, Cy Gist Press, Brooklyn, N.Y., 2009)&lt;br /&gt;"PRESENTS FOR CHRISTMAS" (poemized holiday greeting card, Cy Gist Press Holiday Card 2012, Astoria, NY, limited edition 100)&lt;br /&gt;&lt;br /&gt;As Editor, &lt;em&gt;MY SPACESHIP &lt;/em&gt;(chap anthology, Cy Gist Press, Brooklyn, N.Y., 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MONG LAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Why is the Edge Always Windy?&lt;/em&gt; (Tupelo, Vermont, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HELEN LANE&lt;/strong&gt;&lt;br /&gt;As translator, &lt;em&gt;The Other Voice: Essays on Modern Poetry&lt;/em&gt; by Octavio Paz, (essays, Harcourt Brace, New York, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUSANNA LANG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;EVEN NOW&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHRISTIAN NGUYEN LANGWORTHY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Geography of War &lt;/em&gt;(Cooper House Publishing, Oklahoma City, Oklahoma, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSE M. LANSANG, JR.&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;55 Poems&lt;/em&gt; (limited edition 150 copies chipboard, Filipino Signatures Book, Manila (?), Undated but includes a Aug. 13, 1960 letter from JOSE GARCIA VILLA)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT JON ZITA LANSANG, JR.&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Lessons &lt;/em&gt;(chap, SorcE Publications, San Diego and Riverside, CA 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GERRIT LANSING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TALISMAN: A Journal of Contemporary Poetry and Poetics -- GERRIT LANSING ISSUE&lt;/em&gt;, Edited by Edward Foster (journal, Talisman House, Jersey City, N.J., Winter 95/96)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOAN LARKIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Boston Piano&lt;/em&gt; (chap, Belladonna #45, Brooklyn, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARYROSE LARKIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Book of Ocean&lt;/em&gt; (i.e. press, Los Angeles, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PHILIP LARKIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Collected Poems, Edited by Anthony Thwaite &lt;/em&gt;(The Noonday Press / FSG / The Marvell Press, London, 1988-1989)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID LARSEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ATUM BOM&lt;/em&gt; (chap, Oakland)&lt;br /&gt;&lt;em&gt;FREAKY IF YOU GOT THIS FAR LRSN &lt;/em&gt;(chap, Oakland)&lt;br /&gt;&lt;em&gt;Kept Back&lt;/em&gt; (handmade limited edition (20) chap, Oakland, 2002)&lt;br /&gt;&lt;em&gt;THE SAN FRANCISCO SOUND &lt;/em&gt;(book art chap with poetry, San Francisco, 2007)&lt;br /&gt;&lt;em&gt;The Thorn&lt;/em&gt; (Faux Press, Cambridge, MA, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DOROTHEA LASKY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TOURMALINE &lt;/em&gt;(chap, Transmission Press, San Francisco, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRADLEY LASTNAME&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Oracle Whip&lt;/em&gt; (The Press of the Third Mind, Chicago, 2004)&lt;br /&gt;&lt;em&gt;THE SQUEAKY FROMME GETS THE GREASE &lt;/em&gt;(The Press of the Third Mind, Chicago, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN LATTA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Breeze &lt;/em&gt;(University of Notre Dame Press, Notre Dame, IN, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EVELYN LAU&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Choose Me &lt;/em&gt;(short stories, Doubleday Canada, Toronto, 1999)&lt;br /&gt;&lt;em&gt;Fresh Girls and Other Stories &lt;/em&gt;(short stories, Hyperion, New York, 1993(&lt;br /&gt;&lt;em&gt;In the House of Slaves &lt;/em&gt;(Coach House Press, Toronto, 1994)&lt;br /&gt;&lt;em&gt;Living Under Plastic &lt;/em&gt;(Oolichan Books, Fernie, BC, Canada, 2010)&lt;br /&gt;&lt;em&gt;Oedipal Dreams &lt;/em&gt;(Coach House Press, Toronto, 1992, 1994)&lt;br /&gt;&lt;em&gt;Other Women &lt;/em&gt;(novel, Simon and Schuster, New York, 1996)&lt;br /&gt;&lt;em&gt;Runaway Diary of a Street Kid&lt;/em&gt; (memoir, Coach House Press, Toronto, 1995)&lt;br /&gt;&lt;em&gt;TREBLE &lt;/em&gt;(Polestar/Raincoast Books, Vancouver, 2005)&lt;br /&gt;&lt;em&gt;YOU ARE NOT WHO YOU CLAIM &lt;/em&gt;(Porcepic Books, Victoria, Canada, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AMANDA LAUGHTLAND&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Postcards to Box 464&lt;/em&gt;, with art by Jen may (Bootstrap Productions, Lowell, MA, 2010)&lt;br /&gt;&lt;em&gt;(Some of the) BEST LESBIAN POETRY&lt;/em&gt; (teeny chap, Teeny Tiny, Edmonds, WA, 2009. 4)&lt;br /&gt;&lt;em&gt;FREE &lt;/em&gt;(teeny chap, Teeny Tiny, Edmonds, WA, 2007)&lt;br /&gt;&lt;em&gt;"from I Meant To Say" &lt;/em&gt;(postcard poem, Overhere Press, 2007)&lt;br /&gt;As Editor, &lt;em&gt;Teeny Tiny Issue #10, &lt;/em&gt;March 2007 (journal, Teeny Tiny, Edmonds, WA, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANN LAUTERBACH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;And For Example &lt;/em&gt;(Penguin, New York, 1994)&lt;br /&gt;&lt;em&gt;from NOTHING TO SAY &lt;/em&gt;(chap, Belladonna, Brooklyn, 2006)&lt;br /&gt;&lt;em&gt;THE NIGHT SKY: Writings on the Poetics of Experience &lt;/em&gt;(Penguin, New York, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;D.H. LAWRENCE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Birds, Beasts and Flowers!&lt;/em&gt; (Black Sparrow Press, Santa Rosa, 1992)&lt;br /&gt;&lt;em&gt;SNAKE and other Poems &lt;/em&gt;(Dover Publications, Mineola, N.Y., 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DENISE LIDDELL LAWSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Contingent Ardor &lt;/em&gt;(Kelsey Street Press, Berkeley, 2002)&lt;br /&gt;&lt;em&gt;Where You Form the Letter L &lt;/em&gt;(San Francisco State University Chapbook Series, San Francisco, 1992)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HANK LAZER&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;WHAT IS A POET?&lt;/em&gt; (prose, University of Alabama Press, Tuscaloosa and London, 1987)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSEPH LEASE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;X (ANGEL CITY)&lt;/em&gt; (chap, Sacrifice Press, Corvallis, Oregon, 2010)&lt;br /&gt;&lt;em&gt;Broken World &lt;/em&gt;(Coffee House, Minneapolis, 2007)&lt;br /&gt;&lt;em&gt;Human Rights&lt;/em&gt; (Zoland Books, Cambridge, Mass., 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KAREN AN-HWEI LEE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;In Medias Res&lt;/em&gt; (Sarabande Books, Louisville, KY, 2004)&lt;br /&gt;God's One Hundred Promises (chap, Swan Scythe Press, Davis, CA, 2002)&lt;br /&gt;&lt;em&gt;Ardor &lt;/em&gt;(Tupelo Press, Dorset, VT, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LI-YOUNG LEE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Book of my Nights&lt;/em&gt; (BOA Editions, Rochester, N.Y., 2001)&lt;br /&gt;&lt;em&gt;Lannan Literary Videos #45: Li-Young Lee&lt;/em&gt; (video, Lannan Foundation, Los Angeles, 1995)&lt;br /&gt;&lt;em&gt;ROSE &lt;/em&gt;(BOA Editions, Brockport, N.Y., 1986)&lt;br /&gt;&lt;em&gt;The City In Which I Love You &lt;/em&gt;(BOA Editions, Rochester, New York, 1990)&lt;br /&gt;&lt;em&gt;The Winged Seed: A Remembrance &lt;/em&gt;(Simon and Schuster, New York, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUNG-IL LEE&lt;/strong&gt;&lt;br /&gt;As Translator, &lt;em&gt;The Moonlit Pond: Korean Classical Poems in Chinese&lt;/em&gt; (anthology, Copper Canyon Press, Port Townsend, WA, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSEPH O. LEGASPI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;IMAGO &lt;/em&gt;(CavanKerry Press Ltd., Fort Lee, N.J., 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID LEHMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;POETRY FORUM: A PLAY POEM: A PL'EM&lt;/em&gt;, with Judith Hall (Bayeux Arts, Calgary, Canada, 2006)&lt;br /&gt;&lt;em&gt;The Daily Mirror: A Journal in Poetry&lt;/em&gt; (Scribner, New York, 2000)&lt;br /&gt;As Editor, &lt;em&gt;Ecstatic Occasions, Expedient Forms: 85 Contemporary Poets Select and Comment on Their Poems &lt;/em&gt;(anthology, University of Michigan Press, Ann Arbor, MI, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALEX LEMON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HALLELUJAH BLACKOUT&lt;/em&gt; Alex Lemon (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GARY LENHART&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE STAMP OF CLASS: Reflections on Poetry &amp; Social Class &lt;/em&gt;(essays, University of Michigan, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEPHANIE LENOX&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Heart That Lies Outside the Body &lt;/em&gt;(Slappering Hol Press, Sleepy Hollow, N.Y., 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TERESA LEO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE HALO RULE&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL LEONG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;e.s.p.&lt;/em&gt; (Silenced Press, Columbus, OH, 2009)&lt;br /&gt;&lt;em&gt;Midnight Marsupium&lt;/em&gt; (chap, The Knives Forks and Spoons Press, Newton-Le-Willows, U.K., 2010)&lt;br /&gt;&lt;em&gt;The Lung of the Poet&lt;/em&gt; (broadside, Splitleaves, Philadelphia, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JULIANA LESLIE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Pie in the Sky &lt;/em&gt;(chap, Braincase Press, Northhampton, MA, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DENISE LEVERTOV&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Evening Train &lt;/em&gt;(New Directions, New York, 1992)&lt;br /&gt;&lt;em&gt;Light Up the Cave&lt;/em&gt; (prose, New Directions, New York, 1981)&lt;br /&gt;&lt;em&gt;New &amp; Selected Essays&lt;/em&gt; (New Directions, New York, 1965)&lt;br /&gt;&lt;em&gt;TESSERAE: Memories and Suppositions &lt;/em&gt;(memoir, New Directions, New York, 1995)&lt;br /&gt;&lt;em&gt;The Letters of Denise Levertov and William Carlos Williams,&lt;/em&gt; Ed. by Christopher MacGowan (letters, New Directions, New York, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAN HELLER LEVI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Once I Gazed Upon You in Winter &lt;/em&gt;(Knopf, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DANA LEVIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;In The Surgical Theatre &lt;/em&gt;(The American Poetry Review, Philadelphia, 1999)&lt;br /&gt;&lt;em&gt;WEDDING DAY&lt;/em&gt; (Copper Canyon Press, Port Townsend, WA 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PHILLIS LEVIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MAY DAY&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AMY LEVINE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Erasure and Illumination &lt;/em&gt;(manuscript form)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEFFREY LEVINE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MORTAL, EVERLASTING &lt;/em&gt;(Pavement Saw Press, Columbus, OH, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PHILIP LEVINE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Don't Ask &lt;/em&gt;(interviews, University of Michigan Press, 1981)&lt;br /&gt;&lt;em&gt;On the Poetry of Philip Levine: Stranger to Nothing&lt;/em&gt;, Edited by Christopher Buckley (anthology of prose, University of Michigan Press, 1991)&lt;br /&gt;&lt;em&gt;What Work Is &lt;/em&gt;(Knopf, New York, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RACHEL LEVITSKY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Under the Sun&lt;/em&gt; (Futurepoems, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WALTER LEW&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TREADWINDS: Poems and Intermedia Texts &lt;/em&gt;(Wesleyan University Press, Middletown, Conn., 2002)&lt;br /&gt;As Editor, &lt;em&gt;PREMONITIONS &lt;/em&gt;(anthology, Kaya Productions, New York, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CASSIE LEWIS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Postcard Poems&lt;/em&gt; with DEL RAY CROSS (chap, Poetry Espresso, Fremont, CA, 2002. 2 copies)&lt;br /&gt;&lt;em&gt;Postcard Poems&lt;/em&gt; with JENNIFER DANNENBERG(chap, Poetry Espresso, Fremont, CA, 2003)&lt;br /&gt;&lt;em&gt;Postcard Poems&lt;/em&gt; with STEPHANIE YOUNG (chap, Poetry Espresso, Fremont, CA, 2002. 2 copies)&lt;br /&gt;&lt;em&gt;Postcard Poems&lt;/em&gt; with TIM YU (chap, Poetry Espresso, Fremont, CA, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KIM-AN LIEBERMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BREAKING THE MAP&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;M.L. LIEBLER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WIDE AWAKE IN SOMEONE ELSE'S DREAM&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARJORIE LIGHT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Green Blossoms &lt;/em&gt;(chap)&lt;br /&gt;&lt;em&gt;The Very Best of Some Misplaced &lt;/em&gt;Joan of Arc (chap)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GARY COPELAND LILLEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ALPHA ZULU&lt;/em&gt;  (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FRANK LIMA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Inventory: New &amp; Selected Poems &lt;/em&gt;(Hard Press, West Stockbridge, Mass., 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ADA LIMON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Sharks in the Rivers &lt;/em&gt;(Milkweed Editions, Minneapolis, Minn., 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FATIMA LIM-WILSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Crossing the Snow Bridge &lt;/em&gt;(Ohio State University, Columbus, OH, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHEN LIN&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;Freeze Dried 2: The Second Collection of Prose &amp; Poetry &lt;/em&gt;(journal comprised of loose cards, Snazzy Writers Workshop, Los Angeles, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TAN LIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Plagiarism/Outsource &lt;/em&gt;by Tan Lin (Zasterle, Canary Islands, Spain, 2008)&lt;br /&gt;&lt;em&gt;ambience is a novel with a logo &lt;/em&gt;(Katalanche Press, Cambridge, MA, 2007)&lt;br /&gt;&lt;em&gt;BlipSoak01 &lt;/em&gt;(Atelos, Berkeley, 2003)&lt;br /&gt;&lt;em&gt;Lotion Bullwhip Giraffe &lt;/em&gt;(Sun &amp; Moon, Los Angeles, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TAO LIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;you are a little bit happier than i am &lt;/em&gt;(Action Books, Tuscaloosa, AL, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SARAH LINDSAY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TWIGS &amp; KNUCKLEBONES &lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;R. ZAMORA LINMARK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PRIME TIME APPARITIONS &lt;/em&gt;(Hanging Loose Press, Brooklyn, 2005)&lt;br /&gt;&lt;em&gt;Rolling the R's &lt;/em&gt;(Kaya Production, New York, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TIMOTHY LIU&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BURNT OFFERINGS &lt;/em&gt;(Copper Canyon Press, Port Townsend, WA, 1995)&lt;br /&gt;&lt;em&gt;Hard Evidence &lt;/em&gt;(Talisman, Jersey City, N.J., 2001)&lt;br /&gt;&lt;em&gt;Say Goodnight &lt;/em&gt;(Copper Canyon Press, Port Townsend, WA, 1998)&lt;br /&gt;&lt;em&gt;Vox Angelica &lt;/em&gt;(AliceJamesBooks, Cambridge, Mass., 1992)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;REB LIVINGSTON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WANTON TEXTILES&lt;/em&gt;, collaboration with Ravi Shankar (No Tell Books, 2006)&lt;br /&gt;As Editor with Molly Arde, &lt;em&gt;The Bedside Guide to...No Tell Motel&lt;/em&gt;, (NoTell Books, E, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KAREN LLAGAS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Archipelago Dust &lt;/em&gt;(Meritage Press, San Francisco &amp; St. Helena, 2010. 10-plus)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DIANE LOCKWARD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Eve's Red Dress&lt;/em&gt; (Wind Publications, Kentucky, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RACHEL LODEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DICK OF THE DEAD&lt;/em&gt; (Ahsahta Press, Boise, ID, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WILLIAM LOGAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;STRANGE FLESH&lt;/em&gt; (____, 2008) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DANA TEEN LOMAX&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DISCLOSURE &lt;/em&gt;(chap, dusie kollektiv, 2009)&lt;br /&gt;&lt;em&gt;DISCLOSURE &lt;/em&gt;(Black Radish Books, Lafayette, LA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RICK LONDON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE MATERIALIST&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEORGE LOONEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE PRECARIOUS RHETORIC OF ANGELS &lt;/em&gt;(White Pine Press, Buffalo, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PHILLIP LOPATE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AT THE END OF THE DAY: Selected Poems and an Introductory Essay &lt;/em&gt;(Marsh Hawk Press, New York, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RICHARD LOPEZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Brass Knuckles &lt;/em&gt;(mini chap, Poems for All #257, 24th street irregular press, Sacramento, 2003)&lt;br /&gt;&lt;em&gt;Clove Cigarettes &lt;/em&gt;(mini chap, Poems for All #256, 24th street irregular press, Sacramento, 2003)&lt;br /&gt;&lt;em&gt;HALLUCINATING CALIFORNIA&lt;/em&gt;, with Jonathan Hayes (chap, Windowpane Press, Sacramento &amp; San Francisco, 2008)&lt;br /&gt;&lt;em&gt;PARTS OF THE JOURNAL: NIGHT &lt;/em&gt;(chap, Homemade Press, 2007)&lt;br /&gt;&lt;em&gt;SUPER 8&lt;/em&gt; (chap, SUPERBLAST! PRESS, Lawrence, Kansas &amp; Sacramento, CA, 2007)&lt;br /&gt;&lt;em&gt;The Grapevine &lt;/em&gt;(chap, 24th street irregular press, Sacramento, 2003)&lt;br /&gt;&lt;em&gt;Troubadour&lt;/em&gt;(mini chap, Poems for All #255, 24th street irregular press, Sacramento, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PURA LOPEZ-COLOME&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;NO SHELTER: The Selected Poems of Pura Lopez-Colome&lt;/em&gt;, Trans. by Forrest Gander (Graywolf, St. Paul, Minn, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FEDERICO GARCIA LORCA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DEEP SONG And OTHER PROSE&lt;/em&gt;, translated/edited by Christopher Maurer (prose, New Directions, New York, 1954-1980)&lt;br /&gt;&lt;em&gt;LORCA: A Dream of Life&lt;/em&gt; by Leslie Stainton (biography, Farrar, Strauss and Giroux, 1999)&lt;br /&gt;&lt;em&gt;POET IN NEW YORK&lt;/em&gt;, translated by Ben Belitt (Grove Press, New York, 1940)&lt;br /&gt;&lt;em&gt;THE SELECTED POEMS OF FEDERICO GARCIA LORCA&lt;/em&gt;, Edited by Francisco Garcia Lorca and Donal H. Allen (New Directions, New York, 1995)&lt;br /&gt;&lt;em&gt;ONLY MYSTERY: Federico Garcia's Poetry in Word and Image &lt;/em&gt;by Sandra Forman an dAllen Josephs (University Press of Florida, 1992)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AUDREY LORDE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SISTER OUTSIDER: ESSAYS &amp; SPEECHES &lt;/em&gt;(The Crossing Press, Freedom, CA, 1984)&lt;br /&gt;&lt;em&gt;THE CANCER JOURNALS &lt;/em&gt;(Aunt Lute Press, San Francisco, 1980)&lt;br /&gt;&lt;em&gt;UNDERSONG: Chosen Poems Old and New&lt;/em&gt; (Norton, New York, 1992)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KATIE LOUCHHEIM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Observe The Lark&lt;/em&gt; (Vintage Books, New York, 1985)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;REBECCA LOUDON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Cadaver Dogs &lt;/em&gt;(No Tell Books, Reston, VA, 2008)&lt;br /&gt;&lt;em&gt;Navigate, Amelia Earthart's Letters Home &lt;/em&gt;(No Tell Books, Reston, VA, 2006)&lt;br /&gt;&lt;em&gt;RADISH KING &lt;/em&gt;(Ravenna Press, Edmonds, WA, 2006)&lt;br /&gt;&lt;em&gt;TARANTELLA &lt;/em&gt;(Ravenna Press, Edmonds, WA, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT LOWELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;IMITATIONS &lt;/em&gt;(Noonday Press/FSG, New York, 1990)&lt;br /&gt;&lt;em&gt;NEAR THE OCEAN &lt;/em&gt;(Noonday Press/FSG, New York, 1967)&lt;br /&gt;&lt;em&gt;NOTEBOOK &lt;/em&gt;(Noonday Press/FSG, New York, 1967-1995)&lt;br /&gt;&lt;em&gt;POETS IN THEIR YOUTH: JOHN BERRYMAN, ROBERT LOWELL, RANDALL JARRELL, DELMORE SCHWARTZ, THEODORE ROETHKE AND DYLAN THOMAS&lt;/em&gt; by Eileen Simpson (memoir, The Noonday Press / Farrar Straus and Giroux, New York, 1990)&lt;br /&gt;&lt;em&gt;ROBERT LOWELL: A Biography &lt;/em&gt;by Ian Hamilton (biography, Faber and Faber, London and Boston, 1982)&lt;br /&gt;&lt;em&gt;ROBERT LOWELL: COLLECTED PROSE &lt;/em&gt;Edited by Robert Giroux (prose, Noonday Press/FSG, New York, 1987)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AARON LOWINGER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;OPEN NIGHT &lt;/em&gt;(chap, Transmission Press, San Francisco, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LEZA LOWITZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GREEN TEA TO GO: Stories from Tokyo &lt;/em&gt;(Printed Matter Press, Tokyo, 2004)&lt;br /&gt;&lt;em&gt;YOGA POEMS: Lines to Unfold By&lt;/em&gt; with Illustrations by ANJA BORGSTROM (Stone Bridge Press, Berkeley, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EDWIN AGUSTIN LOZADA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Bosquejos / Sketches &lt;/em&gt;(Carayan Press, San Francisco, 2003)&lt;br /&gt;&lt;em&gt;Suenos Anonimos / Anonymous Dreams &lt;/em&gt;(Carayan Press, San Francisco, 2001)&lt;br /&gt;As Editor, &lt;em&gt;FIELD OF MIRRORS: An Anthology of Philippine American Writers &lt;/em&gt;(Philippine American Writers &amp; Artists, Inc., San Francisco, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LISA LUBASCH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;How Many More of Them Are You &lt;/em&gt;(Avec Books, Penngrove, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRIAN LUCAS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LIGHT HOUSE&lt;/em&gt; (Meeting Eyes Bindery, imprint of Spuyten Duyvil, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WING TEK LUM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;EXPOUNDING THE DOUBTFUL POINTS&lt;/em&gt; (Bamboo Ridge Press, Honolulu, 1987)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANDREW LUNDWALL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;KLANG &lt;/em&gt;(manuscript form)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BOBBI LURIE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Grief Suite &lt;/em&gt;(WordTech, Cincinnati, OH, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GLENNA LUSCHEI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SHOT WITH EROS: New and Selected Poems &lt;/em&gt;(John Daniel &amp; Co., Santa Barbara, 2002. 2)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;THOMAS LYNCH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BOOKING PASSAGE: We Irish &amp; Americans &lt;/em&gt;(memoir, Norton, New York, 2005)&lt;br /&gt;&lt;em&gt;THE UNDERTAKING: Life Studies From The Dismal Trade&lt;/em&gt; (essays, Norton, New York, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KIMBERLY LYONS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Saline &lt;/em&gt;(Instance Press, Boulder, CO, 2005)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-112357023226623449?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/112357023226623449/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=112357023226623449' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112357023226623449'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112357023226623449'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/08/authors-l.html' title='AUTHORS: L'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-112253409770907043</id><published>2005-07-30T00:47:00.000-07:00</published><updated>2011-11-02T22:51:29.581-07:00</updated><title type='text'>AUTHORS: K</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KABIR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Kabir Book: Forty-Four of the Ecstatic Poems of Kabir&lt;/em&gt;, versions by Robert Bly (Beacon Press, Boston, 1971)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUMMI KAIPA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;One: I Beg You, Be Still&lt;/em&gt; (chap, Belladonna #43, Brooklyn, 2003)&lt;br /&gt;&lt;em&gt;The Epics&lt;/em&gt; (chap, Leroy 3, San Francisco, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LORNA KALAW-TIROL&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;WOMEN ON FIRE&lt;/em&gt; (anthology of prose and poetry, Anvil, Pasig City, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARILYN KALLET&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Circe, After Hours &lt;/em&gt;(BkMk Press, Kansas City, MO, 2005)&lt;br /&gt;&lt;em&gt;How To Get Heat Without Fire&lt;/em&gt; (New Messenger Books, Knoxville, Tenn., 1996)&lt;br /&gt;&lt;em&gt;Air &lt;/em&gt;(Poem-Card, Mary Anderson Center, Mount Saint Francis, Direct from Artist)&lt;br /&gt;&lt;em&gt;LAST LOVE POEMS OF PAUL ELUARD&lt;/em&gt;, Trans. by Marilyn Kallett (Black Widow Press, Boston, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID KALSTONE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BECOMING A POET: Elizabeth Bishop with Marianne Moore and Robert Lowell&lt;/em&gt;, Edited by Robert Hemenway (prose, FSG, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ILYA KAMINSKY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Dancing in Odessa &lt;/em&gt;(Tupelo Press, Dorset, VT, 2004)&lt;br /&gt;&lt;em&gt;Musica Humana &lt;/em&gt;(chap, Chapiteau Press, Montpelier, VT, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DANIEL KANE&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;ALL POETS WELCOME: THE LOWER EAST SIDE POETRY SCENE IN THE 1960S &lt;/em&gt;(prose and CD, University of California Press, Berkeley, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BHANU KAPIL or BHANU KAPIL RIDER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;(a poem-essay, or precurson: NOTES: for a novel: &lt;/em&gt;Ban En Banlieues) (chap, Belladonna #127, Brooklyn, 2011)&lt;br /&gt;&lt;em&gt;Autobiography of a Cyborg &lt;/em&gt;(chap, Leroy, San Francisco, 2000)&lt;br /&gt;&lt;em&gt;HUMANIMAL: A PROJECT FOR FUTURE CHILDREN&lt;/em&gt; (Kelsey St. Press, Berkeley, CA, 2001)&lt;br /&gt;&lt;em&gt;The Vertical Interrogation of Strangers &lt;/em&gt;(Kelsey St. Press, Berkeley, CA, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KRISTEN KASCHOCK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Unfathoms &lt;/em&gt;(Slope Editions, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SAM KASHNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;When I was Cool: My Life at the Jack Kerouac School &lt;/em&gt;(memoir, Perennial/HarperCollins, New York, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARY KASIMOR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Pure Bowl of Nothing &lt;/em&gt;(BlazeVOX Books, Buffalo, N.Y. 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CATHERINE KASPER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Field Stone &lt;/em&gt;(Winnow Press, Austin, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOY KATZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;fabulae &lt;/em&gt;(Crab Orchard Review &amp; Southern Illinois Review, Carbondale and Edwardsville, Illinois, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VINCENT KATZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;RAPID DEPARTURES / PARTIDAS RAPIDAS&lt;/em&gt;, trans. into Portuguese by Regina Alfarano with art by Mario Cafiero (Atelie Editorial, Brazil, 2005)&lt;br /&gt;&lt;em&gt;The Dogs of Sao Paulo &lt;/em&gt;(poster, 1998. 2)&lt;br /&gt;As Editor, &lt;em&gt;VANITAS &lt;/em&gt;(literary and arts journal, New York, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BOB KAUFMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SOLITUDES CROWDED WITH LONELINESS &lt;/em&gt;(New Directions, New York, 1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;erica kaufman&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;from INSTANT CLASSIC&lt;/em&gt; (Belladonna Chaplet, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARGARET KAUFMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CHAPTER AND VERSE: POEMS OF JEWISH IDENTITY&lt;/em&gt;, As Editor with Sim Warkov, Rose Black, Melanie Maier &amp; Susan Terris (Conflux Press, Prescott, AZ, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAMES KAVANAUGH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WILL YOU BE MY FRIEND?&lt;/em&gt; with drawings by MERIKE TUMMA (Sunrise/E.P. Dutton, New York, 1971)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AYANE KAWATA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Time of Sky / Castles in the Air&lt;/em&gt;, Trans. by Sawako Nakayasu (Litmus Press, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JACKIE KAY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE ADOPTION PAPERS&lt;/em&gt; (Bloodaxe Books, Newcastle upon Tyne, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARIE KAZALIA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Erratic Sleep in a Cold Hotel &lt;/em&gt;(Phony Lid Publications, Rosemead, CA, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LARRY KEARNEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Passion &lt;/em&gt;(chap, Transmission Press, San Francisco, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN KEATS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Lyric Poems&lt;/em&gt;, edited by Stanley Appelbaum (Dover, Toronto, 1991)&lt;br /&gt;&lt;em&gt;The 64 Sonnets&lt;/em&gt; (Paul Dry Books, Philadelphia, 2004)&lt;br /&gt;&lt;em&gt;THE POEMS OF JOHN KEATS&lt;/em&gt;, edited by Aileen Ward with illustrations by DAVID GENTLEMAN (The Heritage Press, New York, 1966)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SCOTT KEENEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SAPPHO DOES HAY(NA)KU &lt;/em&gt;(limited edition, Sesyphrus, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEORGE KEITHLEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE DONNER PARTY &lt;/em&gt;(George Braziller, New York, 1972)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL KELLEHER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HUMAN SCALE &lt;/em&gt;(BlazeVox Books, Buffalo, N.Y., 2007)&lt;br /&gt;&lt;em&gt;TO BE SUNG &lt;/em&gt;(BlazeVox Books, Buffalo, N.Y., 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TSIPI KELLER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Jackpot &lt;/em&gt;(novel, Spuyten Duyvil, N.Y. 2004)&lt;br /&gt;&lt;em&gt;RETELLING &lt;/em&gt;(novel, Spuyten Duyvil, N.Y. 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRIGIT PEGEEN KELLY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SONG &lt;/em&gt;(BOA EDITIONS, Rochester, N.Y. 1995)&lt;br /&gt;&lt;em&gt;THE ORCHARD &lt;/em&gt;(BOA Editions, Rochester, N.Y. 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT KELLY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LAPIS &lt;/em&gt;(Black Sparrow/David R. Godine, Boston, 2005)&lt;br /&gt;&lt;em&gt;RED ACTIONS: Selected Poems 1960-1993&lt;/em&gt; (Black Sparrow, Santa Rosa, 1995)&lt;br /&gt;&lt;em&gt;THE TIME OF VOICE: Poems 1994-1996&lt;/em&gt; (Black Sparrow, Santa Rosa, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KARLA KELSEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ITERATION NETS &lt;/em&gt;(Ahsahta Press, Boise, ID, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BEN D. KENNEDY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Maid of Heaven: The Story of Saint Joan of Arc &lt;/em&gt;(RLK Press, Louisville, KY, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SARAH KENNEDY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A WITCH'S DICTIONARY&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HUGH KENNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SENTENCES&lt;/em&gt;, with Charles O. Hartman (Sun and Moon Press, Los Angeles, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JANE KENYON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A HUNDRED WHITE DAFFODILS: Essays, Interviews, The Akhmatova Translations, Newspaper Columns, And One Poem&lt;/em&gt; (Graywolf Press, St. Paul, Minn, 1999)&lt;br /&gt;&lt;em&gt;THE BEST DAY THE WORST DAY: Life with Jane Kenyon &lt;/em&gt;by DONALD HALL (memoir, Houghton Mifflin, Boston / New York, 2005)&lt;br /&gt;&lt;em&gt;LETTERS TO JANE &lt;/em&gt;by HAYDEN CARRUTH(letters to Jane Kenyon, Ausable Press, Keene, N.Y. 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JACK KEROUAC&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Desolate Angel: Jack Kerouac, the Beat Generation, and America &lt;/em&gt;by Dennis McNally (biography, Random House, New York, 1979)&lt;br /&gt;&lt;em&gt;Door Wide Open: A Beat Love Affair in Letters, 1957-1958 &lt;/em&gt;with JOYCE JOHNSON (Penguin, New York, 2000. 2 copies)&lt;br /&gt;&lt;em&gt;Mexico City Blues &lt;/em&gt;(Grove Press, New York, 1959)&lt;br /&gt;&lt;em&gt;POETS ON THE PEAKS: Gary Snyder, Philip Whalen &amp; Jack Kerouac in the North Cascades&lt;/em&gt;, text and photographs by John Suiter (Counterpoint/Perseus, New York, 2002)&lt;br /&gt;&lt;em&gt;SAFE IN HEAVEN DEAD: Interviews with Jack Kerouac&lt;/em&gt;, Ed. Michael White (Hanuman Books, New York, 1994)&lt;br /&gt;&lt;em&gt;Scattered Poems &lt;/em&gt;(City Lights Books Pocket Books Series #28, San Francisco, 1971)&lt;br /&gt;&lt;em&gt;Selected Letters: 1957-1969&lt;/em&gt;, edited by Ann Charters (letters, Penguin Books, New York, 1999)&lt;br /&gt;&lt;em&gt;Subterranean Kerouac: The Hidden Life of Jack Kerouac &lt;/em&gt;by Ellis Amburn (biography, St. Martin's Press, New York, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JUKKA-PEKKA KERVINEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;cornucopia &lt;/em&gt;(xPress(ed), Espoo, Finland, 2004)&lt;br /&gt;&lt;em&gt;obeyed dilemma &lt;/em&gt;(xPress(ed), Espoo, Finland, 2004)&lt;br /&gt;&lt;em&gt;poison oak &lt;/em&gt;(tiny booklets / Chapbook Publisher, Kingston, PA, 2010)&lt;br /&gt;&lt;em&gt;Poles Apart&lt;/em&gt;, with MARK YOUNG (xPress(ed), Espoo, Finland, 2004)&lt;br /&gt;&lt;em&gt;THE ORACULAR SONNETS &lt;/em&gt;with MARK YOUNG (PDF File/E-collection, Meritage Press, St. Helena &amp; San Francisco, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHARLES KESLER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Book of Willie&lt;/em&gt; (Firewheel Editions, Dallas, TX, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID KHERDIAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MY RACINE&lt;/em&gt; (Forkroads Press, Spencertown, N.Y., 1994-95)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LUU TRUONG KHOI&lt;/strong&gt;&lt;br /&gt;As Co-Editor, &lt;em&gt;WATERMARK: Vietnamese American Poetry &amp; Prose&lt;/em&gt;, with BARBARA TRAN and MONIQUE T.D. TRUONG (anthology, Asian American Writers Workshop, New York, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MAYA KHOSLA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Heart of the Tearing &lt;/em&gt;(chap, Red Dust, New York, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARNE L. KILATES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Poems En Route &lt;/em&gt;(University of Santo Tomas Press, Manila, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEWEL KILCHER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;a night without armor &lt;/em&gt;(HarperCollins, New York, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KEVIN KILLIAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ACTION KYLIE &lt;/em&gt;(In Girum Nocte Et Consumimur Igni, New York, 2008)&lt;br /&gt;&lt;em&gt;ARGENTO SERIES&lt;/em&gt; (Krupskaya, San Francisco, 2001)&lt;br /&gt;&lt;em&gt;SANTA &lt;/em&gt;(chap, Leave Books, New York, 1995)&lt;br /&gt;As biographer, &lt;em&gt;POET BE LIKE GOD: Jack Spicer and the San Francisco Renaissance&lt;/em&gt;, with Lewis Ellingham (biography, Wesleyan University Press, hanover, NH, 1998)&lt;br /&gt;As Editor with Peter Gizzi, &lt;em&gt;my vocabulary did this to me: The Collected Poetry of Jack Spicer&lt;/em&gt; (Wesleyan University Press, Middletown, Conn., 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUJI KWOCK KIM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;NOTES FROM THE DIVIDED COUNTRY &lt;/em&gt;(Louisiana State University Press, Baton Rouge, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MYUNG MI KIM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DURA &lt;/em&gt;(Sun &amp; Moon, Los Angeles, 1998)&lt;br /&gt;&lt;em&gt;UNDER FLAG &lt;/em&gt;(Kelsey Street Press, Berkeley, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BURT KIMMELMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;As If Free &lt;/em&gt;(Talisman House, Jersey City, N.J., 2009)&lt;br /&gt;&lt;em&gt;SOMEHOW &lt;/em&gt;(Marsh Hawk Press, New York, 2004)&lt;br /&gt;&lt;em&gt;The Pond At Cape May Point&lt;/em&gt;, with reproductions of paintings by FRED CARUSO (Marsh Hawk Press, New York, 2002)&lt;br /&gt;&lt;em&gt;The Way We Live &lt;/em&gt;(Dos Madres Press, Loveland, OH, 2011)&lt;br /&gt;&lt;em&gt;There Are Words &lt;/em&gt;(chap &amp; CD, Dos Madres Press, Ohio, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AMY KING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Antidotes for an Alibi&lt;/em&gt; (BlazeVOX Books, Buffalo, N.Y., 2005)&lt;br /&gt;&lt;em&gt;KISS ME WITH THE MOUTH OF YOUR COUNTRY &lt;/em&gt;(chap, Dusi/e, Switzerland, 2007)&lt;br /&gt;&lt;em&gt;ON THE FLY&lt;/em&gt; (Flux de Bouche Press, New York, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BASIL KING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;77 Beasts &lt;/em&gt;(Marsh Hawk Press, New York, 2007)&lt;br /&gt;&lt;em&gt;DEVOTIONS with selections from A Painter's Bestiary and 14 Drawings from Intentions &lt;/em&gt;(text and art, Stop Press, London, 1997)&lt;br /&gt;&lt;em&gt;Learning to Draw / A History : TWIN TOWERS&lt;/em&gt; (chap, Skanky Possum, 2005)&lt;br /&gt;&lt;em&gt;MIRAGE: A Poem in 22 Sections &lt;/em&gt;(Marsh Hawk Press, New York, 2003)&lt;br /&gt;&lt;em&gt;The Complete Miniatures &lt;/em&gt;(text and art, Stop Press, London, 1997. 2 copies)&lt;br /&gt;&lt;em&gt;WARP SPASM &lt;/em&gt;(paintings and poems, Spuyten Duyvil, New York, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARTHA KING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;IMPERFECT FIT: Selected Poems &lt;/em&gt;(Marsh Hawk Press, New York, 2004)&lt;br /&gt;&lt;em&gt;SEPARATE PARTS &lt;/em&gt;(memoir, Avec Books, Penngrove, CA 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROSAMOND S. KING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Body of Words: Performance Texts&lt;/em&gt;, with Alexandra Beller, Lauren Nicole Nixon, and Sally Silvers (Belladonna #129, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GALWAY KINNELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Selected Poems&lt;/em&gt; (Houghton Mifflin, Boston, 1982)&lt;br /&gt;&lt;em&gt;Walking Down the Stairs: Selections from Interviews &lt;/em&gt;(interviews, University of Michigan Press, Ann Arbor, MI, 1978)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARY KINZIE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Cure of Poetry in an Age of Prose: Moral Essays on the Poet's Calling &lt;/em&gt;(essays, University of Chicago Press, Chicago and London, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID KIRBY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE TEMPLE GATE CALLED BEAUTIFUL&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID KIRSCHENBAUM&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;The Portable BOOG READER &lt;/em&gt;(anthology, Boog Literature, New York, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELIZABETH KIRSCHNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;My Life as a Doll&lt;/em&gt; (Autumn House Press, Pittsburgh, PA, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CAROLYN KIZER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Cool, Calm &amp; Collected: Poems 1960-2000 &lt;/em&gt;(Copper Canyon Press, Port Townsend, 2001)&lt;br /&gt;&lt;em&gt;Harping On: Poems 1985-1995&lt;/em&gt; (Copper Canyon Press, Port Topwnsend, WA, 1996)&lt;br /&gt;&lt;em&gt;Mermaids in the Basement: Poems for Women &lt;/em&gt;(Copper Canyon Press, Port Townsend, WA, 1984)&lt;br /&gt;&lt;em&gt;Pro Femina &lt;/em&gt;(chap, BkMk Press/University of Missouri-Kansas City, Kansas City, Missouri, 2000)&lt;br /&gt;&lt;em&gt;Yin &lt;/em&gt;(BOA Editions, Brockport, N.Y. 1984)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAUL KLINGER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Signed Even as a Waiting&lt;/em&gt; (chap, Dusi/e, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRENDA KNIGHT&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;WOMEN OF THE BEAT GENERATION: The Writers, Artists and Muses at the Heart of a Revolution &lt;/em&gt;(anthology, Conari Press, Berkeley, 1996. 2 copies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BILL KNOTT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;INSTRUCTIONS TO A MAP: A SELECTION OF MY SYLLABIC VERSE &lt;/em&gt;(handmade chap with original artwork, "homepublished", 2010)&lt;br /&gt;&lt;em&gt;Stigmata Errata Etcetera&lt;/em&gt;, with collages by Star Black (Saturnalia Books, Philadelphia, 2007)&lt;br /&gt;&lt;em&gt;The Quicken Tree &lt;/em&gt;(BOA Editions, Rochester, N.Y. 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CAROLINE KNOX&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;QUAKER GUNS&lt;/em&gt; (____, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KENNETH KOCH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;I NEVER TOLD ANYBODY: Teaching Poetry Writing to Old People &lt;/em&gt;(instruction, Teachers &amp; Writers Collaborative, New York, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NOELLE KOCOT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;4&lt;/em&gt; (Four Way Books, New York, 2001)&lt;br /&gt;&lt;em&gt;POEM FOR THE END OF TIME AND OTHER POEMS &lt;/em&gt;(Wave Books, 2006)&lt;br /&gt;&lt;em&gt;The Raving Fortune &lt;/em&gt;(Four Way Books, New York, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RODNEY KOENEKE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MUSEE MECHANIQUE&lt;/em&gt; (BlazeVOX Books, Buffalo, N.Y. 2006)&lt;br /&gt;&lt;em&gt;ROUGE STATE&lt;/em&gt; (Pavement Saw Press, Columbus, OH, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN KOETHE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Constructor&lt;/em&gt; (HarperFlamingo, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KARRI KOKKO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;list'n&lt;/em&gt; (card/leaflet, dbqp, Schenectady, N.Y., 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;YUSEF KOMUNYAKAA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Neon Vernacular: New and Selected Poems&lt;/em&gt; (University Press of New England, Hanover and London, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JASON KOO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MAN ON EXTREMELY SMALL ISLAND&lt;/em&gt; (__, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TOM KOONTZ&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;POETS’ BOOKSHELF II: Contemporary Poets on Books That Shaped Their Art &lt;/em&gt;(Barnwood Press, Seattle, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TED KOOSER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Local Wonders: Seasons in the Bohemian Alps &lt;/em&gt;(autobiography, University of Nebraska Press, Lincoln and London, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MÁRTON KOPPÁNY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ENDGAMES &lt;/em&gt;(Otoliths, Rockhampton, Australia, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TRACY KORETSKY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Even Before My Own Name &lt;/em&gt;(ragged bottom press, Berkeley, CA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL KOSHKIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Orgy in the Beef Closet &lt;/em&gt;(chap, Transmission Press, San Francisco, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RICHARD KOSTELANETZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Old Poetries and the New &lt;/em&gt;(essays, University of Michigan Press, Poets on Poetry series, Ann Arbor, MI, 1981)&lt;br /&gt;&lt;em&gt;WORDWORKS: Poems Selected and New&lt;/em&gt; (BOA Editions, Brockport, N.Y. 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DEAN KOSTOS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Celestial Rust &lt;/em&gt;(chap, Red Dust, New York, 1994)&lt;br /&gt;&lt;em&gt;The Sentence That Ends With A Comma &lt;/em&gt;(Painted Leaf Press, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ABBA KOVNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Canopy in the Desert: Selected Poems&lt;/em&gt;, translated by Shirley Kaufman (University of Pittsburgh Press, 1973)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSE KOZER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Stet: Selected Poems&lt;/em&gt;, translated by Mark Weiss (Junction Press, New York, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DONNA KUHN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Typical Girl&lt;/em&gt; (Fine Tooth Press, Waterbury, CT., 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MAXINE KUMIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;QUIT MONKS OR DIE &lt;/em&gt;(novel, Story Line Press, Ashland, OR, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STANLEY KUNITZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Interviews and Encounters with Stanley Kunitz&lt;/em&gt;, edited by Stanley Moss (prose, The Sheep Meadow Press, Riverdale-on-Hudson, New York, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DREW KUNZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TETHER &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOANNE KYGER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AGAIN: POEMS 1989-2000 &lt;/em&gt;(La Alameda Press, Albuquerque, NM, 2001)&lt;br /&gt;&lt;em&gt;Patzcuaro &lt;/em&gt;(chap, Blue Millenium, Bolinas, CA, 1999)&lt;br /&gt;&lt;em&gt;SOME LIFE &lt;/em&gt;(The Post Apollo Press, Sausalito, CA, 2000)&lt;br /&gt;&lt;em&gt;Strange Big Moon: The Japan and India Journals: 1950-1964 &lt;/em&gt;(journals, North Atlantic Books, Berkeley, 2000)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-112253409770907043?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/112253409770907043/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=112253409770907043' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112253409770907043'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112253409770907043'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/07/authors-k.html' title='AUTHORS: K'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-112227454037255734</id><published>2005-07-27T23:45:00.000-07:00</published><updated>2011-03-02T14:19:12.389-08:00</updated><title type='text'>AUTHORS: J</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAIME JACINTO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Heaven Is Just Another Country &lt;/em&gt;(Kearny Street Workshop, San Francisco, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FRANCK ANDRE JAMME&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ANOTHER SILENT ATTACK&lt;/em&gt;, Trans. by Michael Tweed (Black Square Editions/Brooklyn Rail, New York, 2006)&lt;br /&gt;&lt;em&gt;EXTRACTS FROM THE LIFE OF A BEE-TLE &lt;/em&gt;(chap, Black Square Editions, New York, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LISA JANSSEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Riffing on Bird and Other Sad Songs&lt;/em&gt; (chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARK JARMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;IRIS &lt;/em&gt;(Story Line, Brownsville, OR, 1992)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LISA JARNOT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Ring of Fire&lt;/em&gt; (Zoland Books, Cambridge, Mass., 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RANDALL JARRELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;POETS IN THEIR YOUTH: JOHN BERRYMAN, ROBERT LOWELL, RANDALL JARRELL, DELMORE SCHWARTZ, THEODORE ROETHKE AND DYLAN THOMAS &lt;/em&gt;by Eileen Simpson (memoir, The Noonday Press / Farrar Straus and Giroux, New York, 1990)&lt;br /&gt;&lt;em&gt;RANDALL JARRELL: A Literary Life &lt;/em&gt;by William H. Pritchard (biography, FSG, New York, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAOLO JAVIER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Paolo's MFA Presentation Finale&lt;/em&gt; (CD, at Bard College, New York, 2004)&lt;br /&gt;&lt;em&gt;GOLDFISH KISSES&lt;/em&gt;, with images by Ernest Concepcion (chap, Sona Books, Brooklyn, 2007)&lt;br /&gt;&lt;em&gt;the time at the end of this writing &lt;/em&gt;(Ahadada Books, Tokyo and Toronto, 2004)&lt;br /&gt;&lt;em&gt;60 lv bo(e)mbs &lt;/em&gt;(O Books, Oakland, CA 2005) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JUAN RAMON JIMENEZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Complete Perfectionist: A Poetics of Work&lt;/em&gt;, Edited and Translated by Christopher Maurer (Currency/Doubleday, New York, et al, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NICK JOAQUIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PROSE AND POEMS &lt;/em&gt;(Albert Florentino/Bookmark, Manila, 1963)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRIAN JOHNSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TORCH LAKE &amp; OTHER POEMS &lt;/em&gt;(___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KENT JOHNSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Epigramititis &lt;/em&gt;(BlazeVOX Books, Buffalo, N.Y. 2004)&lt;br /&gt;&lt;em&gt;Poetic Architecture &lt;/em&gt;(BlazeVOX Books, Buffalo, N.Y., 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAUREL JOHNSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;My Name Is Esther Clara &lt;/em&gt;(biography,Dandelion Books, Tempe, AZ, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JILL JONES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BROKEN/OPEN &lt;/em&gt;(Salt Publishing, Cambridge, U.K., 2005)&lt;br /&gt;&lt;em&gt;Speak which &lt;/em&gt;(Meritage Press "Tiny Book", San Francisco &amp; St. Helena, CA 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAULA JONES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;POETS @ KSP&lt;/em&gt;, poems by Mardi May, Jo Mills, Paula Jones, Gail Robinson, Agnes O'Kane, Sally Clarke (chap, Claverton House, Lesmuride Wa, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ERICA JONG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;At the Edge of the Body &lt;/em&gt;(Holt, Rinehart &amp; Winston, New York, 1979)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JUNE JORDAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Carolina Ghost Woods &lt;/em&gt;(Louisiana State University, Baton Rouge, 1996-2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PIERRE JORIS&lt;/strong&gt;&lt;br /&gt;As Co-Editor with JEROME ROTHENBERG, &lt;em&gt;The Burial of the Count of Orgaz &amp; other poems&lt;/em&gt; by PABLO PICASSO (Exact Change, Cambridge, MA, 2004)&lt;br /&gt;As Co-Editor with JEROME ROTHENBERG, &lt;em&gt;POEMS FOR THE MILLENNIUM, Vol. I From Fin-de-Siecle to Negritude &lt;/em&gt;(anthology, University of California Press, Berkeley, Los Angeles, London, 1998)&lt;br /&gt;As Co-Editor with JEROME ROTHENBERG, &lt;em&gt;POEMS FOR THE MILLENNIUM, Vol. II From Postwar to Millennium &lt;/em&gt;(anthology, University of California Press, Berkeley, Los Angeles, London, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANDREW JORON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;FATHOM &lt;/em&gt;(Black Square Editions, New York, 2003)&lt;br /&gt;&lt;em&gt;FORCE FIELDS&lt;/em&gt;, with illustrations by Brian Lucas (chap, Hooke Press, Oakland, CA, 2010)&lt;br /&gt;&lt;em&gt;SCIENCE FICTION&lt;/em&gt; (Pantograph Press, Berkeley, 1992)&lt;br /&gt;&lt;em&gt;TRANCE ARCHIVES: New and Selected Poems &lt;/em&gt;(City Lights, San Francisco, 2010)&lt;br /&gt;&lt;em&gt;THE CRY AT ZERO: SELECTED PROSE&lt;/em&gt; (Counterpath, Denver, 2007)&lt;br /&gt;&lt;em&gt;The Removes&lt;/em&gt; (House of Outside / Hard Press, West Stockbridge, MA, 1999)&lt;br /&gt;As Translator, &lt;em&gt;The Footprints of One Who Has Not Stepped Forth &lt;/em&gt;by Richard Anders (chap, Black Square Editions, New York, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NATASHA JOSEFOWITZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Too Wise to Want to Be Young Again: A Witty View of How to Stop Counting the Years and Start Living Them &lt;/em&gt;(Blue Mountain Press, Boulder, CO, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEAN JOUBERT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Black Iris&lt;/em&gt;, Translated by Denise Levertov (Copper Canyon Press, Port Townsend, Wash., 1988)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FADY JOUDAH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE EARTH IN THE ATTIC&lt;/em&gt; (___, 2008)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-112227454037255734?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/112227454037255734/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=112227454037255734' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112227454037255734'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112227454037255734'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/07/authors-j.html' title='AUTHORS: J'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-112210156629579716</id><published>2005-07-25T00:01:00.000-07:00</published><updated>2010-09-03T09:48:19.376-07:00</updated><title type='text'>AUTHORS: I</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LUISA IGLORIA (formerly MARIA LUISA A. CARINO)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Blood Sacrifice&lt;/em&gt; (University of the Philippines Press, Manila, 1997)&lt;br /&gt;&lt;em&gt;CARTOGRAPHY: A Collection of Poetry on Baguio &lt;/em&gt;(Anvil Publishing, Manila, 1992)&lt;br /&gt;&lt;em&gt;Encanto&lt;/em&gt; (Anvil Publishing, Manila, 1994)&lt;br /&gt;&lt;em&gt;In The Garden of the Three Islands&lt;/em&gt; (Asphodel Press / Moyer Bell, Rhode Island / London, 1995)&lt;br /&gt;&lt;em&gt;JUAN LUNA’S REVOLVER &lt;/em&gt;(__, 2009)&lt;br /&gt;&lt;em&gt;Trill &amp; Mordent&lt;/em&gt; (WordTech Editions, Cincinnati, OH, 2005)&lt;br /&gt;As Editor, &lt;em&gt;Not Home, But Here: Writing from the Filipino Diaspora &lt;/em&gt;(Anvil, Manila, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID IGNATOW&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LIVING IS WHAT I WANTED: Last Poems &lt;/em&gt;(BOA Editions, Rochester, N.Y. 1999)&lt;br /&gt;&lt;em&gt;CONVERSATIONS &lt;/em&gt;(chap, Survivors Manual Books, New York, 1980)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROSELI ILANO&lt;/strong&gt;&lt;br /&gt;As co-editor with Lolan Buhain Sevilla, &lt;em&gt;WALANG HIYA: literature taking risks toward liberatory practice &lt;/em&gt;(Carayan Press, San Francisco, 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAWSON FUSAO INADA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Drawing The Line&lt;/em&gt; (Coffee House Press, Minneapolis, MN, 1997)&lt;br /&gt;&lt;em&gt;Legends from Camp &lt;/em&gt;(Coffee House Press, Minneapolis, MN, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;P. INMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;at. least. &lt;/em&gt;(Krupskaya, San Francisco, 1999)&lt;br /&gt;&lt;em&gt;RED SHIFT&lt;/em&gt; (Roof, New York, 1988)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARK IRWIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TALL IF&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JORDIN ISIP&lt;/strong&gt;&lt;br /&gt;As Co-Editor (art), &lt;em&gt;SCREAMING MONKEYS: CRITIQUES OF ASIAN AMERICAN IMAGES&lt;/em&gt;, with EVELINA M. GALANG (managaing editor), EILEEN TABIOS (poetry), SUNAINA MAIRA (nonfiction), and ANIDA YOEU ESGUERRA (found images) (anthology of poetry, prose, and art, Coffee House Press, Minneapolis, Minn, 2003).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-112210156629579716?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/112210156629579716/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=112210156629579716' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112210156629579716'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112210156629579716'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/07/authors-i.html' title='AUTHORS: I'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-112192624108309070</id><published>2005-07-23T00:14:00.000-07:00</published><updated>2011-12-03T20:25:51.512-08:00</updated><title type='text'>AUTHORS: H</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAAVO HAAVIKKO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;One And Twenty&lt;/em&gt;, Translated by Anselm Hollo (Aspasia Books, Beaverton Ontario, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARILYN HACKER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DESESPERANTO: Poems 1999-2002 &lt;/em&gt;(Norton, New York, 2003)&lt;br /&gt;&lt;em&gt;Love, Death, and the Changing of the Seasons&lt;/em&gt; (Arbor House, New York, 1986)&lt;br /&gt;&lt;em&gt;Selected Poems 1965-1990 &lt;/em&gt;(Norton, New York, 1994)&lt;br /&gt;&lt;em&gt;Separations &lt;/em&gt;(Knopf, New York, 1972-1976)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID HADBAWNIK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Downwinders&lt;/em&gt; (chap, Modest Proposal, San Francisco, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KATIE HAEGELE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Obsolete--an alphabet of poems inspired by dead words &lt;/em&gt;(chap, printed by Parcell Press, undated)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HAFIZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE GIFT&lt;/em&gt;, translated by Daniel Ladinsky (Penguin Compass, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JESSICA HAGEDORN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Danger and Beauty &lt;/em&gt;(&lt;em&gt;I know I have it but haven't yet found it yet in stacks&lt;/em&gt;)&lt;br /&gt;&lt;em&gt;Dogeaters &lt;/em&gt;(novel -- &lt;em&gt;I know I have it but haven't yet found it yet in stacks&lt;/em&gt;)&lt;br /&gt;&lt;em&gt;Dream Jungle &lt;/em&gt;(novel, Viking, New York, 2003)&lt;br /&gt;&lt;em&gt;Gift Wrapped Dolls&lt;/em&gt; by JAMES ROSENQUIST (poem as introduction, art monograph chap -- &lt;em&gt;I know I have it but haven't yet found it in stacks&lt;/em&gt;)&lt;br /&gt;&lt;em&gt;Visions of a Daughter Foretold &lt;/em&gt;(chap, Woodland Pattern Book Center and Light and Dust Books, 1994 -- &lt;em&gt;I know I have it but haven't found it yet in stacks&lt;/em&gt;)&lt;br /&gt;As Editor, &lt;em&gt;Charlie Chan is Dead: An Anthology of Contemporary Asian American Fiction &lt;/em&gt;(Penguin, New York, 1993)&lt;br /&gt;As Editor, &lt;em&gt;Charlie Chan Is Dead 2: At Home in the World (An Anthology of Contemporary Asian American Fiction--Revised and Updated)&lt;/em&gt; (Penguin, New York, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KIMIKO HAHN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AIR POCKET &lt;/em&gt;(Hanging Loose, Brooklyn, 1989)&lt;br /&gt;&lt;em&gt;EARSHOT &lt;/em&gt;(Hanging Loose, Brooklyn, 1992)&lt;br /&gt;&lt;em&gt;“IN CHILDHOOD”&lt;/em&gt; (broadside, Dia Center for the Arts, New York, 1998)&lt;br /&gt;&lt;em&gt;Mosquito &amp; Ant &lt;/em&gt;(Norton, New York, 1999)&lt;br /&gt;&lt;em&gt;The Unbearable Heart &lt;/em&gt;(Kaya, New York, 1995)&lt;br /&gt;&lt;em&gt;Toxic Flora &lt;/em&gt;(W.W. Norton, New York, 2010)&lt;br /&gt;&lt;em&gt;VOLATILE &lt;/em&gt;(Hanging Loose, Brooklyn, 1999)&lt;br /&gt;&lt;em&gt;WE STAND OUR GROUND&lt;/em&gt;, with GALE JACKSON AND SUSAN SHERMAN with artwork by JOSELY CARVALHO (Ikon, New York, 1988)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DONALD HALL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;UNPACKING THE BOXES: A Memoir of a Life in Poetry &lt;/em&gt;(Houghton Mifflin, Boston &amp; N.Y., 2008)&lt;br /&gt;&lt;em&gt;THE BEST DAY THE WORST DAY: Life with Jane Kenyon&lt;/em&gt; (Houghton Mifflin, Boston / New York, 2005)&lt;br /&gt;&lt;em&gt;Death to the Death of Poetry &lt;/em&gt;(essays, reviews, notes, interviews, Poets on Poetry Series at the University of Michigan Press, Ann Arbor, 1994)&lt;br /&gt;&lt;em&gt;Eagle Pond &lt;/em&gt;(prose with poems, Mariner/Houghton Mifflin, New York, 2007)&lt;br /&gt;&lt;em&gt;Life Work &lt;/em&gt;(essays, Beacon Press, Boston, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAMES ALLEN HALL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;NOW YOU'RE THE ENEMY&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOE HALL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Pigafetta Is My Wife&lt;/em&gt; (Black Ocean, Boston, New York, Chicago, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JUDITH HALL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;POETRY FORUM: A PLAY POEM: A PL'EM&lt;/em&gt;, with David Lehman (Bayeux Arts, Calgary, Canada, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DANIEL HALPERN&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;WHO'S WRITING THIS? Notations on the Authorial I with Self-Portraits &lt;/em&gt;(anthology of essays, The Ecco Press, New Jersey, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROB HALPERN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Rumored Place&lt;/em&gt; (Krupskaya, San Francisco, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRIAN CHRISTOPHER HAMILTON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Angels in Exile &lt;/em&gt;(chap, Quiet Lion Press, Portland, OR 1995)&lt;br /&gt;&lt;em&gt;Skin &lt;/em&gt;(chap, Quiet Lion Press, Portland, OR, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SAM HAMILL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Poet's Work: The Other Side of Poetry &lt;/em&gt;(essays, Carnegie Mellon University Press, Pittsburgh, 1998)&lt;br /&gt;&lt;em&gt;Destination Zero: Poems 1970-1995 &lt;/em&gt;(White Pine Press, Fredonia, N.Y. 1995)&lt;br /&gt;As. Translator, &lt;em&gt;NARROW ROAD TO THE INTERIOR&lt;/em&gt; by Matsuo Basho (Shambhala Centaur Editions, Boston &amp; London, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NATHALIE HANDAL&lt;/strong&gt;&lt;br /&gt;As Editor with Tina Chang and Ravi Shankar, &lt;em&gt;LANGUAGE FOR A NEW CENTURY: CONTEMPORARY POETRY FROM THE MIDDLE EAST, ASIA AND BEYOND&lt;/em&gt; (Norton, New York, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MYRONN HARDY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE HEADLESS SAINTS&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JENNIFER HARRISON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Changzhuo's Bees and other poems&lt;/em&gt; (chap, Picaro Press, Australia, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CARLA HARRYMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Dimblue / Why Yell&lt;/em&gt; (chap, Belladonna #25, Brooklyn, 2002)&lt;br /&gt;&lt;em&gt;THE GRAND PIANO, Part 1: An Experiment in Collective Autobiography&lt;/em&gt;, with Bob Perelman, Barrett Watten, Steve Benson, Tom Mandel, Ron Silliman, Kit Robinson, Lyn Hejinian, Rae Armantrout, &amp; Ted Pearson (Mode A, Detroit, 2006)&lt;br /&gt;&lt;em&gt;OPEN BOX (Improvisations)&lt;/em&gt; (Belladonna Books, Brooklyn, 2007)&lt;br /&gt;&lt;em&gt;ADORNO'S NOISE &lt;/em&gt;(essays, Essay Press, 2008)&lt;br /&gt;&lt;em&gt;THE MIDDLE&lt;/em&gt; (Gaz, San Francisco, 1983)&lt;br /&gt;&lt;em&gt;THE WIDE ROAD, &lt;/em&gt;with Lyn Hejinian (Belladonna Books, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSEPHINE HART&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CATCHING LIFE BY THE THROAT: POEMS FROM EIGHT GREAT POETS &lt;/em&gt;(Norton, New York, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MATT HART&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Sonnet &lt;/em&gt;(H_NGM_ Chapbook Series #3, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHARLES O. HARTMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SENTENCES&lt;/em&gt;, with Hugh Kenner (Sun and Moon Press, Los Angeles, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MATTHEA HARVEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Pity the Bathtub Its Forced Embrace of the Human Form &lt;/em&gt;(Alice James Books, Farmington, Maine, 2000)&lt;br /&gt;&lt;em&gt;Sad Little Breathing Machine &lt;/em&gt;(Graywolf Press, Saint Paul, Minn., 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT HASS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TIME AND MATERIALS: POEMS 1997-2005&lt;/em&gt; (Ecco/HarperCollins, New York, 2007)&lt;br /&gt;&lt;em&gt;Twentieth Century Pleasures: Prose on Poetry&lt;/em&gt; (prose, Ecco/HarperCollins, New York, 1984)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;J/J HASTAIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;a womb-shaped wormhole&lt;/em&gt; (blazeVOX [books], Buffalo, N.Y., 2011)&lt;br /&gt;&lt;em&gt;the ulterior eden&lt;/em&gt; (Otoliths, Rockhampton, Australia, 2011)&lt;br /&gt;&lt;em&gt;We in my Trans&lt;/em&gt; (JMS Books, Glen Allen, VA, 2010)&lt;br /&gt;&lt;em&gt;IT IS WORTH CONSIDERING&lt;/em&gt; (poem mini-book, Poems For All, Sacramento, CA, 2009)&lt;br /&gt;&lt;em&gt;[A CROONED COCOON...] &lt;/em&gt;(poetry collage)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WENDELL HAWKEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE LUCK OF BEING&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHRISTIAN HAWKEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Book &amp; Funnels &lt;/em&gt;(Verse Press, Amherst, MA, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANTHONY HAWLEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Forget Reading&lt;/em&gt; (Shearsman Books, Exeter, U.K., 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JONATHAN HAYES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HALLUCINATING CALIFORNIA&lt;/em&gt;, with Richard Lopez (chap, Windowpane Press, Sacramento &amp; San Francisco, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TERRANCE HAYES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WIND IN A BOX &lt;/em&gt;(Penguin, New York, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT HAZEL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AMERICAN ELEGIES &lt;/em&gt;(Crazy Horse, Fargo, North Dakota, 1968)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;H.D.&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Helen in Egypt&lt;/em&gt; (New Directions, New York, 1961)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANNE HEIDI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AN INSTANT OF FLIGHT &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LYNN HEJINIAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MY LIFE&lt;/em&gt; (Sun &amp;amp; Moon, Los Angeles, 1987)&lt;br /&gt;&lt;em&gt;The Cold of Poetry &lt;/em&gt;(Sun &amp; Moon, Los Angeles, 1994)&lt;br /&gt;&lt;em&gt;The Fatalist &lt;/em&gt;(Omnidawn, Richmond, CA 2003)&lt;br /&gt;&lt;em&gt;Writing Is an Aid to Memory&lt;/em&gt; (Sun &amp; Moon, Los Angeles, 1996)&lt;br /&gt;&lt;em&gt;LENINGRAD: AMERICAN WRITERS IN THE SOVIET UNION&lt;/em&gt;, memoir by Michael Davidson, Lyn Hejinian, Ron Silliman, Bruce Watten (Mercury House, San Francisco, 1991)&lt;br /&gt;&lt;em&gt;THE GRAND PIANO, Part 1: An Experiment in Collective Autobiography&lt;/em&gt;, with Bob Perelman, Barrett Watten, Steve Benson, Carla Harryman, Tom Mandel, Ron Silliman, Kit Robinson, Rae Armantrout, &amp; Ted Pearson (Mode A, Detroit, 2006)&lt;br /&gt;&lt;em&gt;THE WIDE ROAD&lt;/em&gt;, with Carla Harryman (Belladonna Books, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RICHARD HELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Godlike &lt;/em&gt;(novel, Akashic Books, New York, 2005)&lt;br /&gt;&lt;em&gt;Go Now&lt;/em&gt; (novel, Simon and Schuster, New York, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL HELLER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Beckmann Variations &amp; other poems &lt;/em&gt;(Shearsman Books, Exeter, U.K., 2010)&lt;br /&gt;&lt;em&gt;A LOOK AT THE DOOR WITH THE HINGES OFF &lt;/em&gt;(chap and CD, Dos Madres, Loveland, OH, 2006)&lt;br /&gt;&lt;em&gt;ESCHATON &lt;/em&gt;(Talisman House, Jersey City, N.J., 2009)&lt;br /&gt;&lt;em&gt;Exigent Futures: New and Selected Poems&lt;/em&gt; (Salt Publishing, Cambridge, U.K., 2003)&lt;br /&gt;&lt;em&gt;In the Builded Place &lt;/em&gt;(Coffee House Press, Minneapolis, 1989)&lt;br /&gt;&lt;em&gt;LIVING ROOT: A MEMOIR &lt;/em&gt;(Suny Press, Albany, New York, 2000)&lt;br /&gt;&lt;em&gt;WORDFLOW: New and Selected Poems&lt;/em&gt; (Talisman House, Jersey City, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DEREK HENDERSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THUS &amp;&lt;/em&gt; (if p then q, Manchester, U.K., 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BARBARA HENNING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LOOKING UP HARRYETTE MULLEN: INTERVIEWS ON&lt;/em&gt; SLEEPING WITH THE DICTIONARY &lt;em&gt;AND OTHER WORKS &lt;/em&gt; (Belladonna Books, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRIAN HENRY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;American Incident&lt;/em&gt; (Salt Publishing, Cambridge, U.K. and Applecross, Australia, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RICHARD HENRY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SIDEWALK PORTRAIT: Fifty Fourth Floor and Falling&lt;/em&gt; (BlazeVOX Books, Buffalo, N.Y. 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WARREN HERENDEEN&lt;/strong&gt;&lt;br /&gt;As Co-Editor with DONALD G. PARKER, &lt;em&gt;THE VISIONARY COMPANY: A Magazine of the Twenties &lt;/em&gt;(anthology, Mercy College, Dobbs Ferry, New York, 1981)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AMADO V. HERNANDEZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;RICE GRAINS: Selected Poems&lt;/em&gt;, Translated by E. San Juan, Jr. (International Publishers, New York, 1966)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CLAIRE HERO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SING, MONGREL &lt;/em&gt;(Noemi Press, Las Cruces, NM, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID HESS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CAGE DANCES&lt;/em&gt; (chap, Skanky Possum, Austin, TX, 2001)&lt;br /&gt;&lt;a href="http://www.meritagepress.com/veins.htm"&gt;&lt;em&gt;Veins &lt;/em&gt;&lt;/a&gt;(broadside, Meritage Press, St. Helena/San Francisco, 2003. 2-plus copies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONYA HESS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Kingdom of Lost Waters &lt;/em&gt;(Ahsahta Press, Boise, ID, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID HIGHSMITH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;congregations&lt;/em&gt; (chap, Plan B Press, Philadelphia, 2009)&lt;br /&gt;&lt;em&gt;your wilderness &amp; mine &lt;/em&gt;(BlazeVOX Books, Kenmore, N.Y., 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CONRAD HILBERRY&lt;/strong&gt;&lt;br /&gt; &lt;em&gt;AFTER MUSIC&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CRAG HILL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Dict &lt;/em&gt;(Xexoxial Editions, West Lima, WI, 1989. Original and 20th anniversary reprint)&lt;br /&gt;As Editor, &lt;em&gt;Spore 2 &lt;/em&gt;(anthology/journal of poetry, art and visual poetry, Moscow ID, 2005. 2 copies)&lt;br /&gt;As Editor (with Bob Grumman), &lt;em&gt;Writing to be Seen: An Anthology of Later 20th Century Visio-Textual Art, Volume One &lt;/em&gt;(Runaway Spoon Press and SCORE Publications, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JULIA BUTTERFLY HILL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Legacy of Luna: The Story of a Tree, A Woman and The Struggle to Save the Redwoods &lt;/em&gt;(memoir, HarperFrancis, San Francisco, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SEAN HILL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BLOOD TIES &amp; BROWN LIQUOR&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRENDA HILLMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Bright Existence &lt;/em&gt;(Wesleyan University Press, Hanover, NH &amp; London, 1993)&lt;br /&gt;&lt;em&gt;Loose Sugar&lt;/em&gt; (Wesleyan University Press, Hanover, NH, 1997)&lt;br /&gt;&lt;em&gt;Pieces of Air in the Epic &lt;/em&gt;(Wesleyan University Press, Hanover, NH, 2005)&lt;br /&gt;&lt;em&gt;PRACTICAL WATER&lt;/em&gt; (Wesleyan University Press, Middletown, CT, 2009)&lt;br /&gt;As Co-Editor with PATRICIA DIENSTFREY, &lt;em&gt;The Grand Permission: New Writings on Poetics and Motherhood &lt;/em&gt;(Wesleyan University Press, Middletown, Conn., 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EDWARD HIRSCH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;How To Read A Poem And Fall In Love With Poetry &lt;/em&gt;(essays, Harvest / Harcourt Brace, Inc., San Diego et al, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JANE HIRSHFIELD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Beneath The Snow, The Badger's Heavy Breathing&lt;/em&gt; (bookmark-broadside, Poetry Flash, Berkeley, 2005)&lt;br /&gt;&lt;em&gt;NINE GATES: Entering the Mind of Poetry &lt;/em&gt;(essays, HarperCollins, New York, 1997)&lt;br /&gt;As Translator, &lt;em&gt;MIRABAI: Ecstatic Poems&lt;/em&gt;, Versions (translated) by Robert Bly and Jane Hirshfield (Beacon Press, Boston, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GENE MEANY HODGE&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;FOUR WINDS: Poems From Indian Rituals &lt;/em&gt;(chap anthology, Sunstone Press, Santa Fe, NM, 1977)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEN HOFER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;going going &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;em&gt;lobo de labio / lip wolf&lt;/em&gt; by Laura Solorzano, Trans. by Jen Hofer (Action Books, Tuscaloosa, AL, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DANIEL HOFFMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Brotherly Love&lt;/em&gt; (Vintage/Random House, New York, 1981)&lt;br /&gt;&lt;em&gt;Hang-Gliding from Helicon: New and Selected Poems 1948-1988 &lt;/em&gt;(Louisiana State University Press, Baton Rouge, 1988)&lt;br /&gt;&lt;em&gt;POE POE POE POE POE POE POE &lt;/em&gt;(study, Anchor Press/Doubleday, New York, 1973)&lt;br /&gt;&lt;em&gt;THE CITY OF SATISFACTIONS &lt;/em&gt;(Oxford University Press, New York, 1963)&lt;br /&gt;&lt;em&gt;A Letter&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN HOFFMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TAU by Philip Lamantia and JOURNEY TO THE END by John Hoffman&lt;/em&gt;, Edited by Garrett Caples (City Lights The Pocket Books Series, Number Fifty-Nine, San Francisco, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LINDA HOGAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ROUNDING THE HUMAN CORNERS&lt;/em&gt; (___, 2008) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VLADIMIR HOLAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CONDUCTORS OF THE PIT: Major Works by Rimbaud, Vallejo, Cesaire, Artaud, Holan&lt;/em&gt;, Trans. by Clayton Eshleman (Paragon House, New York, 1988)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BENJAMIN HOLLANDER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE BOOK OF WHO ARE WAS &lt;/em&gt;(Sun &amp; Moon, Los Angeles, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANSELM HOLLO&lt;/strong&gt;&lt;br /&gt;As translator, &lt;em&gt;One And Twenty&lt;/em&gt; by Paavo Haavikko (Aspasia Books, Beaverton Ontario, 2007)&lt;br /&gt;As translator, &lt;em&gt;The Edge of Europe / A Kinetic Image&lt;/em&gt; by Pentti Saarikoski (ACTIONBOOKS, Notre Dame, IN, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BOB HOLMAN&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;The United States of Poetry&lt;/em&gt;, with JOSHUA BLUM and MARK PELLINGTON (Harry Abrams, Inc., New York, 1996)&lt;br /&gt;As Translator, &lt;em&gt;CARVED WATER&lt;/em&gt; by ZHANG ER (Tinfish Press, Kane 'Ohe, HI, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JANET HOLMES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE MS OF M Y KIN&lt;/em&gt; (Shearsman Books, Exter, U.K., 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HOMER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Odyssey&lt;/em&gt;, translated by Samuel Butler (Barnes and Noble Books, New York, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CELIA HOMESLEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Body of Crimson Leaves &lt;/em&gt;(The Backwaters Press, Omaha, NE, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GARRETT HONGO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The River of Heaven &lt;/em&gt;(Knopf, New York, 1981-1988)&lt;br /&gt;&lt;em&gt;VOLCANO: A Memoir of Hawai'i &lt;/em&gt;(memoir, Knopf, New York, 1995)&lt;br /&gt;&lt;em&gt;Yellow Light &lt;/em&gt;(Wesleyan University Press, Hanover, NH, 1982)&lt;br /&gt;As Editor, &lt;em&gt;THE OPEN BOAT: Poems From Asian America &lt;/em&gt;(Anchor Books/Doubleday, New York et al, 1993)&lt;br /&gt;As Editor, &lt;em&gt;UNDER WESTERN EYES: Personal Essays From Asian America &lt;/em&gt;(Anchor Books/Doubleday, New York et al, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAUL HOOVER&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;Postmodern American Poetry: A Norton Anthology &lt;/em&gt;(anthology, Norton, New York, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAY HOPLER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GREEN SQUALL&lt;/em&gt; (Yale, New Haven &amp; London, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PHYLLIS HOTCH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;No Longer Time &lt;/em&gt;(chap, La Alameda Press, Albuquerque, NM, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROGER HOUSDEN&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;Ten Poems to Change Your Life &lt;/em&gt;(anthology, Harmony Books, New York, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FANNY HOWE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Economics &lt;/em&gt;(short stories)&lt;br /&gt;&lt;em&gt;GONE: POEMS&lt;/em&gt; ((New California Poetry, UCLA)&lt;br /&gt;&lt;em&gt;Parts From Indivisible&lt;/em&gt; (chap, Belladonna #4/Book Literature, Brooklyn, 2000)&lt;br /&gt;&lt;em&gt;Selected Poems&lt;/em&gt; (UCLA)&lt;br /&gt;&lt;em&gt;The Wedding Dress: Meditations on Work and Life&lt;/em&gt; (Details to come)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUSAN HOWE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;118 Westerly Terrace&lt;/em&gt; (chap, Belladonna #68, Brooklyn, 2005)&lt;br /&gt;&lt;em&gt;BEDHANGINS II&lt;/em&gt; (Coracle, Ireland, No. 224 of 300 limited edition copies)&lt;br /&gt;&lt;em&gt;FRAME STRUCTURES: Early Poems 1974-1979 &lt;/em&gt;(New Directions, New York, 1996)&lt;br /&gt;&lt;em&gt;The Europe of Trusts&lt;/em&gt; (New Directions, New York, 1990)&lt;br /&gt;&lt;em&gt;The Midnight&lt;/em&gt; (New Directions, New York, 2003)&lt;br /&gt;&lt;em&gt;The Nonconformist's Memorial&lt;/em&gt; (New Directions, New York, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RAY HSU&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ANTHROPY &lt;/em&gt;(Nightwood Editions, Roberts Creek, B.C., Canada, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;YUNTE HUANG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Cribs &lt;/em&gt;(Tinfish, Hawai'i, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANDREW HUDGINS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Never-Ending &lt;/em&gt;(Houghton Mifflin, New York, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FRIEDA HUGHES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Forty-Five &lt;/em&gt;(Harper Collins, New York, 2006)&lt;br /&gt;&lt;em&gt;Stonepicker &amp; The Book of Mirrors&lt;/em&gt; (Harper Perennial, New York, 2011)&lt;br /&gt;&lt;em&gt;THE BOOK OF MIRRORS&lt;/em&gt; (Bloodaxe Books, Northumberland, U.K. and Harper Collins, New York, 1998)&lt;br /&gt;&lt;em&gt;Wooroloo &lt;/em&gt;(Harper Collins, New York, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TED HUGHES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Birthday Letters&lt;/em&gt; (Farrar Straus Giroux, New York, 1998)&lt;br /&gt;&lt;em&gt;New Selected Poems &lt;/em&gt;(Harper &amp;amp; Row, New York, 1982)&lt;br /&gt;&lt;em&gt;Winter Pollen: Occasional Prose&lt;/em&gt;, Ed. by William Scammell (Picador, New York, 1994)&lt;br /&gt;&lt;em&gt;TED HUGHES; The Life of a Poet &lt;/em&gt;by Elaine Feinstein (biography, Norton, New York, 2001)&lt;br /&gt;As Editor, &lt;em&gt;The Collected Poems of Sylvia Plath&lt;/em&gt; (Harper Perennial, New York, 1960-plus)&lt;br /&gt;&lt;em&gt;Lover of Unreason: Assia Wevill, Sylvia Plath's Rival and Ted Hughes's Doomed Love &lt;/em&gt;by Yehuda Koren and Eilat Negev (biography of ASsia Wevill, Carroll and Graf, New York, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHRISTINE HUME&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Alaskaphrenia &lt;/em&gt;(Western Michigan University, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VICENTE HUIDOBRO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ALTAZOR: The Poem by Vicente Huidobro&lt;/em&gt;, Trans. by Eliot Weinberger (Graywolf Press, St. Paul, Minn., 2988)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GLORIA T. HULL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Healing Heart&lt;/em&gt; (Kitchen Table: Women of Color Press, Latham, N.Y., 1989)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CARRIE HUNTER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Incompossible&lt;/em&gt; (Black Radish Books, 2011. 2)&lt;br /&gt;&lt;em&gt;A Musics &lt;/em&gt;(chap, (arrow as arrow, 2010)&lt;br /&gt;&lt;em&gt;Kine(sta)sis &lt;/em&gt;(chap, Dusie Kollektive, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;J. PAUL HUNTER&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;The Norton Introduction to Poetry, Third Edition &lt;/em&gt;(anthology, Norton, New York, 1986)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEOF HUTH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ntst: the collected pwoermds of Geof Huth &lt;/em&gt;(if p then q, Manchester, U.K., 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NF HUTH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Radiator &lt;/em&gt;(Laughing/Ouch/Cube Publications, Notingham, U.K. and Claremont, CA, 2011) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BARBARA HELFGOTT HYETT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;RIFT  &lt;/em&gt;(___, 2008)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-112192624108309070?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/112192624108309070/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=112192624108309070' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112192624108309070'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112192624108309070'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/07/authors-h.html' title='AUTHORS: H'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-112165092425867109</id><published>2005-07-20T22:38:00.000-07:00</published><updated>2011-10-09T12:03:44.064-07:00</updated><title type='text'>AUTHORS: G</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EVELINA M. GALANG&lt;/strong&gt;&lt;br /&gt;As Co-Editor, &lt;em&gt;SCREAMING MONKEYS: CRITIQUES OF ASIAN AMERICAN IMAGES&lt;/em&gt;, with EILEEN TABIOS (poetry), SUNAINA MAIRA (nonfiction), JORDIN ISIP (art) and ANIDA YOEU ESGUERRA (found images) (anthology of poetry, prose, and art, Coffee House Press, Minneapolis, Minn, 2003).&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ERIC GAMALINDA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Amigo Warfare &lt;/em&gt;(Cherry Grove Collections, Cincinnati, OH, 2007)&lt;br /&gt;&lt;em&gt;Lyrics From A Dead Language: Poems 1977-1991 &lt;/em&gt;(Anvil, Manila, 1991)&lt;br /&gt;&lt;em&gt;My Sad Republic &lt;/em&gt;(novel, Philippine Centennial Commission/University of the Philippines Press, Manila, 2000)&lt;br /&gt;&lt;em&gt;Peripheral Vision &lt;/em&gt;(short stories, New Day Publishers, Quezon City, 1992)&lt;br /&gt;&lt;em&gt;Planet Waves &lt;/em&gt;(novel, New Day Publishers, Quezon City, 1989)&lt;br /&gt;&lt;em&gt;Poems &lt;/em&gt;(tape of visual poetry, present from Eric)&lt;br /&gt;&lt;em&gt;The Empire of Memory &lt;/em&gt;(novellas, Anvil, Pasig City, 1992)&lt;br /&gt;&lt;em&gt;Zero Gravity &lt;/em&gt;(Alice James Books, Farmington, Maine, 1999)&lt;br /&gt;&lt;em&gt;THE THIRDEST WORLD&lt;/em&gt;, with Lara Stapleton and Gina Apostol (fiction &amp; essays, Factory School, New York, N.Y., 2007)&lt;br /&gt;As Co-Editor, &lt;em&gt;FLIPPIN': FILIPINOS IN AMERICA&lt;/em&gt;, with LUIS H. FRANCIA (anthology, Asian American Writers Workshop, New York, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SARAH GAMBITO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DELIVERED &lt;/em&gt;(Persea Books, New York, 2009)&lt;br /&gt;&lt;em&gt;Matadora &lt;/em&gt;(Alice James Books, Farmington, Maine, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FORREST GANDER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A FAITHFUL EXISTENCE: READING, MEMORY, AND TRANSCENDENCE&lt;/em&gt; (prose, Shoemaker &amp; Hoard/Avalon, 2005)&lt;br /&gt;&lt;em&gt;Deeds of Utmost Kindness &lt;/em&gt;(Wesleyan, Hanover &amp; London, 1994)&lt;br /&gt;&lt;em&gt;Eye Against Eye&lt;/em&gt; (New Directions, New York, 2005)&lt;br /&gt;&lt;em&gt;RUSH TO THE LAKE &lt;/em&gt;(Alice James Books, Cambridge, MA, 1998)&lt;br /&gt;&lt;em&gt;Science &amp; Steepleflower &lt;/em&gt;(New Directions, New York, 1995-1998)&lt;br /&gt;&lt;em&gt;The Blue Rock Collection&lt;/em&gt;, with artwork by RIKKI DUCORNET (Salt Publishing, Cambridge, 2004-2005)&lt;br /&gt;&lt;em&gt;Torn Awake &lt;/em&gt;(New Directions, New York, 1996-2001)&lt;br /&gt;As Translator, &lt;em&gt;NO SHELTER: The Selected Poems of Pura Lopez-Colome&lt;/em&gt; (Graywolf, St. Paul, Minn., 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PETER GANICK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;'why: ...1 ...2 ...3 ...4' &lt;/em&gt;(Blue Lion Books, West Hartford, Conn. and Espoo, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;J. NEIL GARCIA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Our Lady of the Carnival &lt;/em&gt;(University of the Philippines Press, Manila, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MILA ASTORGA GARCIA&lt;/strong&gt;&lt;br /&gt;As Co-Editor, &lt;em&gt;FILIPINA 1: POETRY DRAMA FICTION BY WOMEN WRITERS IN MEDIA NOW&lt;/em&gt;, with MARRA PL LANOT and LILIA QUINDOZA SANTIAGO (anthology, New Day Publishers, Quezon City, 1984)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DREW GARDNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Petroleum Hat&lt;/em&gt; (Roof Books, New York, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUSANA GARDNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;EBB PORT &lt;/em&gt;(chap, book-art, Dusi/e, Switzerland, 2007)&lt;br /&gt;&lt;em&gt;[lapsed  insel  weary]&lt;/em&gt; (The Tangent Press, Portland, OR, 2008)&lt;br /&gt;&lt;em&gt;SCRAWL&lt;/em&gt;(chap, book-art, Dusi/e, Switzerland, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DEBORAH GARRISON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Working Girl Can't Win&lt;/em&gt; (Random House, New York, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ISABELLE GARRON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Face Before Against&lt;/em&gt;, Translated by Sarah Riggs (chap, Seeing Eye Books, Los Angeles, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WILLIAM H. GASS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Reading Rilke: Reflections on the Problems of Translation&lt;/em&gt;(criticism, Knopf, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEOFFREY GATZA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Black Diamond Golden Boy Takes Bull By Horns &lt;/em&gt;(BlazeVOX [Books], Buffalo, N.Y., 2007)&lt;br /&gt;&lt;em&gt;DREADFUL QUIETUDE: A confused saturation of Pre 9/11 America &amp; Supermen &lt;/em&gt;(BlazeVOX [Books], Buffalo, N.Y., 2004. 2)&lt;br /&gt;&lt;em&gt;I wear a figleaf over my penis &lt;/em&gt;(BlazeVOX [Books], Buffalo, N.Y., 2005)&lt;br /&gt;&lt;em&gt;Kenmore: Poem Unlimited &lt;/em&gt;(Casa Menendez, Bloomington, IL, 2008)&lt;br /&gt;&lt;em&gt;Not So Fast Robespierre &lt;/em&gt;(Menendez Publishing, Bloomington, IL, 2008)&lt;br /&gt;&lt;em&gt;SECRETS OF MY PRISON HOUSE &lt;/em&gt;(BlazeVOX Books, Buffalo, N.Y., 2010)&lt;br /&gt;&lt;em&gt;250: 3 poems for dear friends on the Occasion of their 80th Birthday: Raymond Federman, Robert Creeley and John Ashbery &lt;/em&gt;(broadside, GlazeVOX, undated)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TIM GAZE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;decalcomania &lt;/em&gt;(chap of asemic writing, Nst Press, Calgary, Canada, limited edition of 40, 2007)&lt;br /&gt;As Editor, &lt;em&gt;Asemic No. 5&lt;/em&gt; (Asemic Magazine, Kent Town, Australia, undated)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VICTOR P. GENDRANO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;RUSTLE OF BAMBOO LEAVES: Selected Haiku and Other Poems &lt;/em&gt;(Lulu, Morrisville, N.C., 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUSAN GEVIRTZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AERODROME ORION &amp; Starry Messenger &lt;/em&gt;(Kelsey Street Press, Berkeley, 2010)&lt;br /&gt;&lt;em&gt;Black Box Cutaway&lt;/em&gt; (Kelsey Street Press, Berkeley, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FRANK GIAMPIETRO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BEGIN ANYWHERE&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;REGINALD GIBBONS&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;THE POET'S WORK: 29 Masters of 20th Century poetry on the Origins and Practice of Their Art&lt;/em&gt; (Houghton Mifflin, Boston, 1979)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KAHLIL GIBRAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THIS MAN FROM LEBANON: A STUDY OF KAHLIL GIBRAN &lt;/em&gt;by Barbara Young (Knopf, New York, 1945)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BECKY GOULD GIBSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Holding Ground &lt;/em&gt;(chap, White Eagle Coffee Store Press, Fox River Grove, IL, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JACK GILBERT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE DANCE MOST OF ALL &lt;/em&gt;(Knopf, New York, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALEX GILDZEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;POSTCARD MEMOIRS (1-100)&lt;/em&gt; (Toucan Press, OH, 1990)&lt;br /&gt;&lt;em&gt;FEBRUARY 03&lt;/em&gt;, with Todd Colby, Alex Gildzen and Thurston Moore (Slow Toe (Slow Toe Publications, Cleveland, 2003)&lt;br /&gt;&lt;em&gt;GILDZEN AT 50&lt;/em&gt;, tribute to Alex Gildzen (Toucan Press, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN GILL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BETWEEN WORLDS: New &amp; Selected Poems &lt;/em&gt;(Hanging Loose Press, Brooklyn, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARIA MAZZIOTTI GILLAN and JENNIFER GILLAN&lt;/strong&gt;&lt;br /&gt;As Editors, &lt;em&gt;UNSETTLING AMERICA: An Anthology of Contemporary Multicultural Poetry &lt;/em&gt;(Penguin Books, New York, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALLEN GINSBERG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;COLLECTED POEMS 1947-1997 &lt;/em&gt;(HarperCollins, New York, 2006)&lt;br /&gt;&lt;em&gt;Allen Ginsberg Journals Mid-Fifties 1954-1958&lt;/em&gt;, Edited by Gordon Ball (HarperCollins, New York, 1995)&lt;em&gt;DHARMA LION: A Critical Biography of Allen Ginsberg&lt;/em&gt; by Michael Schumacher (biography, St. Martins Press, New York, 1992)&lt;br /&gt;&lt;em&gt;Ginsberg, Burroughs, and Corso in Paris, 1957-1963 &lt;/em&gt; by Barry Miles (biography, Grove Press, New York, 2000)&lt;br /&gt;&lt;em&gt;The Late Great Allen Ginsberg, A Photo Biography &lt;/em&gt;by Christopher Felver (Thunder Mouth Press, New York, 2002)&lt;br /&gt;&lt;em&gt;A BLUE HAND: The Beats in India&lt;/em&gt;, biography by Deborah Baker (The Penguin Press, New York, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DANA GIOIA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Interrogations at Noon &lt;/em&gt;(Graywolf Press, St. Maul, MN 2001)&lt;br /&gt;&lt;em&gt;Can Poetry Matter? Essays on Poetry and American Culture &lt;/em&gt;(essays, Graywolf Press, St. Paul, MN 1992)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARCO GIOVENALE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;a gunless tea &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT L. GIRON&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;Poetic Voices Without Borders &lt;/em&gt;(anthology, Gival Press, Arlington, VA., 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;C.S. GISCOMBE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;inland &lt;/em&gt;(chap, Leroy, Oakland, 2001)&lt;br /&gt;&lt;em&gt;Two Sections from Giscome Road &lt;/em&gt;(chap, Leave Books, Buffalo, N.Y. 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL GIZZI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LOWELL CONNECTOR: Lines &amp; Shots from Kerouac's Town&lt;/em&gt;, with CLARK COOLIDGE and JOHN YAU and photographs by BILL BARRETTE and CELIA COOLIDGE (poems and photographs, Hard Press, Inc., West Stockbridge, MA, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PETER GIZZI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Artificial Heart&lt;/em&gt; (Burning Deck, Providence, 1988)&lt;br /&gt;As Editor with Connell McGrath, &lt;em&gt;o*blek&lt;/em&gt; (journal, The Garlic Press, New York, 1987)&lt;br /&gt;As Editor with Kevin Killian, &lt;em&gt;my vocabulary did this to me: The Collected Poetry of Jack Spicer&lt;/em&gt; (Wesleyan University Press, Middletown, Conn., 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RENEE GLADMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;JUICE &lt;/em&gt;(Kelsey Street Press, Berkeley, 2001)&lt;br /&gt;RENEE GLADMAN&lt;br /&gt;&lt;em&gt;NEWCOMER CAN’T SWIM &lt;/em&gt;(Kelsey Street Press, Berkeley, 2007)&lt;br /&gt;&lt;em&gt;The Activist&lt;/em&gt; (Krupskaya, San Francisco, 2003)&lt;br /&gt;&lt;em&gt;Untitled, Woman on Ground &lt;/em&gt;(chap, Belladonna #65, Brooklyn, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JESSE GLASS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE PASSION OF PHINEASE GAGE &amp; SELECTED POEMS &lt;/em&gt;(West House Books &amp; Ahadada Books (Sheffield, U.K. &amp; Chiba-ken, Japan, 2006)&lt;br /&gt;As Editor and Commentary Provider, &lt;em&gt;THE TREMENDOUS ADVENTURES AND THE MIGHTY DEEDS, RISE, DOWNFALL, LIFE AND DEATH OF A. JACKS (1855), &lt;/em&gt;novel by Henry W. Faxon (Teeny Tiny, Edmonds, WA, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SCOTT GLASSMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;EXERTIONS &lt;/em&gt;(chap, Cy Gist Press, 2006)&lt;br /&gt;&lt;em&gt;Quaternity&lt;/em&gt;, with Sheila Murphy (Otoliths, Rockhampton, Australia, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GARY MEX GLAZNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HOW TO MAKE A LIVING AS A POET &lt;/em&gt;(prose, Soft Skull Press, Brooklyn, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANGELA MANALANG GLORIA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Angela Manalang Gloria: A Literary Biography &lt;/em&gt;by Edna Zapanta Manlapaz (biography, Ateneo de Manila University Press, Manila, 1993)&lt;br /&gt;&lt;em&gt;The Complete Poems of Angela Manalang Gloria&lt;/em&gt;, Edited by Edna Zapanta Manlapaz (Ateneo de Manila University Press, Manila, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EUGENE GLORIA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Drivers at the Short-Time Motel &lt;/em&gt;(Penguin Books, New York, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LOUISE GLUCK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Meadowlands &lt;/em&gt;(The Ecco Press, New Jersey, 1996)&lt;br /&gt;&lt;em&gt;PROOFS &amp; THEORIES: Essays on Poetry &lt;/em&gt;(The Ecco Press, New Jersey, 1994)&lt;br /&gt;&lt;em&gt;THE FIRST FOUR BOOKS OF POEMS &lt;/em&gt;(&lt;em&gt;Firstborn, The House on Marshland, Descending Figure and The Triumph of Achilles&lt;/em&gt;) (Ecco/HarperCollins, New York, 1968-1995)&lt;br /&gt;&lt;em&gt;THE SEVEN AGES &lt;/em&gt;(Ecco/HarperCollins, New York, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN GODFREY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CITY OF CORNERS&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;em&gt;Midnight On Your Left &lt;/em&gt;(The Figures, Great Barrington, MA, 1988)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;J.W. GOETHE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ITALIAN JOURNEY&lt;/em&gt;, Trans. by W.H. Auden and Elizabeth Mayer (Penguin Classics, London, 1962)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RACHAEL GOETZKE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Rain, O'er Me &lt;/em&gt;(short short, tiny booklets by chapbookpublisher.com/Dan Waber, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BARBARA GOLDBERG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE ROYAL BAKER'S DAUGHTER&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NATALIE GOLDBERG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LONG QUIET HIGHWAY: Waking Up in America &lt;/em&gt;(memoir, Bantam Books, New York, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VICKI GOLDSBERRY&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;di-verse-city: Anthology of the Austin International Poetry Festival &lt;/em&gt;(Austin Poets International, Inc., Austin, tX, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARION GOLDSTEIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Hard to Place: One Family's Journey Through Adoption &lt;/em&gt;(memoir/poetry therapy, North Star Press of St. Cloud, Inc., Minn., 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RAY GONZALEZ&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;LUNA &lt;/em&gt;Vol. 2, Issue 3 (Mesilla Press, Berkeley. 2 copies)&lt;br /&gt;As Editor, &lt;em&gt;LUNA &lt;/em&gt;Vol. 4 (Mesilla Press, Berkeley)&lt;br /&gt;As Editor, &lt;em&gt;LUNA &lt;/em&gt; (Mesilla Press, Berkeley, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RIGOBERTO GONZALEZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;So Often the Pitcher Goes to Water Until It Breaks &lt;/em&gt;(University of Illinois Press, Urbana and Chicago, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HOWIE GOOD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Love in a Time of Paranoia&lt;/em&gt; (chap, twenty20Publishing / Diamond Point Press, Youngstown, OH, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JONATHAN GOODMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;METROPOLITAN ROOMS: Poems 1983-1993 &lt;/em&gt;(Platypus Press, Australia, 1994)&lt;br /&gt;&lt;em&gt;UNAVOIDABLE TWILIGHT&lt;/em&gt; (in manuscript form)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GILES GOODLAND&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ERRATUM SLIP &lt;/em&gt;to and including &lt;em&gt;A SPY IN THE HOUSE OF YEARS &lt;/em&gt;(erratum slip, Dusie, 2007; book, Leviathan, U.K, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NADA GORDON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ARE NOT OUR LOWING HEIFERS SLEEKER THAN NIGHT-SWOLLEN MUSHROOMS?&lt;/em&gt; (Spuyten Duyvil, New York, 2001)&lt;br /&gt;&lt;em&gt;Foriegnn Bodie &lt;/em&gt;(Detour, Brooklyn, 2001)&lt;br /&gt;&lt;em&gt;SOng of MY OWnself &lt;/em&gt;(chap, Belladonna #54, Brooklyn, 2004)&lt;br /&gt;&lt;em&gt;V. IMP&lt;/em&gt; (Faux Press, Cambridge, MA 2003)&lt;br /&gt;&lt;em&gt;SWOON&lt;/em&gt; with Gary Sullivan (correspondence-memoir, Granary Books, New York, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NOAH ELI GORDON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A FIDDLE PULLED FROM THE THROAT OF A SPARROW&lt;/em&gt; (New Issues, 2007)&lt;br /&gt;&lt;em&gt;IN BOX &lt;/em&gt;(BlazeVOX, 2007)&lt;br /&gt;&lt;em&gt;The Area of Sound Called The Subtone &lt;/em&gt;(Ahsahta Press, Boise, ID, 2004)&lt;br /&gt;&lt;em&gt;The Frequencies &lt;/em&gt;(Tougher Disguises, Oakland, 2003)&lt;br /&gt;&lt;em&gt;THE SOURCE &lt;/em&gt;(Futurepoem, Inc., New York, N.Y., 2011)&lt;br /&gt;&lt;em&gt;Twenty Ruptured Paragraphs From A Perfectly Functional Book&lt;/em&gt; (chap, Cricket Press, West Hartford, CT, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANNE GORRICK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;I-FORMATION BOOK 1&lt;/em&gt; (Shearsman Books, Exeter, U.K., 2010)&lt;br /&gt;&lt;em&gt;Kyotologic: The Pillow Book Poems &lt;/em&gt;(Shearsman Books, Exter, U.K., 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VINCE GOTERA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Dragonfly &lt;/em&gt;(Pecan Grove Press, San Antonio, TX, 1994)&lt;br /&gt;&lt;em&gt;Ghost Wars&lt;/em&gt; (chap, Final Thursday Press, Cedar Falls, IA, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL GOTTLIEB&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Memoir and Essay &lt;/em&gt;(Faux / Other, Cambridge, MA / Brooklyh, NY, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HENRY GOULD&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;NEDGE #7, #8, and #9&lt;/em&gt; (journal, The Poetry Mission, Providence, RI, 1999, 2000, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;A.C. GRAHAM&lt;/strong&gt;&lt;br /&gt;As Translator with Introduction, &lt;em&gt;Poems of the Late T'Ang &lt;/em&gt;(Penguin Classics, New York, 1965)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID GRAHAM&lt;/strong&gt;&lt;br /&gt;As Co-Editor with KATE SONTAG, &lt;em&gt;After Confession: Poetry As Autobiography &lt;/em&gt;(anthology, Graywolf Press, Saint Paul, Minn., 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JORIE GRAHAM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Dream of the Unified Field: Selected Poems 1971-1994 &lt;/em&gt;(The Ecco Press, New Jersey, 1995)&lt;br /&gt;&lt;em&gt;The End of Beauty &lt;/em&gt;(The Ecco Press, New Jersey, 1987)&lt;br /&gt;&lt;em&gt;THE ERRANCY &lt;/em&gt;(Ecco, New Jersey, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;K. LORRAINE GRAHAM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AND SO FOR YOU THERE IS NO HEARTBREAK &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LISA GRAY-GARCIA aka TINY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CRIMINAL OF POVERTY: Growing Up Homeless in America &lt;/em&gt;(memoir, City Light Books, San Francisco, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT GRAVES&lt;/strong&gt;&lt;br /&gt;As Translator, &lt;em&gt;The Transformations of Lucius Otherwise Known as THE GOLDEN ASS&lt;/em&gt; (FSG, New York, 1951)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JASON GRAY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PHOTOGRAPHING EDEN&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARTIN GRAY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Jackson Pollock: Memories Arrested in Space &lt;/em&gt;(Santa Monica Press LLC, Santa Monica, CA 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHARLEY JOHN GREASYBEAR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SONGS &lt;/em&gt;(Ahsahta Press, Boise, ID, 1979)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ARIELLE GREENBERG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Given &lt;/em&gt;(Verse Press, Amherst, MA, 2002)&lt;br /&gt;&lt;em&gt;My Kafka Century &lt;/em&gt;(Action Books, Tuscaloosa, Alabama, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KATE GREENSTREET&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Last 4 Things&lt;/em&gt; (book and DVD, Ahsahta Press, Boise, ID, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;REME-ANTONIA GREFALDA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Other Bluebook: On the High Seas of Discovery &lt;/em&gt;(novel, RADIANT PSI, Fairfax, VA, 2009)&lt;br /&gt;As Co-Editor, &lt;em&gt;Towards A Cultural Community: Identity, Education and Stewardship in Filipino American Performing Arts&lt;/em&gt;, with ANNA ALVES (anthology with poems, National Federation of Filipino American Associations, Washington D.C. 2003)&lt;br /&gt;As Co-Editor, &lt;em&gt;Our Own Voice&lt;/em&gt;, with NADINE SARREAL and GEEJAY ARRIOLA (anthology, The Philippine Women's University Center for Culture, Arts, Music / HAB Development Center, Manila; and Firstfruits Books Design and Publishing, Arlington, VA, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DEBORA GREGER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MEN, WOMEN, AND GHOSTS&lt;/em&gt;  (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LINDA GREGG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Chosen by the Lion &lt;/em&gt;(Graywolf, St. Paul, Minn, 1994)&lt;br /&gt;&lt;em&gt;In the Middle Distance &lt;/em&gt;(Graywolf, St. Paul, Minn. 2006)&lt;br /&gt;&lt;em&gt;ALL OF IT SINGING: NEW AND SELECTED POEMS&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;em&gt;Too Bright to See / Alma &lt;/em&gt;(Graywolf, St. Paul, Minn, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EAMON GRENNAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MATTER OF FACT&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NICHOLAS GRIDER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CULTURE: A USER'S GUIDE &lt;/em&gt;(Ten Foot Pole Press, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SHAUN T. GRIFFIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WOODSMOKE, WIND, AND THE PEREGRINE&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROSEMARY GRIGGS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Sky Girl&lt;/em&gt; (Fence Books, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BOB GRUMMAN&lt;/strong&gt;&lt;br /&gt;As Editor (with Crag Hill), &lt;em&gt;Writing to be Seen: An Anthology of Later 20th Century Visio-Textual Art, Volume One &lt;/em&gt;(Runaway Spoon Press and SCORE Publications, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAUREN GUDATH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Animal and Robot: Four &lt;/em&gt;(broadside, Belladonna Card #3 / Boog Literature, Brooklyn, 2000)&lt;br /&gt;&lt;em&gt;Animal &amp; Robot &lt;/em&gt;(chap, Belladonna #35, Brooklyn, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GABRIEL GUDDING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Defense of Poetry&lt;/em&gt; (University of Pittsburgh Press, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BARBARA GUEST&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Barbara Guest: Lannan Literary Video #51&lt;/em&gt; (60-minute video, Lannan Foundation, Los Angeles, 1996)&lt;br /&gt;&lt;em&gt;Durer in the Window, Reflections on Art&lt;/em&gt; (poetry and prose, Roof Books, New York, 2003)&lt;br /&gt;&lt;em&gt;Fair Realism &lt;/em&gt;(Sun &amp; Moon, Los Angeles, 1995)&lt;br /&gt;&lt;em&gt;FORCES OF IMAGINATION: Writing on Writing &lt;/em&gt;(prose, Kelsey Street Press, Berkeley, CA 2003)&lt;br /&gt;&lt;em&gt;MUSICALITY&lt;/em&gt;, with drawings by JUNE FELTER (Kelsey Street Press, Berkeley, 1988)&lt;br /&gt;&lt;em&gt;SEEKING AIR &lt;/em&gt;(fiction, Sun &amp; Moon, Los Angeles, 1997)&lt;br /&gt;&lt;em&gt;Quill, Solitary APPARITION &lt;/em&gt;(The Post Apollo Press, Sausalito, CA, 1996)&lt;br /&gt;&lt;em&gt;Stripped Tales&lt;/em&gt;, with artist ANNE DUNN (Kelsey Street Press, Berkeley, CA, 1995)&lt;br /&gt;&lt;em&gt;Selected Poems &lt;/em&gt;(Sun &amp; Moon Press, Los Angeles, 1995)&lt;br /&gt;&lt;em&gt;Symbiosis&lt;/em&gt;, with drawings by LAURIE REID (Kelsey Street Press, Berkeley, CA, 2000)&lt;br /&gt;&lt;em&gt;THE COLLECTED POEMS OF BARBARA GUEST&lt;/em&gt;, Ed. Hadley Haden Guest (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MIKE AND JOYCE GULLICKSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Bridges &lt;/em&gt;(chap, Nederland, TX, undated)&lt;br /&gt;As Editors, &lt;em&gt;The Enigmatist &lt;/em&gt;(Burnet, TX, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;THOM GUNN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Shelf Life: Essays, Memoirs and an Interview &lt;/em&gt;(Faber and Faber, London, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KENNETH P. GURNEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Burning Bush &lt;/em&gt;(chap, Hodge Podge Press, Shorewood, WI, 1995)&lt;br /&gt;&lt;em&gt;Fredericktowne&lt;/em&gt; (chap, Tamafhyr Mountain Press, Frederick, MD, 2001)&lt;br /&gt;&lt;em&gt;from Thistle's bloom &lt;/em&gt;(chap, Tamafhyr Mountain Press, Frederick, MD, 2000)&lt;br /&gt;&lt;em&gt;In A Room In My House &lt;/em&gt;(chap, Hodge Podge Press, Shorewood, WI, 1997)&lt;br /&gt;&lt;em&gt;New Taos Dog &lt;/em&gt;(chap, Tamafhyr Mountain Press, Taos, NM, 1999)&lt;br /&gt;&lt;em&gt;Start Anywhere &lt;/em&gt;(chap, Hodge Podge Press, Shorewood, WI, 1997)&lt;br /&gt;&lt;em&gt;Tomorrow Is Now Begun &lt;/em&gt;(chap, Hodge Podge Press, Shorewood, WI, 1995)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-112165092425867109?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/112165092425867109/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=112165092425867109' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112165092425867109'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112165092425867109'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/07/authors-g.html' title='AUTHORS: G'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-112144698461621140</id><published>2005-07-17T16:25:00.000-07:00</published><updated>2011-12-03T21:17:09.220-08:00</updated><title type='text'>AUTHORS: F</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEVEN FARMER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;glowball &lt;/em&gt;(theenk Books, Palmyra, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RAYMOND FARR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TWO HATS APPEAR WHEN APPLAUDED: AN IMPROVISATION &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL FARRELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Ode Ode&lt;/em&gt; (Salt Publishing, Cambridge, U.K., 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DION FARQUHAR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Cleaving &lt;/em&gt;(chap, Poets Corner Press, Stockton, CA, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FREDERICK FEIRSTEIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;City Life &lt;/em&gt;(Storyline Press, Brownsville, OR, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEVE FELLNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BLIND DATE WITH CAVAFY&lt;/em&gt; (Marsh Hawk Press, New York, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAWRENCE FERLINGHETTI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Poetry As Insurgent Art &lt;/em&gt;(New Directions, New York, 2007)&lt;br /&gt;&lt;em&gt;Ferlinghetti: The Artist In His Time&lt;/em&gt; by Barry Silesky (biography, Warner Books, N.Y., 1990)&lt;br /&gt;&lt;em&gt;Love In The Days of Rage&lt;/em&gt; (novel, E.P. Dutton, New York, 1988)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MONICA FERRELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BEASTS FOR THE CHASE&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;THOMAS HORNSBY FERRILL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Westering &lt;/em&gt;(Ahsahta Press, Boise, ID, 1986)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ADAM FIELED&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Apparition Poems &lt;/em&gt;(BlazeVOX Books, Buffalo, N.Y., 2010)&lt;br /&gt;&lt;em&gt;Opera Bufa &lt;/em&gt;(Otoliths, Rockhampton, Australia, 2007)&lt;br /&gt;&lt;em&gt;POSIT &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GARY FINCKE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE FIRE LANDSCAPE&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;THOMAS FINK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AUTOPSY TURVY&lt;/em&gt;, with Maya Diablo Mason (Meritage Press, San Francisco &amp; St. Helena, 2010. 5+ copies)&lt;br /&gt;&lt;em&gt;AFTER TAXES &lt;/em&gt;(Marsh Hawk Press, New York, 2004. 2 copies)&lt;br /&gt;&lt;em&gt;clarity and other poems &lt;/em&gt;(Marsh Hawk Press, New York, 2008)&lt;br /&gt;&lt;em&gt;GENERIC WHISTLE STOP &lt;/em&gt;(chap, Portable Press at Yo-Yo Labs, Brooklyn, 2008)&lt;br /&gt;&lt;em&gt;Gossip: A Book of Poems &lt;/em&gt;(Marsh Hawk Press, New York, 2001)&lt;br /&gt;&lt;em&gt;PEACE CONFERENCE &lt;/em&gt;(Marsh Hawk Press, East Rockaway, New York, 2011)&lt;br /&gt;&lt;em&gt;Surprise Visit &lt;/em&gt;(The Domestic Press, N.Y., 1993)&lt;br /&gt;&lt;em&gt;"A DIFFERENT SENSE OF POWER": Problems of Community in Late-Twentieth-Century U.S. Poetry&lt;/em&gt; (essays, Fairleigh Dickinson University Press / London Associated University Presses, Madison, Teaneck, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NORMAN FINKELSTEIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PASSING OVER &lt;/em&gt;(Marsh Hawk Press, New York, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SEAN TUMOANA FINNEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Obedient Door&lt;/em&gt; (&lt;a href="http://meritagepress.com"&gt;Meritage Press&lt;/a&gt;, St. Helena &amp; San Francisco, 2005. 25-plus copies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT FITTERMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;NOTES ON CONCEPTUALISMS&lt;/em&gt;, with Vanessa Place (poetics / art theory, Ugly Duckling Presse, Brooklyn, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CORRINE FITZPATRICK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Zamboanguena &lt;/em&gt;(chap, Sona Books, Brooklyn, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HILDEGARDE FLANNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Hearkening Eye &lt;/em&gt;(Ahsahta Press, Boise, ID, 1979)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WADE FLETCHER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Snitch Culture &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SANDY FLORIAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Telescope &lt;/em&gt;(Action Books, Tuscaloosa, AL, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EUGENIO FLORIT&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;Introduction to SPANISH POETRY: A Dual-Language Book &lt;/em&gt;(anthology, Dover, New York, 1965)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALICE FOGEL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Be That Empty: Apologia for Air&lt;/em&gt; (Harbor Mountain Press, Brownsville, Vermont, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JACK FOLEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;EXILES &lt;/em&gt;(Pantograph Press, Berkeley, 1996)&lt;br /&gt;&lt;em&gt;EXILES &lt;/em&gt;(tape recording, 1996)&lt;br /&gt;&lt;em&gt;FOLEY'S BOOKS: California Rebels, Beats &amp; Radicals &lt;/em&gt;(essays, Pantograph Press, Berkeley, 2000)&lt;br /&gt;&lt;em&gt;GERSHWIN &lt;/em&gt;(poems with tape, Newton Coker Press, San Francisco, 1991)&lt;br /&gt;&lt;em&gt;JACK AND ADELLE FOLEY @ CODY'S BOOKS, 11/17/99&lt;/em&gt; (tape recording)&lt;br /&gt;&lt;em&gt;O POWERFUL WESTERN STAR: Poetry &amp; Art in California &lt;/em&gt;(essays, with CD by Jack and Adelle Foley, Pantograph Press, Berkeley, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSEY FOO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Tomie's Chair &lt;/em&gt;(Kaya Press, New York, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CAROLYN FORCHE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Angel of History &lt;/em&gt;(HarperPerennial, New York, 1994)&lt;br /&gt;&lt;em&gt;The Country Between Us &lt;/em&gt;(Harper and Row, New York, 1981)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KATIE FORD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;COLOSSEUM&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL FORD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CARBON &lt;/em&gt;(Ugly Duckling Presse,, Brooklyn, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RUTH FORMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Renaissance &lt;/em&gt;(Beacon Press, Boston, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EDWARD FOSTER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MAHREM: Things Men Should Do For Men / A Suite for O &lt;/em&gt;(Marsh Hawk Press, New York, 2002)&lt;br /&gt;As Co-Editor with EDWARD DONAHUE, &lt;em&gt;The World In Time And Space: Towards A History of Innovative American Poetry In Our Time&lt;/em&gt; (Talisman House, Jersey City, 2001, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SESSHU FOSTER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ANGRY DAYS&lt;/em&gt; (West End Press, Los Angeles, 1987)&lt;br /&gt;&lt;em&gt;BECAUSE &lt;/em&gt;(poem-card, Kaya Press, new York, 1996.  25-plus copies.  Per request, all trades will get a comp copy of this card.)&lt;br /&gt;&lt;em&gt;CITY TERRACE: Field Manual&lt;/em&gt; (Kaya Production, New York, 1996)&lt;br /&gt;&lt;em&gt;MARK ON A GRAIN OF RICE&lt;/em&gt; (hand-made book of xeroxed images and poem, X-mas present 1998)&lt;br /&gt;&lt;em&gt;WORLD BALL NOTEBOOK&lt;/em&gt; (City Lights Books, San Francisco, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;REBECCA FOUST&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DARK CARD &lt;/em&gt;(___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID FOX&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Domestic Violence&lt;/em&gt; (Vatic Hum, San Francisco, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SKIP FOX&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ADVENTURES OF MAX &amp; MAXINE &lt;/em&gt;(chap, Auguste Press, San Francisco, 2003)&lt;br /&gt;&lt;em&gt;AT THAT&lt;/em&gt; (Ahadada Books, Ontario and Chiba-ken, 2005)&lt;br /&gt;&lt;em&gt;Delta Blues &lt;/em&gt;(Ahadada Books, Tokyo &amp; Toronto, 2009)&lt;br /&gt;&lt;em&gt;FOR TO &lt;/em&gt;(BlazeVox Books, Buffalo, N.Y., 2008)&lt;br /&gt;&lt;em&gt;WHAT OF &lt;/em&gt;(Potes and Poets, Bedford, MA., 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HILARIO S. FRANCIA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A BEACON IN THE DARK and other poems, With a Tagalog Version &lt;/em&gt;(Logos Etc., Manila, 1992)&lt;br /&gt;As Editor &amp; Translator into Tagalog, &lt;em&gt;JOSE GARCIA VILLA: 55 POEMS &lt;/em&gt;(University of the Philippines Press, Quezon City, 1988.  1 copy Regular Edition plus a Collector’s Book Edition: No. 212 of 250)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LARRY FRANCIA&lt;/strong&gt;&lt;br /&gt;As Translator into Tagalog, &lt;em&gt;THE PARLEMENT OF GIRAFFES: Poems for Children -- Eight to Eighty&lt;/em&gt;, Edited by John Cowen (Anvil Publishing, Pasig, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LUIS H. FRANCIA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Eye of the Fish: A Personal Archipelago &lt;/em&gt;(memoir, Kaya Press, New York, 2001)&lt;br /&gt;&lt;em&gt;History of the Philippines: From Indios Bravos to Filipinos &lt;/em&gt;(history, Overlook Hardcover, New York, 2010)&lt;br /&gt;&lt;em&gt;Memories of Overdevelopment &lt;/em&gt;(reviews &amp; essays, Anvil Publishing, Pasig City, 1998)&lt;br /&gt;&lt;em&gt;Museum of Absences &lt;/em&gt;(Meritage Press / University of the Philippines Press, St. Helena/San Francisco and Manila, 2004.  2 copies.)&lt;br /&gt;&lt;em&gt;The Arctic Archipelago and Other Poems &lt;/em&gt;with drawings by HILARIO S. FRANCIA (Office of Research and Publications, School of Arts and Sciences, Ateneo de Manila University, Quezon City, 1991)&lt;br /&gt;As Co-Editor, &lt;em&gt;FLIPPIN': FILIPINOS IN AMERICA&lt;/em&gt;, with ERIC GAMALINDA (anthology, Asian American Writers Workshop, New York, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KATHLEEN FRASER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Discrete Categories Forced Into Couplings &lt;/em&gt;(Apogee Press, Berkeley, 2004)&lt;br /&gt;&lt;em&gt;New Shoes&lt;/em&gt; (Harper and Row, New York, 1977)&lt;br /&gt;&lt;em&gt;Soft Pages&lt;/em&gt; (chap, Belladonna #10/Boog Literature, Brooklyn, 2001)&lt;br /&gt;&lt;em&gt;Something (even human voices) in the foreground, a lake&lt;/em&gt; (Kelsey Street Press, Berkeley, 1984)&lt;br /&gt;&lt;em&gt;when new time folds up &lt;/em&gt;(Chax Press, Tucson, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VERNON FRAZER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Demon Dance&lt;/em&gt; (chap, Nude Beach Press in association with Woodcrest Communications, Hartford and East Hartford, CT, 1995)&lt;br /&gt;&lt;em&gt;Holiday Idylling &lt;/em&gt;(BlazeVOX Books, Buffalo, N.Y., 2007)&lt;br /&gt;&lt;em&gt;IMPROVISATIONS &lt;/em&gt;by Vernon Frazer (Beneath the Underground, 2005)&lt;br /&gt;&lt;em&gt;Sex Queen of the Berlin Turnpike &lt;/em&gt;withT HOMAS CHAPIN, MARIO PAVONE, JOE FONDA and BRIAN JOHNSON (CD,produced by Vernon Frazer, Hartford, CT 1987)&lt;br /&gt;&lt;em&gt;SONG OF BAOBAB: Vernon Frazer, featuring THOMAS CHAPIN &lt;/em&gt;(CD, Hartford, CT, 1997)&lt;br /&gt;&lt;em&gt;Sing Me One Song of Evolution&lt;/em&gt; (Beneath the Underground Books, East Hartford, CT, 1998)&lt;br /&gt;&lt;em&gt;The Vernon Frazer Poetry Band &lt;/em&gt;(CD, produced by Vernon Frazer, Rockville, CT, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SITARAM FREE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;OF FRACTURED CLOCKS, BONES AND WINDSHIELDS &lt;/em&gt;(__, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEAN FREMON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Painting&lt;/em&gt;, Translated by Brian Evenson (chap, Black Square Editions, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STUART FRIEBERT&lt;/strong&gt;&lt;br /&gt;As Co-Editor, with DAVID YOUNG, &lt;em&gt;Models of the Universe: An Anthology of the Prose Poem&lt;/em&gt; (anthology, Oberlin College Press, Oberlin, OH, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL FRIED&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Next Bend in the Road&lt;/em&gt; (The University of Chicago Press, Chicago &amp; London, 2004)&lt;br /&gt;&lt;em&gt;To The Center of the Earth &lt;/em&gt;(Farrar Strauss &amp; Giroux, New York, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALICE FRIMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE BOOK OF THE ROTTEN DAUGHTER &lt;/em&gt;(BkMk Press, Univ. of Missouri, Kansas City, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CAROL FRITH and LAVERNE FRITH&lt;/strong&gt;&lt;br /&gt;As Co-Editors, &lt;em&gt;EKPHRASIS: A Poetry Journal &lt;/em&gt;(journal, Frith Press, Sacramento, CA, Fall/Winter, 1999 and others)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CAROL FROST&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CETERIS PARIBUS All Things Being Equal &lt;/em&gt;(chap, Incidental Press, San Francisco, 2000)&lt;br /&gt;&lt;em&gt;THE SALT LESSON &lt;/em&gt;(chap, Graywolf Press, Port Townsend, WA, 1976)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT FROST&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A FURTHER RANGE&lt;/em&gt; (Henry Holt, New York, 1936)&lt;br /&gt;&lt;em&gt;The Poetry of Robert Frost&lt;/em&gt;, Edited by Edward Connery Lathem (Holt, Rhinehart and Winston, New York, 1916-1969)&lt;br /&gt;&lt;em&gt;The Road Not Taken and Other Early Poems&lt;/em&gt; (Penguin, New York, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GLORIA FRYM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Homeless at Home &lt;/em&gt;(Creative Arts Book Company, Berkeley, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOANNA FUHRMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Belladonna* Moraine&lt;/em&gt; (chap, Belladonna #53, Brooklyn, 2002)&lt;br /&gt;&lt;em&gt;Moraine &lt;/em&gt;(Hanging Loose, Brooklyn, 2006)&lt;br /&gt;&lt;em&gt;Pageant &lt;/em&gt;(Alice James Books, Farmington, Maine, 2009)&lt;br /&gt;&lt;em&gt;Ugh Ugh Ocean&lt;/em&gt; (Hanging Loose, Brooklyn, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;R. BUCKMINSTER FULLER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Untitled Epic Poem on the History of Industrialization &lt;/em&gt;(Simon &amp; Schuster, New York, 1962)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-112144698461621140?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/112144698461621140/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=112144698461621140' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112144698461621140'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112144698461621140'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/07/authors-f.html' title='AUTHORS: F'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-112132204806024646</id><published>2005-07-16T02:07:00.000-07:00</published><updated>2011-03-04T22:07:17.256-08:00</updated><title type='text'>AUTHORS: E</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TOM EAGLE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PISCES &lt;/em&gt;(Orchards Publishing, Lewiston, ID, 1977)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;kari edwards&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;a day in the life of p.&lt;/em&gt; (Subpress Collective, Honolulu and New York, 2002)&lt;br /&gt;&lt;em&gt;Bharat Jiva &lt;/em&gt;(a Venn Diagram Production by Litmus Press / Belladonna Books, Brooklyn, New York, 2009)&lt;br /&gt;&lt;em&gt;having been blue for charity&lt;/em&gt; (pdf print-out &amp; 2 books, BlazeVOX, 2006)&lt;br /&gt;&lt;em&gt;iduna &lt;/em&gt;(O Books, Oakland, 2003)&lt;br /&gt;&lt;em&gt;Marking My Flesh With Essential Tethers&lt;/em&gt;, with statigraphic images by Marcus Civin (Limited Edition #10 of 40, Spuyten Duyvil, March 2007)&lt;br /&gt;&lt;em&gt;obedience &lt;/em&gt;(Factory School, San Diego, 2005)&lt;br /&gt;&lt;em&gt;NO GENDER: REFLECTIONS ON THE LIFE &amp; WORK OF kari edwards&lt;/em&gt;, Edited by Julian Brolaski, erica kaufman &amp; E. Tracy Grinnell. [Includes Cara Benson, Frances Blau, Mark Brasuell, Julian T. Brolaski, Reed Bye, Marcus Civin, CAConrad, Donna de la Perrière, E. Tracy Grinnell, Rob Halpern, Jen Hofer, Brenda Iijima, Lisa Jarnot, erica kaufman, Kevin Killian, Wendy Kramer, Joseph Lease, Rachel Levitsky, Joan MacDonald, Bill Marsh, Chris Martin, Yedda Morrison, Eileen Myles, Akilah Oliver, Tim Peterson, Ellen Redbird, Leslie Scalapino, Michael Smoler, Sherman Souther, Eleni Stecopoulos, and Anne Waldman] (a Venn Diagram Production by Litmus Press / Belladonna Books, Brooklyn, New York, 2009) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TERRY EHRET&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LUCKY BREAK &lt;/em&gt;(___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GRETEL EHRLICH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Solace of Open Spaces &lt;/em&gt;(essays, Penguin, New York, 1985)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GUNTER EICH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;VALUABLE NAIL: Selected Poems&lt;/em&gt;, Translated by Stuart Friebert, David Walker &amp; David Young (Field Translation Series, Oberlin College, 1981)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BARBARA EINZIG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Distance Without Distance&lt;/em&gt; (Kelsey Street Press, Berkeley, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LOREN EISELEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Notes of an Alchemist&lt;/em&gt;, illustrated by LASZLO KUBINYI (Charles Scribers, New York, 1972)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;T.S. ELIOT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;FOUR QUARTETS&lt;/em&gt; (Harvest/HBJ, New York &amp; London, 1943)&lt;br /&gt;&lt;em&gt;Eliot's Early Years &lt;/em&gt;by Lyndall Gordon (biography, Galaxy/Oxford University Press, New York, 1977)&lt;br /&gt;&lt;em&gt;Eliot's New Life &lt;/em&gt;by Lyndall Gordon (biography, Noonday/FSG, New York, 1988)&lt;br /&gt;&lt;em&gt;The Letters of T.S. Eliot Vol. I. 1898-1922&lt;/em&gt;, Edited by Valerie Eliot (Harcourt Brace, N.Y., 1988)&lt;br /&gt;&lt;em&gt;THE VARIETIES OF METAPHYSICAL POETRY: The Clark Lectures at Trinity College, Cambridge, 1926 and The Turnbull Lectures at The Johns Hopkins University, 193&lt;/em&gt;3, Edited by Ronald Schuchard (Harvest/Harcourt Brace, New York, 1993)&lt;br /&gt;&lt;em&gt;T.S. Eliot: A Memoir &lt;/em&gt;by Robert Sencourt, Edited by Donald Adamson (memoir, Dodd, Mead &amp; Co., New York, 1971)&lt;br /&gt;&lt;em&gt;THE WASTE LAND: A Facsimile and Transcript of the Original Drafts Including The Annotations of Ezra Pound&lt;/em&gt;, Edited by Valerie Eliot (Harvest/Harcourt Brace, New York, 1971)&lt;br /&gt;&lt;em&gt;The Cocktail Party&lt;/em&gt; (play, Harcourt Brace Jovanovich, New York, 1950-1978)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LEWIS ELLINGHAM&lt;/strong&gt;&lt;br /&gt;As biographer, &lt;em&gt;POET BE LIKE GOD: Jack Spicer and the San Francisco Renaissance&lt;/em&gt;, with Kevin Killian (biography, Wesleyan University Press, Hanover, NH, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEPHEN ELLIS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;OPULENCE &lt;/em&gt;(Theenk Books, Palmyra, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAURA ELRICK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;sKincerity &lt;/em&gt;(Krupskaya, San Francisco, 2003)&lt;br /&gt;&lt;em&gt;excerpts from the scores of Permeable Structures: A Performance Essay in Stereo&lt;/em&gt; (Belladonna Chap #87, Brooklyn, 2006. 2)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAUL ELUARD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LAST LOVE POEMS OF PAUL ELUARD&lt;/em&gt;, Trans. by Marilyn Kallett (Black Widow Press, Boston, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ODYSSEUS ELYTIS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Odysseus Elytis: Selected Poems&lt;/em&gt;, Selected by Edmund Keeley and Philip Sherrard, Translated by Keeley, Sherrard, George Savidis, John Statathos and Nanos Valaorities (Penguin, New York, 1981)&lt;br /&gt;&lt;em&gt;OPEN PAPERS: Selected Essays&lt;/em&gt;, translated by Olga Broumas &amp; T. Begley (essays, Copper Canyon Press, Port Townsend, WA, 1995)&lt;br /&gt;&lt;em&gt;THE COLLECTED POEMS OF ODYSSEUS ELYTIS: Revised and Expanded Edition&lt;/em&gt;, Trans. by Jeffrey Carson and Nikos Sarris; Introduction and notes by Jeffrey Carson (Johns Hopkins University Press, 2004)&lt;br /&gt;&lt;em&gt;THE SOVEREIGN SUN: Selected Poems&lt;/em&gt;, Trans. By Kimon Friar (Temple University Press, Philadelphia, 1974)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RALPH WALDO EMERSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Emerson In His Own Time: A Biographical Chronicle of HIs Life, Drawn From Recollections, Interiews, and Memories of Family, Friends and Associates&lt;/em&gt;, Ed. by Ronald A. Bosco with Joel Myerson (study, University of Iowa Press, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;R.M. ENGELHARDT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE LAST CIGARETTE: THE NEW &amp; COLLECTED POEMS 1989 TO 2006 &lt;/em&gt;(Dead Man's Press, New York, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JULIE R. ENSZER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WHEN WE WERE FEMINISTS &lt;/em&gt;(broadside, Concupiscent Juju)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DANIEL MARK EPSTEIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE BOY IN THE WELL And Other Poems&lt;/em&gt; (The Overlook Press, Woodstock, N.Y., 1995)&lt;br /&gt;&lt;em&gt;Young Men's Gold&lt;/em&gt; (The Overlook Press, Woodstock, N.Y., 1978)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELAINE EQUI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CASTLE, DIAMOND, SWAN&lt;/em&gt; (chap, Belladonna #41, Brooklyn, 2003)&lt;br /&gt;&lt;em&gt;The Cloud of Knowable Things&lt;/em&gt; (Coffee House Press, Minneapolis, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ZHANG ER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CARVED WATER&lt;/em&gt;, Translated by BOB HOLMAN (Tinfish Press, Kane 'Ohe, HI, 2003)&lt;br /&gt;&lt;em&gt;Cross River. Pick Lotus, &lt;/em&gt;Translated by Rachel Levitsky and Zhang Er (chap, Belladonna #33, Brooklyn, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LOUISE ERDRICH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BAPTISM OF DESIRE &lt;/em&gt;(Harper Perennial, New York, 1989. hardback and paperback)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANIDA YOEU ESGUERRA &lt;/strong&gt;&lt;br /&gt;As Co-Editor (fopund images), &lt;em&gt;SCREAMING MONKEYS: CRITIQUES OF ASIAN AMERICAN IMAGES&lt;/em&gt;, with EVELINA M. GALANG (managaing editor), EILEEN TABIOS (poetry), SUNAINA MAIRA (nonfiction), and JORDIN ISIP (art) (anthology of poetry, prose, and art, Coffee House Press, Minneapolis, Minn, 2003).&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARLON UNAS ESGUERRA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;one / generation to / double your consonants &lt;/em&gt;(manuscript, paper for Nick Carbo's Visual Poetry class at U of Miami, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CLAYTON ESHLEMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Hades In Manganese &lt;/em&gt;(Black Sparrow, Santa Rosa, 1981)&lt;br /&gt;&lt;em&gt;Hotel Cro-Magnon &lt;/em&gt;(Black Sparrow, Santa Rosa, 1989)&lt;br /&gt;&lt;em&gt;THE NAME ENCANYONED RIVER: SELECTED POEMS 1960-1985 &lt;/em&gt;(Black Sparrow, Santa Rosa, 1986)&lt;br /&gt;&lt;em&gt;Issue Devoted to Clayton Eshleman &lt;/em&gt;-- &lt;a href="http://www.synapse.net/kgerken/Y-0508.HTM"&gt;&lt;em&gt;YGDRASIL: A JOURNAL OF THE ARTS&lt;/em&gt;&lt;/a&gt; (Vol. XIII Issue 8, Number 148, August 2005).  Edited by Klaus J. Gerken &lt;em&gt;[N.B.  I include titles from online publications in this library when I've bothered -- usually due to loving the content -- to print them out.]&lt;/em&gt;&lt;br /&gt;As Translator, &lt;em&gt;CONDUCTORS OF THE PIT: Major Woprks by Rimbaud, Vallejo, Cesaire, Artaud, Holan &lt;/em&gt;(Paragon House, New York, 1988)&lt;br /&gt;As Translator, &lt;em&gt;Poemas Humanos / Human Poems &lt;/em&gt;by Cesar Vallejo (Grove Press, New York, 1968)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARTIN ESPADA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A MAYAN ASTRONOMER IN HELL'S KITCHEN&lt;/em&gt; (Norton, New York, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JILL ALEXANDER ESSBAUM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HEAVEN &lt;/em&gt;(University Press of New England, Hanover, NH, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARJORIE M. EVASCO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Ochre Tones: Poems in English and Cebuano &lt;/em&gt;(Salimbayan Books, South Africa, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANNA EYRE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Metaplasmic &lt;/em&gt;(chap, effing press, Austin, TX, 2004)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-112132204806024646?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/112132204806024646/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=112132204806024646' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112132204806024646'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112132204806024646'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/07/authors-e.html' title='AUTHORS: E'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-112130261634466418</id><published>2005-07-14T23:24:00.000-07:00</published><updated>2011-12-03T21:15:16.039-08:00</updated><title type='text'>AUTHORS: D</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RAMOLA D.&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Invisible Season &lt;/em&gt;(Washington Writers Publishing House, Washington, D.C. 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALICE D'ALESSIO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DAYS WE ARE GIVEN &lt;/em&gt;(Earth's Daughters, Buffalo, N.Y., 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BEI DAO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Midnight's Gate &lt;/em&gt;(essays, New Directions, New York, 2002 and 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RACHEL DALEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;You and Me Story &lt;/em&gt;(chap, Belladonna #55, Brooklyn, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RYAN DALEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ARMORED ELEVATOR &lt;/em&gt;(BlazeVOX Books, Buffalo, N.Y., 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARY AGNES DALRYMPLE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Picture Box Poems &lt;/em&gt;(chap, Blue Violin, Humble, TX, 1996)&lt;br /&gt;As Editor, &lt;em&gt;Blue Violin: A Journal of Free-Verse Poetry&lt;/em&gt; (journal, Blue Violin, Humble, TX, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CATHERINE DALY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BLINDS &lt;/em&gt;(hand-out for 21 Grand Reading, Oakland, 2004)&lt;br /&gt;&lt;em&gt;CHANTEUSE / CANTATRICE&lt;/em&gt; (Factory School, New York, 2007)&lt;br /&gt;&lt;em&gt;DaDaDa &lt;/em&gt;(Salt Publishing, Cambridge, U.K., 2003)&lt;br /&gt;&lt;em&gt;IDENTITY THEFT &lt;/em&gt;(chap, Dusie, Switzerland, 2008)&lt;br /&gt;&lt;em&gt;Locket &lt;/em&gt;(Tupelo Press, Dorset, VT, 2005)&lt;br /&gt;&lt;em&gt;Paper Craft&lt;/em&gt; (Moria, Chicago, 2006)&lt;br /&gt;&lt;em&gt;O To Speak Belief Love O &lt;/em&gt;(chap, A Gargoyle Edition, U.K., 2004)&lt;br /&gt;&lt;em&gt;Surplice &lt;/em&gt;(chap, Belladonna #55, Brooklyn, 2004)&lt;br /&gt;&lt;em&gt;To Delite and Instruct&lt;/em&gt; (Blue Lion Books, Espoo, Finland &amp; West Hartford, Conn., 2006)&lt;br /&gt;&lt;em&gt;Vauxhall &lt;/em&gt;(Shearsman Books, Exter, U.K., 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT DANA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;What I think I Know: New &amp; Selected Poems &lt;/em&gt;(another chicago press, Chicago, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JIM DANIELS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Now Showing &lt;/em&gt;(Ahadada Books, Tokyo/Toronto, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JENNIFER DANNENBERG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Postcard Poems&lt;/em&gt; with CASSIE LEWIS (chap, Poetry Espresso, Fremont, CA, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;YOKO DANNO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SONGS AND STORIES OF THE KOJIKI &lt;/em&gt;(Ahadada Books, Tokyo/Toronto, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BEI DAO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Landscape over Zero, &lt;/em&gt;translated by David Hinton with Yanbing Chen (New Directions, New York, 1995, 2996)&lt;br /&gt;&lt;em&gt;Old Snow&lt;/em&gt;, translated by Bonnie S. McDougall and Chen Maiping (New Directions, New York, 1991)&lt;br /&gt;&lt;em&gt;The August Sleepwalker, &lt;/em&gt;translated by Bonnie S. McDougall (New Directions, New York, 1988)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TENAYA DARLINGTON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Madame Deluxe &lt;/em&gt;(Coffee House Press, Minneapolis, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MAHMOUD DARWISH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Butterfly's Burden&lt;/em&gt;, Trans. by Fady Joudah (Copper Canyon Press, Port Townsend, WA, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DANIEL DAVIDSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CULTURE &lt;/em&gt;(Krupskaya, San Francisco, 2002)&lt;br /&gt;&lt;em&gt;Weather &lt;/em&gt;(chap, sCore, Mill Valley, CA, 1987, 1992. 2 copies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL DAVIDSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LENINGRAD: AMERICAN WRITERS IN THE SOVIET UNI&lt;/em&gt;ON, memoir by Michael Davidson, Lyn Hejinian, Ron Silliman, Bruce Watten (Mercury House, San Francisco, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JORDAN DAVIS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Million Poems Journal &lt;/em&gt;(Faux Press, Cambridge, MA, 2003)&lt;br /&gt;&lt;em&gt;Poetrycam &lt;/em&gt;(chap)&lt;br /&gt;As Co-Editor with SARAH MANGUSO, &lt;em&gt;FREE RADICALS: American Poets Before Their First Books&lt;/em&gt; (Subpress, Honolulu/Oakland/New York, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PETER DAVIS&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;POETS’ BOOKSHELF II: Contemporary Poets on Books That Shaped Their Art &lt;/em&gt;(Barnwood Press, Seattle, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PHEBE DAVIDSON&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;CONVERSATIONS WITH THE WORLD: American Women Poets and Their Work &lt;/em&gt;(Trilogy Books, Pasadena, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROCIO G. DAVIS&lt;/strong&gt;&lt;br /&gt;As Guest Editor, &lt;em&gt;MELUS: Filipino American Literature&lt;/em&gt; (journal of prose and poetry, The Journal of the Society for the Study of Multi-Ethnic Literature of the United States, University of Connecticut, Spring 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TIM DAVIS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE ANALOGY GUILD &lt;/em&gt;(Arras chapbook #1, New York, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRANDEL FRANCE DE BRAVO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PROVENANCE &lt;/em&gt;(___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEORGANNE DEEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WESTERN WITCH, season of the &lt;/em&gt;(art &amp; poetry artist's book with CD and locket, Perceval Press, Santa Monica, CA 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ADAM DEGRAFF&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ALL THIS WILL BECOME DUST IN JUST 3 MINUTES&lt;/em&gt; (artist's book chap, We Have A Fax Machine, imprint of Lucinda Books, Oakland, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KATE DELANY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Reading Darwin&lt;/em&gt; (chap, Poets Corner Press, Stockton, CA, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NEIL DE LA FLOR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Almost Dorothy &lt;/em&gt;(Marsh Hawk Press, New York, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OLIVER DE LA PAZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Furious Lullabye &lt;/em&gt;(Southern Illinois University Press, Carbondale, 2007)&lt;br /&gt;&lt;em&gt;Names Above Houses &lt;/em&gt;(Southern Illinois University Press, Carbondale, 2001)&lt;br /&gt;&lt;em&gt;Requiem for the Orchard &lt;/em&gt;(University of Akron Press, Akron, OH, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DONNA DE LA PERRIERE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Risen &lt;/em&gt;(in manuscript form)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARISA DE LOS SANTOS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;From The Bones Out &lt;/em&gt;(University of South Carolina Press, Columbia, SC, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAMELA JEAN DE OLIVEIRA-SMITH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Expeditions &lt;/em&gt;(Haute Rage, Ltd., Brookline, MA, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RICAREDO DEMETILLO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;La via: A Spiritual Journey &lt;/em&gt;(New Day Publisher and Ricardeo Demetillo, Quezon City, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EDWIN DENBY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;COLLECTED POEMS &lt;/em&gt;(Full Court Press, New York, 1975)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHARD DENIORD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Sharp Golden Thorn &lt;/em&gt;(Marsh Hawk Press, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TORY DENT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HIV, Mon Amour&lt;/em&gt; (The Sheep Meadow Press, Riverdale-on-Hudson, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALBERT DEPAS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Metamorphosis of Joy &lt;/em&gt;(Mega Press, New York, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT DESNOS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE VOICE OF ROBERT DESNOS: SELECTED POEMS&lt;/em&gt;, trans. by William Kulik (The Sheep Meadow Press, Riverdale-On-Hudson, N.Y., 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHELLE DETORIE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Bellum Letters&lt;/em&gt; (chap, Dusie, 2007)&lt;br /&gt;&lt;em&gt;DAPHNOMANCY * improvisations &lt;/em&gt;(chap, Cricket Press, West Hartford, CT, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RICARDO M. DE UNGRIA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BODY ENGLISH &lt;/em&gt;(University of the Philippines Press, Quezon City, 1996)&lt;br /&gt;&lt;em&gt;DECIMAL PLACES &lt;/em&gt;(Anvil Publishing, Manila, 1991)&lt;br /&gt;&lt;em&gt;Nudes &lt;/em&gt;(Anvil Publishing, Manila, 1994)&lt;br /&gt;As Editor, &lt;em&gt;A PASSIONATE PATIENCE: Ten Filipino Poets on the Writing of their Poems &lt;/em&gt;(Anvil Publishing, Manila, 1995)&lt;br /&gt;As Editor, &lt;em&gt;Catfish Arriving in Little Schools: Fiction by New Writers 1995 (Gina Apostol, Jaime an Lim, Clinton Palanca) &lt;/em&gt;(Anvil Publishing, Manila, 1996)&lt;br /&gt;As Editor, &lt;em&gt;LUNA CALEDONIA: Five Filipino Writers in Hawthornden Castle &lt;/em&gt;(Aria Edition, Manila, 1992)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RUEL S. DE VERA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Faulty Electric Wiring &lt;/em&gt;(Ateneo de Manila University, 2005)&lt;br /&gt;&lt;em&gt;The Most Careful of Stars &lt;/em&gt;(Anvil Publishing, Manila, 1996)&lt;br /&gt;&lt;em&gt;The Spirit Quest Chronicles &lt;/em&gt;(feature articles, Anvil Publishing, Manila, 1997)&lt;br /&gt;As Editor, &lt;em&gt;WRITING HOME: 19 Writers Remember Their Hometowns &lt;/em&gt;(Anvil Publishing, Manila, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TRANE DEVORE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;series/mnemonic &lt;/em&gt;(Avec, Penngrove, CA, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TSERING WANGMO DHOMPA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;In The Absent Everyday&lt;/em&gt; (Apogee Press, Berkeley, 2005)&lt;br /&gt;&lt;em&gt;Rules of the House &lt;/em&gt;(Apogee Press, Berkeley, 2002)&lt;br /&gt;&lt;em&gt;Selvage: for country&lt;/em&gt; (Belladonna Chaplet #130, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;XUE DI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AN ORDINARY DAY&lt;/em&gt;, translated by Keith Waldrop with Wang Ping, Iona Crook, Hil Anderson and Janet Tan (Alice James Book, Farmington, ME, 2002)&lt;br /&gt;&lt;em&gt;Flames&lt;/em&gt;, translated by Wang Ping, Iona Crook and Keith Waldrop (chap, Paradigm Press, Providence, 1995)&lt;br /&gt;&lt;em&gt;Heart Into Soil: Selected Poems&lt;/em&gt;, translated by Keith Waldrop with Wang Ping, Iona Crook and Hil Anderson (Burning Deck/Lost Roads, Providence/Barrington, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAMES DICKEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;METAPHOR AS PURE ADVENTURE: A Lecture Delivered at the Library of Congress, December 4, 1967&lt;/em&gt; (speech, Library of Congress, Washington D.C., 1968)&lt;br /&gt;&lt;em&gt;SELF-INTERVIEWS &lt;/em&gt;(Louisiana State University, Baton Rouge, 1994)&lt;br /&gt;&lt;em&gt;Summer of Deliverance: A Memoir of Father and Son &lt;/em&gt;by Christopher Dickey (memoir, Touchstone/Simon and Schuster, New York, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EMILY DICKINSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson&lt;/em&gt;, Edited by Ellen Louise Hart and Martha Nell Smith (biography, Paris Press, Ashfield, Mass., 1998)&lt;br /&gt;&lt;em&gt;POEMS &lt;/em&gt;(Castle Books, New Jersey, 2002)&lt;br /&gt;&lt;em&gt;The Collected Poems of Emily Dickinson&lt;/em&gt; (Barnes and Noble, Inc., New York, 1926, 1993)&lt;br /&gt;&lt;em&gt;A CERTAIN SLANT OF LIGHT&lt;/em&gt; by Cynthia Thayer (novel inspired by Dickinson, St. Martin's Press, New York, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MATTHEW DICKMAN&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;ALL-AMERICAN POEM&lt;/strong&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PATRICIA DIENSTFREY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Love and Illustration&lt;/em&gt; (chap, a+bend press, San Francisco, 2000)&lt;br /&gt;&lt;em&gt;The Woman Without Experiences &lt;/em&gt;(Kelsey Street Press, Berkeley, 1995)&lt;br /&gt;As Co-Editor with BRENDA HILLMAN, &lt;em&gt;The Grand Permission: New Writings on Poetics and Motherhood &lt;/em&gt;(Wesleyan University Press, Middletown, Conn., 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MAROSA DI GIORGIO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE HISTORY OF VIOLETS&lt;/em&gt;, Translated from Spanish by Jeannine Marie Pitas (Ugly Duckling Presse, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OPHELIA ALCANTARA DIMALANTA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LADY POLYESTER: Poems Past &amp; Present&lt;/em&gt; (University of Santo Tomas University Press, Manila, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LINH DINH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AMERICAN TATTS&lt;/em&gt; (Chax Press, Tucson, 2005)&lt;br /&gt;&lt;em&gt;A Small Triumph Over Lassitude &lt;/em&gt;(chap, Leroy Chapbook Series, Oakland, CA, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RAY DI PALMA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GNOSSIENNES &lt;/em&gt;(chap, Seeing Eye Books, Los Angeles, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DIANE DI PRIMA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LOBA &lt;/em&gt;(Penguin, New York, 1973-1998)&lt;br /&gt;&lt;em&gt;Memoirs of a Beatnik&lt;/em&gt; (novel, Penguin, New York, 1988)&lt;br /&gt;&lt;em&gt;Pieces of a Song: Selected Poems &lt;/em&gt;(City Lights, San Francisco, 1990)&lt;br /&gt;&lt;em&gt;Recollections of My Life as a Woman &lt;/em&gt;(memoir, Viking/Penguin, New York, 2001)&lt;br /&gt;&lt;em&gt;SELECTED POEMS 1956-1975 &lt;/em&gt;(North Atlantic Books, Vermont, 1975)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;THOMAS M. DISCH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Castle of Indolence: On Poetry, Poets, and Poetasters&lt;/em&gt; (Picador USA, New York, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHITRA BANERJEE DIVAKARUNI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Leaving Yuba City &lt;/em&gt;(Anchor Books/Doubleday, New York, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JENNIFER KWON DOBBS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Paper Pavilion &lt;/em&gt;(White Pine Press, Buffalo, N.Y., 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEPHEN DOBYNS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BEST WORDS, BEST ORDER: Essays on Poetry &lt;/em&gt;(essays, St. Martins, New York, 1996, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SHARON DOLIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BURN AND DODGE&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;em&gt;Serious Pink&lt;/em&gt; (Marsh Hawk Press, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;C. SILVERIO DOMINGO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Crow With The White-Feathered Wings &lt;/em&gt;(poetry and memoir, Los Angeles Newsday Publishing Co., Los Angeles, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DELIA DOMINGUEZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WOMAN WITHOUT BACKGROUND MUSIC&lt;/em&gt;, Trans. by Roberta Gordenstein with Ed. Marjorie Agosin by (White Pine Press, Buffalo, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSEPH DONAHUE&lt;/strong&gt;&lt;br /&gt;As Co-Editor with LEONARD SCHWARTZ and EDWARD FOSTER, &lt;em&gt;Primary Trouble: An Anthology of Contemporary American Poetry&lt;/em&gt; (Talisman House, Jersey City, 1996)&lt;br /&gt;As Co-Editor with EDWARD FOSTER, &lt;em&gt;The World In Time And Space: Towards A History of Innovative American Poetry In Our Time&lt;/em&gt; (Talisman House, Jersey City, 2001, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN DONNE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Selected Poetry of DONNE&lt;/em&gt;, Edited by Marius Brewley (The New American Library / The Signet Classic Poetry Series, New York et al, 1966)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HILDA "H.D." DOOLITLE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;H.D. Selected Poems&lt;/em&gt;, Edited by Louis L. Martz (New Directions, N.Y., 1925-1988)&lt;br /&gt;&lt;em&gt;HERMETIC DEFINITION &lt;/em&gt;(New Directions, New York, 1958)&lt;br /&gt;&lt;em&gt;HERSELF DEFINED: The Poet H.D. and Her World &lt;/em&gt;by Barbara Guest (biography, Collins, London, 1985)&lt;br /&gt;&lt;em&gt;Notes on Thought and Vision &amp; The Wise Sappho &lt;/em&gt;(City Lights, San Francisco, 1982)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GERI DORAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Resin &lt;/em&gt;(Louisiana State University, Baton Rouge, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ARIEL DORFMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LAST WALTZ IN SANTIAGO and Other Poems of Exile and Disappearance &lt;/em&gt;(Penguin, New York, 1988)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PEARL GAMBOA DOROMAL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Artist: hand and Breath &lt;/em&gt;(Giraffe Books, Quezon City, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHRISTIAN DOTREMONT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Signification &amp; Sinification &lt;/em&gt;(chap reprint of poetics essay re asemic writing, Coromandel Valley Books, no date)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SHARON DOUBIAGO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LOVE ON THE STREETS: SELECTED AND NEW POEMS &lt;/em&gt;(___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RITA DOVE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Selected Poems&lt;/em&gt; (Pantheon, New York, 1993)&lt;br /&gt;&lt;em&gt;SONATA MULATTICA &lt;/em&gt;(Norton, New York, 2009)&lt;br /&gt;As Editor, &lt;em&gt;The Best American Poetry 2000 &lt;/em&gt;(Scribner, New York, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PHILIP DOW&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;19 NEW AMERICAN POETS OF THE GOLDEN GATE&lt;/em&gt; (Harvest/HBJ, San Diego et al, 1984)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRANDON DOWNING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Dark Brandon &lt;/em&gt;(Faux Press, Cambridge, 2005)&lt;br /&gt;&lt;em&gt;DARK BRANDON&lt;/em&gt;, a movie on DVD with production and editing by Brandon Downing, Music by Rahul Dev Burman - Pinky Shale, and starring Robert Bailey, Ron Casella, Jana Klenburg, The Flarf Collective, J.D. Rage, Emily Glen and Madhubala (Grievous Pictures, Astoria, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BUCK DOWNS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;marijuana soft drink&lt;/em&gt; (Edge Books, Washington, D.C., 1993-99)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DENNIS O. DRISCOLL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;REALITY CHECK&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHANNA DRUCKER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Dark Decade&lt;/em&gt; (novel, Detour Press, St. Paul, Minn 1996. 2)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN DRURY&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;The Poetry Dictionary &lt;/em&gt;(Story Press, Cincinnati, OH, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LOUIS DUDEK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Atlantis &lt;/em&gt;(Delta Canada, Montreal, 1967)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DENISE DUHAMEL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;237 More Reasons To Have Sex&lt;/em&gt;, with Sandy McIntosh (Otoliths, Rockhampton, Australia, 2009)&lt;br /&gt;&lt;em&gt;Girl Soldier &lt;/em&gt;(Garden Street Press, Truro, MA, 1996)&lt;br /&gt;&lt;em&gt;KA-CHING!&lt;/em&gt; (University of Pittsburgh Press, Pittsburgh, PA, 2009)&lt;br /&gt;&lt;em&gt;KINKY &lt;/em&gt;(Orchises Press, Alexandria, VA, 1997)&lt;br /&gt;&lt;em&gt;Mille et un sentiments &lt;/em&gt;(Firewheel Editions, Danbury, Conn., 2005)&lt;br /&gt;&lt;em&gt;The Star-Spangled Banner &lt;/em&gt;(Southern Illinois University Press, Carbondale, IL, 1999)&lt;br /&gt;&lt;em&gt;Two and Two &lt;/em&gt;(University of Pittsburgh, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PATRICK JAMES DUNAGAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AFTER THE SINEWS &lt;/em&gt;(chap, Auguste Press, San Francisco, 2005)&lt;br /&gt;&lt;em&gt;EASY EDEN&lt;/em&gt;, with Micah Ballard(chap, PUSH, San Francisco, 2009)&lt;br /&gt;&lt;em&gt;From Chansonniers &lt;/em&gt;(chap, Blue Press, Santa Cruz, 2008)&lt;br /&gt;&lt;em&gt;HER FRIENDS DOWN AT THE FRENCH CAFE HAD NO ENGLISH WORDS FOR ME&lt;/em&gt; (chap, PUSH, San Francisco &amp; New York, 2010)&lt;br /&gt;&lt;em&gt;There Are People Who Think That Painters Shouldn't Talk: A GUSTONBOOK &lt;/em&gt;(The Post-Apollo Press,Sausalito, CA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT DUNCAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Bending the Bow &lt;/em&gt;(New Directions, New York, 1968)&lt;br /&gt;&lt;em&gt;GROUND WORK II In The Dark &lt;/em&gt;(New Directions, New York, 1977-1987)&lt;br /&gt;&lt;em&gt;ROBERT DUNCAN &lt;/em&gt;by Mark Andrew Johnson (biography, Twayne Publishers, Boston, 1988)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEPHEN DUNN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Loosestrife &lt;/em&gt;((Norton, New York, 1996)&lt;br /&gt;&lt;em&gt;Walking Light: Memoirs and Essays on Poetry&lt;/em&gt; (BOA Editions, Rochester, N.Y., 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEPHEN DUNNING&lt;/strong&gt;&lt;br /&gt;As Co-Editor with EDWARD LUEDERS and HUGH SMITH, &lt;em&gt;Reflections on a Gift of Watermelon Pickle...And Other Modern Verse &lt;/em&gt;(illustrated anthology, Scott Foresman and Company, Glenview, IL, 1966)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARCELLA DURAND&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Anatomy of Oil&lt;/em&gt; (Belladonna Books, Brooklyn, N.Y. 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAWRENCE DURRELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Collected Poems 1931-1974&lt;/em&gt; (The Viking Press, New York, 1980)&lt;br /&gt;&lt;em&gt;A Key to Modern British Poetry &lt;/em&gt;(University of Oklahoma Press, Norman, 1952)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JILLY DYBKA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Trouble and Honey &lt;/em&gt;(Bear Shirt Press, Kingston Springs, TN, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEOFFREY DYER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Dirty Halo of Everything &lt;/em&gt;(Krupskaya, San Francisco, 2003)&lt;strong&gt;&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-112130261634466418?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/112130261634466418/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=112130261634466418' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112130261634466418'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112130261634466418'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/07/authors-d.html' title='AUTHORS: D'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-112123220223674720</id><published>2005-06-13T17:06:00.000-07:00</published><updated>2011-11-13T20:50:37.482-08:00</updated><title type='text'>AUTHORS: C</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LUIS CABALQUINTO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Ibalon Collection: Early Poems and New &lt;/em&gt;(Kalikasan Press, Manila, 1991)&lt;br /&gt;&lt;em&gt;The Dog-Eater and Other Poems&lt;/em&gt; (Kalikasan Press, Manila, 1989. 2 copies)&lt;br /&gt;&lt;em&gt;Bridgeable Shores: Selected Poems (1969-2001) &lt;/em&gt;Edited by Eileen Tabios (Kaya Press, New York, 2001. 10-plus copies)&lt;br /&gt;&lt;em&gt;MANNAHATTA MAHAL: COLLECTED EXPATRIATE POEMS &lt;/em&gt;(University of the Philippines Press, Diliman, Quezon City, 2007)&lt;br /&gt;&lt;em&gt;Moon Over Magarao: New &amp; Selected Poems&lt;/em&gt; (The University of the Philippines Press, Quezon City, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AMINA CAIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;I Go To Some Hollow&lt;/em&gt; (TrenchArt: Tracer Series / Les Figures Press, Los Angeles, CA, 2009)&lt;br /&gt;&lt;em&gt;TRENCHART: TRACER SERIES&lt;/em&gt;, aesthetics by Teresa Carmody, Allison Carter, Kim Rosenfield, Amina Cain and Sophie Robinson, with visual art by Susan Simpson and Ken Ehrlich&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CATHLEEN CALBERT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;My Summer as a Bride&lt;/em&gt; (chap, Riverstone, West Chester, PA, 1995) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RAFAEL CAMPO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Poetry of Healing: A Doctor's Education in Empathy, Identity, and Desire &lt;/em&gt;(essays, Norton, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GARRETT CAPLES&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://meritagepress.com/complications.htm"&gt;&lt;em&gt;COMPLICATIONS &lt;/em&gt;&lt;/a&gt;(Meritage Press, 2007. 25-plus copies)&lt;br /&gt;&lt;a href="http://meritagepress.com/er_um.htm"&gt;&lt;em&gt;ER, UM&lt;/em&gt;&lt;/a&gt; with drawings by HU XIN (chap, Meritage Press, 2002. 2-plus copies of regular edition. Deluxe Edition: No. 1 of 10)&lt;br /&gt;&lt;em&gt;The Garrett Caples Reader&lt;/em&gt; (Black Square Editions, New York &amp; Angle Press, San Francisco, 1999)&lt;br /&gt;&lt;em&gt;LIGHT SLEEPER (ELEGY FOR GEORGE HARRISON) &lt;/em&gt;(laminated card with poem, Kolourmeim Press, Oakland, 2002)&lt;br /&gt;&lt;em&gt;SYNTH&lt;/em&gt; (chap, Kolourmeim Press "Grey" edition, Oakland, 2002. Limited special edition chap. No. 6 of 31)&lt;br /&gt;As Editor, &lt;em&gt;TAU by Philip Lamantia and JOURNEY TO THE END by John Hoffman&lt;/em&gt;, Edited by Garrett Caples (City Lights The Pocket Books Series, Number Fifty-Nine, San Francisco, 2008)&lt;br /&gt;&lt;em&gt;QUINTESSENCE OF THE MINOR: Symbolist Poetry in English &lt;/em&gt;(essay chap, Wave Pamphlet One, Seattle, WA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NICK CARBO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Andalusian Dawn &lt;/em&gt;(Cherry Grove Collections, 2004)&lt;br /&gt;&lt;em&gt;CHINESE, JAPANESE, WHAT ARE THESE?&lt;/em&gt; (poetry manuscript, 2008)&lt;br /&gt;&lt;em&gt;El Grupo McDonald's &lt;/em&gt;(Tia Chucha Press, Chicago, 1995)&lt;br /&gt;&lt;em&gt;Running Amok &lt;/em&gt;(chap, Monday's Mango Press, undated, 2 copies)&lt;br /&gt;&lt;em&gt;Secret Asian Man &lt;/em&gt;(Tia Chucha Press, Chicago, 2000)&lt;br /&gt;As Co-Editor with EILEEN TABIOS, &lt;em&gt;Babaylan: An Anthology of Filipina and Filipina-American Writers &lt;/em&gt;(Auntie Lutie Press, San Francisco, 2004. 25-plus copies)&lt;br /&gt;As Editor, &lt;em&gt;Pinoy Poetics: Autobiographical and Critical Writings on Filipino and Filipino American Poetics&lt;/em&gt; (Meritage Press, St Helena and San Francisco, 2004. 25-plus copies)&lt;br /&gt;As Editor, &lt;em&gt;Returning The Borrowed Tongue: An Anthology of Filpino and Filipino American Poetry &lt;/em&gt;(Coffee House Press, Minneapolis, 1995. 2 copies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MACGREGOR CARD&lt;/strong&gt;&lt;br /&gt;As Co-Editor with ANDREW MAXWELL, &lt;em&gt;The Germ &lt;/em&gt;(journal, Santa Cruz, CA, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RIC CARFAGNA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;FRACTUS CORPUS &lt;/em&gt;(sp, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CATALINA CARIAGA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Cultural Evidence &lt;/em&gt;(subpress collective, New York and Honolulu, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MACKENZIE CARIGNAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;&amp; persona&lt;/em&gt;, with photographs by Felicia Ohnmacht (chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PATRICIA CARLIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Original Green &lt;/em&gt;(Marsh Hawk Press, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEVE CARLL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Hamburger &lt;/em&gt;(chap, Tinfish Press, Hawai'i, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CLAUDIA CARLSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Elephant House &lt;/em&gt;(Marsh Hawk Press, New York, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AMY CARMICHAEL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MOUNTAIN BREEZES: The Collected Poems of Amy Carmichael &lt;/em&gt;(Christian Literature Crusade, Pennsylvania, 1999)&lt;br /&gt;&lt;em&gt;A Chance to Die: The Life and Legacy of Amy Carmichael &lt;/em&gt;by Elisabeth Elliot (biography, Revell, Grand Rapids, Mich., 1987)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TERESA CARMODY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TRENCHART: TRACER SERIES&lt;/em&gt;, aesthetics by Teresa Carmody, Allison Carter, Kim Rosenfield, Armida Cain and Sophie Robinson, with visual art by Susan Simpson and Ken Ehrlich (Les Figues Press, Los Angeles, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MAGDA CARNECI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CHAOSMOS&lt;/em&gt;, Trans. by Adam J. Sorkin and Magda Carneci (White Pine Press, Buffalo, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JIM CARROLL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Fear of Dreaming: The Selected Poems &lt;/em&gt;(Penguin, New York, 1993)&lt;br /&gt;&lt;em&gt;FORCED ENTRIES: THE DOWNTOWN DIARIES 1971-1973 &lt;/em&gt;(memoir, Penguin, New York, 1987)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LEWIS CARROLL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Complete Stories and Poems of LEWIS CARROLL&lt;/em&gt;, with illustrations by John Tenniell (Geddes &amp; Grosset, Scotland, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HAYDEN CARRUTH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LETTERS TO JANE&lt;/em&gt; (letters to Jane Kenyon, Ausable Press, Keene, N.Y. 2004)&lt;br /&gt;As Editor, &lt;em&gt;THE VOICE THAT IS GREAT WITHIN US: AMERICAN POETRY OF THE TWENTIETH CENTURY &lt;/em&gt;(anthology, Bantam, 1970)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANNE CARSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DECREATION: Poetry, Essays, Opera &lt;/em&gt;(Knopf, New York, 2005) &lt;br /&gt;&lt;em&gt;Economy of the Unlost&lt;/em&gt; (essays, Princeton University Press, 1999)&lt;br /&gt;&lt;em&gt;Glass, Irony and God&lt;/em&gt; (New Directions, New York, 1992-1995)&lt;br /&gt;&lt;em&gt;Plainwater: Essays and Poetry&lt;/em&gt; (Vintage Books, New York, 1995 and 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALLISON CARTER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Fixed, Formal Arrangement&lt;/em&gt; (Les Figues Press Trenchart: Tracer Series, Los Angeles, 2008)&lt;br /&gt;&lt;em&gt;TRENCHART: TRACER SERIES&lt;/em&gt;, aesthetics by Teresa Carmody, Allison Carter, Kim Rosenfield, Amina Cain and Sophie Robinson, with visual art by Susan Simpson and Ken Ehrlich&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAURA CARTER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AT THE PULSE &lt;/em&gt;(chap, The Greying Ghost Press, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CYRUS CASSELLS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BEAUTIFUL SIGNOR &lt;/em&gt;(Copper Canyon Press, Port Townsend, WA, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBIN CATON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE COLOR OF DUSK&lt;/em&gt; (Omnidawn, Richmond, CA, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;C.P. CAVAFY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;I've Gazed So Much&lt;/em&gt;, translated by George Economou with illustrations by Dieter Hall (Stop Press, London, 2003)&lt;br /&gt;&lt;em&gt;The Complete Poems of Cavafy&lt;/em&gt;, translated by Rae Dalven (A Harvest Book, Harcourt Brace, San Diego, New York and London, 1949-1976)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAUL CELAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Selected Poems and Prose of Paul Celan&lt;/em&gt;, translated by John Felstiner (Norton, New York and London, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VIRGINIA CERENIO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Trespassing Innocence &lt;/em&gt;with photographs by TONY REMINGTON (Kearny Street Workshop Press, San Francisco, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LORNA DEE CERVANTES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DRIVE: THE FIRST QUARTET &lt;/em&gt;(Wings Press, San Antonio, TX. 2006)&lt;br /&gt;&lt;em&gt;[lovely ephemera/correspondence]&lt;/em&gt; (2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AIME CESAIRE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CONDUCTORS OF THE PIT: Major Works by Rimbaud, Vallejo, Cesaire, Artaud, Holan&lt;/em&gt;, Trans. by Clayton Eshleman (Paragon House, New York, 1988)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOEL CHACE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Cleaning The Mirror: Selected and New Poems &lt;/em&gt;(BlazeVOX [books], Buffalo, N.Y., 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SASHA PIMENTEL CHACON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Insides She Swallowed &lt;/em&gt;(West End Press, Alburquerque, NM, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DIANA CHANG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;What Matisse is After: Poems &amp; Drawings &lt;/em&gt;(Contact II Publications, New York, 1984)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JULIANA CHANG&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;QUIET FIRE: A Historical Anthology of Asian American Poetry 1892-1970&lt;/em&gt; (Asian American Writers Workshop, New York, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TINA CHANG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Half-Lit Houses &lt;/em&gt;(Four Way Books, New York, 2004)&lt;br /&gt;As Editor with Nathalie Handal and Ravi Shankar, &lt;em&gt;LANGUAGE FOR A NEW CENTURY: CONTEMPORARY POETRY FROM THE MIDDLE EAST, ASIA AND BEYOND&lt;/em&gt; (Norton, New York, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VICTORIA CHANG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SALVINIA MOLESTA&lt;/em&gt; (___, 2008) &lt;br /&gt;As Editor, &lt;em&gt;ASIAN AMERICAN POETRY: THE NEXT GENERATION&lt;/em&gt; (anthology, Southern Illinois Press, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FRED CHAPPELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A WAY OF HAPPENING: Observations of Contemporary Poetry &lt;/em&gt;(essays, Picador USA, New York, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RENE CHAR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Selected Poems&lt;/em&gt;, Edited by Mary Ann Caws and Tina Jolas (New Directions, New York, 1992)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN CHAVEZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HETEROTOPIA &lt;/em&gt;(chap, Noemi Press, Las Cruces, NM)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHING-IN CHEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE HEART'S TRAFFIC: A NOVEL IN POEMS (&lt;/em&gt;Arktoi Press, Los Angeles, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHRIS CHEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Uncle Chen's Oriental Slapstick &lt;/em&gt;(chap, Incidental Press, San Francisco, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FELIX CHEONG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;I Watch The Stars Go Out &lt;/em&gt;(Ethos Books, Singapore, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MAXINE CHERNOFF&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE TURNING&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;em&gt;UTOPIA TV STORE &lt;/em&gt;(Yellow Press, Chicago, 1969)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GRACE CHIA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Womango &lt;/em&gt;(Rant Books, Singapore, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JUSTIN CHIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LOVE &lt;/em&gt;with LISA ASAGI and R. ZAMORA LINMARK (broadside, art buffalo production, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARILYN CHIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Dwarf Bamboo&lt;/em&gt; (The Greenfield Review Press, Greenfield Center, N.Y. 1987)&lt;br /&gt;&lt;em&gt;Rhapsody in Plain Yellow &lt;/em&gt;(Norton, New York, 2003)&lt;br /&gt;&lt;em&gt;The Phoenix Gone, The Terrace Empty &lt;/em&gt;(Milkweed Editions, Minneapolis, 1994)&lt;br /&gt;As Poetry Editor, &lt;em&gt;DISSIDENT SONG: A Contemporary Asian American Anthology &lt;/em&gt;(poetry and prose, &lt;em&gt;Quarry West&lt;/em&gt;, Porter College, Santa Cruz, CA 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID-BAPTISTE CHIROT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;After Rimbaud's Illuminations &lt;/em&gt;(Tir Aux Pigeons, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NICHOLAS CHRISTOPHER&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;WALK ON THE WILD SIDE: urban American Poetry Since 1975 &lt;/em&gt;(Collier/Macmillan Publishing Co., New York, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FRANCES CHUNG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Crazy Melon and Chinese Apple: The Poems of Frances Chung&lt;/em&gt;, Edited by Walter Lew (Wesleyan University / University Press of New England, Hanover and London, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARTHA CINADER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;When the Body Calls &lt;/em&gt;(Harlem River Press, New York, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SANDRA CISNEROS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Loose Woman&lt;/em&gt; (Alfred Knopf, New York, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEFF CLARK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SUN ON 6&lt;/em&gt; with illustration by JASPER JOHNS (artist book/chap, Z Press, Calais and Vermont, 2000)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Music and Suicide&lt;/em&gt; (Farrar Straus and Giroux, New York, 2004)&lt;br /&gt;&lt;em&gt;The Little Door Slides Back &lt;/em&gt;(Sun &amp; Moon Press, Los Angeles, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KILLARNEY CLARK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WHO WHISPERED NEAR ME &lt;/em&gt;(FSG, New York, 1989)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TOM CLARK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Sleepwalker's Fate: New and Selected Poems 1965-1991&lt;/em&gt; (Black Sparrow, Santa Rosa, 1992)&lt;br /&gt;As Editor, &lt;em&gt;CHARLES OLSON: The Allegory of a Poet's Life &lt;/em&gt;(biography, Norton, New York, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LUCY HARVEST CLARKE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Silveronda &lt;/em&gt;(if p then q classics, Manchester, U.K., 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SALLY CLARKE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;POETS @ KSP&lt;/em&gt;, poems by Mardi May, Jo Mills, Paula Jones, Gail Robinson, Agnes O'Kane, Sally Clarke (chap, Claverton House, Lesmuride Wa, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JENNIFER CLEMENT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;New and Selected Poems &lt;/em&gt;(Shearsman Books, Exeter, U.K., 2008)&lt;br /&gt;&lt;em&gt;WIDOW BASQUIAT &lt;/em&gt;(memoir, Payback Press, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRIAN CLEMENTS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Disappointed Psalms &lt;/em&gt;(Meritage Press, St. Helena and San Francisco, 2008. 10-plus)&lt;br /&gt;&lt;em&gt;Essays Against Ruin &lt;/em&gt;(Texas Review Press, Huntsville, TX, 1997)&lt;br /&gt;As Editor, &lt;em&gt;SENTENCE: A Journal of Prose Poetics&lt;/em&gt;, #1 and #2 (poems and prose, Firewheel Editions, Connecticut (formerly Dallas), 2003 and 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSHUA CLOVER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Madonna anno domini &lt;/em&gt;(Louisiana State University Press, Baton Rouge and London, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WILLIAM CODY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SHADOWING MAN &lt;/em&gt;(chap, Deep Forest, San Francisco, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANDREI CODRESCU&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Disappearance of the Outside: A Manifesto for Escape &lt;/em&gt;(essay, Addison-Wesley Publishing Company, Reading, Mass. et al, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELIZABETH COHEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE FAMILY ON BEARTOWN ROAD: A Memoir of Love and Courage &lt;/em&gt;(Random House, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARCEL COHEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WALLS (ANAMNESES&lt;/em&gt;), Trans. by Brian Evenson &amp; Joanna Howard (Brooklyn Rail/Black Square Editions, Booklyn, N.Y., 1979/2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KATE COLBY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;from A BANNER YEAR &lt;/em&gt;(chap, Belladona Books, Brooklyn, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TODD COLBY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Riot in the Charm Factory: New and Selected Work &lt;/em&gt;(Soft Skull Press, New York, 1999)&lt;br /&gt;&lt;em&gt;Tremble &amp; Shine&lt;/em&gt; (Soft Skull Press, New York, 2004)&lt;br /&gt;&lt;em&gt;FEBRUARY 03&lt;/em&gt;, with Alex Gildzen, Thurston Moore and Matthew Wascovich (Slow Toe (Slow Toe Publications, Cleveland, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BARBARA COLE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;from : ear say&lt;/em&gt; (chap, Belladonna, Brooklyn, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NORMA COLE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Mars &lt;/em&gt;(Listening Chamber, Berkeley, 1994)&lt;br /&gt;&lt;em&gt;SPINOZA IN HER YOUTH &lt;/em&gt;(Omnidawn, Richmond, 2002)&lt;br /&gt;&lt;em&gt;WHERE SHADOWS WILL: SELECTED POEMS 1988-2008 &lt;/em&gt;(City Light Books, San Francisco, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WANDA COLEMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;African Sleeping Sickness: Stories and Poems &lt;/em&gt;(Black Sparrow, Santa Rosa, 1993)&lt;br /&gt;&lt;em&gt;Heavy Daughter Blues: Poems &amp; Stories 1968-1986&lt;/em&gt; (Black Sparrow, Santa Rosa, 1991)&lt;br /&gt;&lt;em&gt;NATIVE IN A STRANGE LAND: TRIALS &amp; TREMORS&lt;/em&gt; (Black Sparrow, Santa Rosa, 1996)&lt;br /&gt;&lt;em&gt;OSTINATO VAMPS &lt;/em&gt;(University of Pittsburgh Press, Pittsburgh, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SAMUEL TAYLOR COLERIDGE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Samuel Taylor Coleridge: A Critical Edition of the Major Works&lt;/em&gt;, Edited by H.J. Jackson (Oxford University Press, 1985)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BILLY COLLINS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Sailing Alone Around The Room: New and Selected Poems&lt;/em&gt; (Harper Collins, New York, 2001. 2)&lt;br /&gt;As Editor, &lt;em&gt;Poetry 180: A Turning Back to Poetry&lt;/em&gt; (Random House, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SHANNA COMPTON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;downspooky &lt;/em&gt;(Winnow Press, Austin, TX, 2005)&lt;br /&gt;&lt;em&gt;For Girls&lt;/em&gt; (&amp; Others) (Bloof Books, 2007)&lt;br /&gt;&lt;em&gt;scurrilous toy &lt;/em&gt;(chap, Dusie, Switzerland, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GILLIAN CONOLEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Lovers in the Used World &lt;/em&gt;(Carnegie Mellon University Press, Pittsburgh, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAMES CONRAD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Making Love to the Minor POets of Chicago &lt;/em&gt;(novel, St. Martin's Press, New York, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CYRUS CONSOLE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BRIEF UNDER WATER&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CLARK COOLIDGE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LOWELL CONNECTOR: Lines &amp; Shots from Kerouac's Town&lt;/em&gt;, with MICHAEL GIZZI and JOHN YAU and photographs by BILL BARRETTE and CELIA COOLIDGE (poems and photographs, Hard Press, Inc., West Stockbridge, MA, 1993)&lt;br /&gt;&lt;em&gt;On the Nameways, Volume II &lt;/em&gt;(The Figures, Great Barrington, MA 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSEPH COOPER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MEMORY / INCISION &lt;/em&gt;(chap, Duesie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WYN COOPER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE WAY BACK&lt;/em&gt; (White Pine Press, Buffalo, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MATTHEW COOPERMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;STILL: OF THE EARTH AS THE ARK WHICH DOES NOT MOVE&lt;/em&gt; (Counterpath Press, Denver, CO, 2011) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CORINA COPP&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Play Air&lt;/em&gt; (chap #69, Belladonna Books, Brooklyn, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WILLIAM CORBETT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PHILIP GUSTON'S LATE WORK: A MEMOIR &lt;/em&gt;(Zoland Books, Cambridge, Mass, 1984) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PHIL CORDELLI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Pines, Volume One&lt;/em&gt; with BRANDON SHIMODA(chap, Pines Press, Ridgefield, Conn., 2005)&lt;br /&gt;&lt;em&gt;The Pines, Volume Two&lt;/em&gt; with BRANDON SHIMODA(chap, Pines Press, Southern California, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSHUA COREY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SELAH &lt;/em&gt;(Barrow Street Press, New York, 2003&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CID CORMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Aegis: Selected Poems 1970-1980&lt;/em&gt; (Station Hill, Barrytown, N.Y., 1983)&lt;br /&gt;&lt;em&gt;Sun Rock Man&lt;/em&gt; (New Directions, New York, 1970)&lt;br /&gt;As Editor, &lt;em&gt;The Granite Pail: The Selected Poems of Lorine Niedecker&lt;/em&gt; (North Point Press, Berkeley, CA 1985)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VERONICA CORPUZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TRI / VIA &lt;/em&gt;with MICHELLE NAKA PIERCE (Erudite Fangs, Boulder, CO and PUB LUSH, Pittsburgh, 2003.  2 copies)&lt;br /&gt;&lt;em&gt;Untitled &lt;/em&gt;(chap #49, Belladonna Books, Brooklyn, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GREGORY CORSO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;An Accidental Autobiography: The Selected Letters of Gregory Corso&lt;/em&gt;, edited by Bill Morgan with Foreword by Patti Smith (New Directions, New York, 2003)&lt;br /&gt;&lt;em&gt;Ginsberg, Burroughs, and Corso in Paris, 1957-1963 &lt;/em&gt; by BARRY MILES (biography, Grove Press, New York, 2000)&lt;br /&gt;&lt;em&gt;Mindfield: New &amp; Selected Poems &lt;/em&gt;(Thunders Mouth Press, New York, 1989)&lt;br /&gt;&lt;em&gt;Unmuzzled Ox Magazine Issue (No. 22, Winter 1981) on Gregory Corso&lt;/em&gt;, Edited by Michael Andre and Erika Rothenberg (Unmuzzled Ox Foundation, New York, 1973, 1975, 1981)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CLAYTON COUCH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Artificial Lure&lt;/em&gt; (chap, effing press, Austin, TX, 2005)&lt;br /&gt;&lt;em&gt;Letters of Resignation &lt;/em&gt;(Moria Poetry, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRENDA COULTAS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Handmade Museum&lt;/em&gt; (Coffeehouse Press, Minneapolis, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SARAH ANNE COX&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Truancy&lt;/em&gt;, with drawings by Paris Cox-Farr (chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HART CRANE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Hart Crane: A Re-Introduction &lt;/em&gt;by Warner Berthoff (criticism, University of Minnesota Press, Minneapolis, 1989)&lt;br /&gt;&lt;em&gt;The Broken Tower: The Life of Hart Crane &lt;/em&gt;by Paul Mariani (biography, Norton, New York and London, 1999)&lt;br /&gt;&lt;em&gt;White Buildings&lt;/em&gt; (Liveright, New York and London, 1926 &amp; 1972)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT CREELEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;FOR LOVE: Poems 1950-1960 &lt;/em&gt;(Scribner's, New York, 1962)&lt;br /&gt;&lt;em&gt;In Company: Robert Creeley's Collaborations&lt;/em&gt;, Co-Edited by Amy Capellazo and Elizabeth Licata (essays, chronological narratives, interviews, visual art reproductions and CD, Castellani Art Museum of Niagara University, Weatherspoon Art Gallery, University of North Carolina at Greensboro, distributed by University of North Carolina Press.  Published in conjuntion with a traveling exhibition curated by Elizabeth Licata to the Castellani Art Museum of Niagara University (1999), New York Public Library (2000), Weatherspoon ARt Gallery, University of North Carolina at Geensboro (2000), The University of South Florida Contemporary Art Museum (2000) and the Green Library, Stanford University (2001))&lt;br /&gt;&lt;em&gt;PRESENCES; A Text for Marisol &lt;/em&gt;(ekphrastic collaboration with MARISOL, Charles Scribner's and Sons, New York, 1976)&lt;br /&gt;&lt;em&gt;ROBERT CREELEY: A BIOGRAPHY &lt;/em&gt;by Ekbert Faas with Maria Trombacco (University Press of New England, 2001  &lt;em&gt;(Note to Self: some points here are disputed by those who know Creeley)&lt;/em&gt;]&lt;br /&gt;&lt;em&gt;TALES OUT OF SCHOOL: SELECTED INTERVIEWS &lt;/em&gt;(Poets on Poetry Series at University of Michigan Press, Ann Arbor, 1993)&lt;br /&gt;&lt;em&gt;THE COLLECTED ESSAYS OF ROBERT CREELEY &lt;/em&gt;(University of California Press, 1989)&lt;br /&gt;&lt;em&gt;WORDS &lt;/em&gt;(Scribner's, New York, 1967)&lt;br /&gt;Article on Robert Therrien, &lt;em&gt;ARTSPACE: A Magazine of Contemporary Art &lt;/em&gt;(May/June 1989)&lt;br /&gt;As Editor, &lt;em&gt;CHARLES OLSON: SELECTED POEMS&lt;/em&gt; (University of California Press, 1993)&lt;br /&gt;As Editor, &lt;em&gt;GEORGE OPPEN: SELECTED POEMS&lt;/em&gt;, (New Directions, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JIM CRENNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DRINKS AT THE STAND-UP TRAGEDY &lt;/em&gt;CLUB (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DEL RAY CROSS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Postcard Poems &lt;/em&gt;with CASSIE LEWIS (chap, Poetry Espresso, Fremont, CA, 2002)&lt;br /&gt;&lt;em&gt;Postcard Poems &lt;/em&gt;with STEPHANIE YOUNG (chap, Poetry Espresso, Fremont, CA, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL CROSS&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;INVOLUNTARY VISION after Akira Kurosawa's Dreams &lt;/em&gt;(Avenue B, Bolinas, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CAROLINE CRUMPACKER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Upon Nostalgia&lt;/em&gt; (Belladonna Chaplet, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANDRES CRISTOBAL CRUZ&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;The Ravens: Selection of Philippine Writing &lt;/em&gt;(anthology of essay,s poems, stories and a play, Philippine Education Co., Inc., Manila, 1980)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VICTOR HERNANDEZ CRUZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;By Lingual Wholes&lt;/em&gt; (Momo's Press, San Francisco, 1982)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MAIRYM CRUZ-BERNAL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ON HER FACE THE LIGHT OF LA LUNA&lt;/em&gt; (Provincetown Arts Press, Provincetown, MA, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRIAN CULHANE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE KING'S QUESTION&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;e.e. cummings&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Dreams In The Mirror &lt;/em&gt;by Richard S. Kennedy (biography, Liveright, New York and London, 1980)&lt;br /&gt;&lt;em&gt;Selected Poems E.E. Cummings &lt;/em&gt;edited by Richard S. Kennedy (Liveright, New York and London, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAMES CUMMINS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Whole Truth &lt;/em&gt;(North Point Press, San Francisco, 1986)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRENT CUNNINGHAM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Bird &amp; Forest&lt;/em&gt; (Ugly Duckling Presse, Brooklyn, N.Y. 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL CUNNINGHAM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LAND'S END: a walk in provincetown &lt;/em&gt;(Travelogue, Crown Journeys, New York, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MA. ASSUNTA C. CUYEGKENG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SALAMIN &lt;/em&gt;(Anvil, Manila, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TINA CUYUGAN&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;FORBIDDEN FRUIT: Women Write the Erotic &lt;/em&gt;(poetry and prose anthology, Anvil Publishing, Pasig City, 1992)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GARIN CYCHOLL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Rafetown Georgics &lt;/em&gt;(Cracked Slab Books, Chicago, 2008)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-112123220223674720?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/112123220223674720/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=112123220223674720' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112123220223674720'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112123220223674720'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/07/authors-c.html' title='AUTHORS: C'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-112115402628918486</id><published>2005-06-12T06:50:00.000-07:00</published><updated>2011-11-26T17:46:32.168-08:00</updated><title type='text'>AUTHORS: B</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JIMMY SANTIAGO BACA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Immigrants in Our Own Land &amp; Selected Early Poems&lt;/em&gt; (New Directions, New York, 1977-1990)&lt;br /&gt;&lt;em&gt;A Place to Stand&lt;/em&gt; (memoir, Grove Press, New York, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALAN BAKER&lt;/strong&gt;&lt;br /&gt;As Translator, &lt;em&gt;THE BEGINNING AND END OF THE SNOW&lt;/em&gt; by Yves Bonnefoy (chap, Leafe Press / Bamboo Books, Nottingham U.K. / Culver City, CA, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANDREA BAKER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Like Wind Loves A Window &lt;/em&gt;(Slope Editions, Buffalo, New York, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ED BAKER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BUTCHER OF OXEN and other poems &lt;/em&gt;(Doxie Press, Silver Springs, MD, 1970)&lt;br /&gt;&lt;em&gt;Face Turned to the South / Face Turned to the Wall &lt;/em&gt;(broadside, Red Ochre Press, Takoma Park, MD, 1973, 2000)&lt;br /&gt;&lt;em&gt;STONE GIRL E-PIC&lt;/em&gt; (Leafe Press, Nottingham, England and Claremont, CA, 2011)&lt;br /&gt;&lt;em&gt;What's A Phantasy&lt;/em&gt; (broadside, Red Ochre Press, Takoma Park, MD, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NED BALBO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Trials of Edgar Poe and Other Poems&lt;/em&gt; (Story Line Press, West Chester, PA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICAH BALLARD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;EASY EDEN&lt;/em&gt;, with Patrick James Dunagan (chap, PUSH, San Francisco, 2009)&lt;br /&gt;&lt;em&gt;WAIFS AND STRAYS &lt;/em&gt;(City Lights, San Francisco, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANNY BALLARDINI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Ghost Dance in 33 Movements &lt;/em&gt;(Otoliths, Rockhampton, Australia, 2009)&lt;br /&gt;&lt;em&gt;Opening and Closing Numbers&lt;/em&gt; (Moria Books, Chicago, 2005)&lt;br /&gt;As Translator, &lt;em&gt;MARIA MORGANTI: STORIA DI UN QUADRO (HISTORY OF A PAINTING) CON UNA POESIA DI (WITH A POEM BY) BARRY SCHWABSKY&lt;/em&gt;, (Barbara Behan Contemporary ARt London &amp; Edizioni Corraini, Italy, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LEE BALLENTINE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Phase Language&lt;/em&gt; (Pantograph Press, Berkeley, 1995)&lt;br /&gt;As Editor, &lt;em&gt;UR-VOX: Journal of the Underlying Voice&lt;/em&gt;, Volumes One, Two and Three (journal, Denver, CO)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID BARATIER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ESTRELLA'S PROPHECIES 2&lt;/em&gt; (chap, Extant/Anabasis, Charlottesville, VA, 2002)&lt;br /&gt;&lt;em&gt;ESTRELLA'S PROPHECIES III &lt;/em&gt;(chap, Luna Bisonte Prods, Columbus, OH, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALIKI BARNSTONE&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;Voices of Light: Spiritual and Visionary POems by Women Around the World from Ancient Sumeria to Now &lt;/em&gt;(Shambhala, Boston and London, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DENNIS BARONE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Separate Objects &lt;/em&gt;(Left Hand Books, 1998)&lt;br /&gt;&lt;em&gt;The Returns &lt;/em&gt;(Sun &amp; Moon Press, Los Angeles, 1996)&lt;br /&gt;&lt;em&gt;Temple of the Rat &lt;/em&gt;(novella, Left Hand Books, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RICK BAROT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Darker Fall&lt;/em&gt; (Sarabande Books, Louisville, KY, 2002)&lt;br /&gt;&lt;em&gt;WANT&lt;/em&gt; (___, 2008) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JIM BARTON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;FOR THE ANIMALS WHO MISSED THE ARK&lt;/em&gt; (___, 2008) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MATSUO BASHO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;NARROW ROAD TO THE INTERIOR&lt;/em&gt;, Trans. by Sam Hamill (Shambhala Centaur Editions, Boston &amp; London, 1991)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL BASINSKI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;All My Eggs Are Broken &lt;/em&gt;(BlazeVOX Books, Buffalo, N.Y., 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHARLES BAUDELAIRE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Flowers of Evil and Other Works / Les Fleurs Du Mal Et Oeuvres Choisies: A Dual-language Book&lt;/em&gt;, edited and translated by Wallace Fowlie (Bantam Books, N.Y., 1963, 1964)&lt;br /&gt;&lt;em&gt;The Flowers of Evil &amp; Paris Sleep&lt;/em&gt;, trans. by William H. Crosby (BOA Editions, N.Y. 1991)&lt;br /&gt;&lt;em&gt;Letters from His Youth&lt;/em&gt;, trans. by Simona Morini and Frederic Tuten (letters, Doubleday, Garden City, N.Y. 1970)&lt;br /&gt;&lt;em&gt;Selected Letters of Charles Baudelaire: The Conquest of Solitude&lt;/em&gt;, trans. and edited by Rosemary Lloyd (University of Chicago Press, 1986)&lt;br /&gt;&lt;em&gt;Twenty Prose Poems&lt;/em&gt;, trans. by Michael Hamburger (City Lights Books, San Francisco, 1988)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ERICA BAUM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Dog Ear &lt;/em&gt;(Ugly Duckling Presse, Brooklyn, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JILL P. BAUMGAERTNER&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;POETRY &lt;/em&gt;(college-age anthology, Harcourt Brace Jovanovich, San Diego et al, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHELLE BAUTISTA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Kali's Blade&lt;/em&gt; (Meritage Press, 2006, 2-plus)&lt;br /&gt;&lt;em&gt;My Life As A Duwende&lt;/em&gt; (chap, Bautista Consulting, Oakland, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELLEN BAXT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Analfabeto / An Alphabet &lt;/em&gt;(Shearsman Books, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SANDRA BEASLEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THEORIES OF FALLING&lt;/em&gt;  (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JAN BEATTY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;RED SUGAR&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;derek beaulieu&lt;/strong&gt;&lt;em&gt;FRACTAL ECONOMIES &lt;/em&gt;(Talon Books,Vancouver, 2006)&lt;br /&gt;As Mng. Editor, &lt;em&gt;Filling Station Issue 36&lt;/em&gt;, Canada)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BEAU BEAUSOLEIL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Concealed In&lt;/em&gt; (Night Crane Press, Emeryville, CA, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TOM BECKETT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Hay(na)ku for Haiti &lt;/em&gt;(&lt;a href="http://meritagepress.blogspot.com/2010/02/haynaku-for-haiti.html"&gt;Hay(na)ku for Haiti &lt;/a&gt;booklet, Open Palm Press / Meritage Press, San Francisco &amp; St. Helena, 2010)&lt;br /&gt;&lt;em&gt;HOW SAY&lt;/em&gt; (broadside, Backwoods Broadsides, Maine, 2002)&lt;br /&gt;&lt;em&gt;Invisible Aria&lt;/em&gt; (chap, Burning Press, Cleveland, 1990. 2 copies)&lt;br /&gt;&lt;em&gt;SOLUBLE SENSES CENSUS &lt;/em&gt;(chap, Tonsure Press, Atwater, OH, 1984)&lt;br /&gt;&lt;em&gt;STEPS: A Notebook&lt;/em&gt; (Meritage Press "Tiny Book", San Francisco &amp; St. Helena, 2007)&lt;br /&gt;&lt;em&gt;This Poem/What Speaks?/A Day &lt;/em&gt;(Otoliths, 2008. 2)&lt;br /&gt;&lt;em&gt;UNPROTECTED TEXTS: Selected Poems (1978-2006)&lt;/em&gt; (Meritage Press, San Francisco &amp; St. Helena, 2006)&lt;br /&gt;&lt;em&gt;Vanishing Points of Resemblance &lt;/em&gt;(chap, Generator Press, Cleveland, 2004)&lt;br /&gt;As Editor, &lt;em&gt;The Difficulties: David Bromige Issue&lt;/em&gt; (journal, &lt;em&gt;The Difficulties Vol. 3, No. 1&lt;/em&gt;, Viscerally Press, Kent, OH, 1987)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSHUA BECKMAN&lt;/strong&gt;&lt;br /&gt;As Translator, &lt;em&gt;POKER &lt;/em&gt;by Tomaz Salamun (Ugly Duckling Presse, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HUGH BEHM-STEINBERG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A BOOK OF DAYS, PT. 1: SORCERY, FEBRUARY 1-MAY 31&lt;/em&gt;, with design by Mary Behm-Steinberg (chap, Dusie, 2007)&lt;br /&gt;&lt;em&gt;SHY GREEN FIELDS &lt;/em&gt;(No Tell Books, Reston, VA, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LYNN BEHRENDT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ACQUIESCENCE &lt;/em&gt;(chap / book art, Dusie, Switzerland, 2011)&lt;br /&gt;&lt;em&gt;Luminous Flux &lt;/em&gt;(Lines Chapbooks, Red Hook, N.Y., 2009)&lt;br /&gt;&lt;em&gt;petals, emblems &lt;/em&gt;(Lunar Chandelier, Brooklyn, N.Y., 2010)&lt;br /&gt;&lt;em&gt;This is the Story of Things that Happened&lt;/em&gt; (chap, Dusie, Switzerland, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JIM BEHRLE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;City Point&lt;/em&gt; (chap, Pressed Wafer, Boston, 2000)&lt;br /&gt;&lt;em&gt;Poems &lt;/em&gt;with FRED MOTEN (chap, Pressed Wafer, Boston, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DODIE BELLAMY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Real: The Letters of Mina Harker and Sam D'Allesandro&lt;/em&gt; (prose, Talisman House, N.J., 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARTINE BELLEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Vulnerability of Order&lt;/em&gt; (Copper Canyon Press, Port Townsend, WA, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALEXANDRA BELLER&lt;/strong&gt;&lt;em&gt;Body of Words: Performance Texts&lt;/em&gt;, with Sally Silvers, Lauren Nicole Nixon, and Rosamond S. King (Belladonna #129, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GIOCONDA BELLI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE COUNTRY UNDER MY SKIN: A MEMOIR OF LOVE AND WAR&lt;/em&gt; (Anchor, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAN BELLM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PRACTICE &lt;/em&gt;(___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AARON BELZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LOVELY, RASPBERRY POEMS &lt;/em&gt;(Persea, New York, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARIA M. BENET&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Mapmaker of Absences&lt;/em&gt; (Sixteen Rivers Press, Ssan Francisco, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOE BENEVENTO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HOLDING ON&lt;/em&gt; (Warthog Press, West Orange, N.J., 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEN BENKA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Revisioning of the Preamble to the Constitution of the United States of America &lt;/em&gt;(chap #51, Belladonna Books, Brooklyn, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN M. BENNETT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LA VISTA GANCHA &lt;/em&gt;(chap, Spanish, Luna Bisonte Prods, Columbus, OH, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CARA BENSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;(made) &lt;/em&gt;Book Thug (Toronto, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEVE BENSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE GRAND PIANO, Part 1: An Experiment in Collective Autobiography&lt;/em&gt;, with Bob Perelman, Barrett Watten, Carla Harryman, Tom Mandel, Ron Silliman, Kit Robinson, Lyn Hejinian, Rae Armantrout, &amp; Ted Pearson (Mode A, Detroit, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROY BENTLEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE TROUBLE WITH A SHORT HORSE IN MONTANA&lt;/em&gt; (White Pine Press, Buffalo, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEPHEN BERG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Porno Diva Numero Uno&lt;/em&gt; (Hard Pressed Inc., West Stockbridge, MA, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JACQUELINE BERGER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Gift That Arrives Broken&lt;/em&gt; (Autumn House Press, Pittsburgh, PA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BILL BERKSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Portrait and Dream: New and Selected Poems &lt;/em&gt;(Coffee House Press, Minneapolis, 2009)&lt;br /&gt;&lt;em&gt;SERENADE&lt;/em&gt;, with drawings by JOE BRAINARD (Zoland Books, Cambridge, MA, 2000)&lt;br /&gt;&lt;em&gt;WHAT'S YOUR IDEA OF A GOOD TIME&lt;/em&gt;, correspondences with Bernadette Mayer (Tuumba Press, 2006)&lt;br /&gt;&lt;em&gt;For the Ordinary Artist: Short Reviews, Occasional Pieces &amp; More &lt;/em&gt;(BlazeVOX [books], Buffalo, N.Y., 2010)&lt;br /&gt;As Editor, &lt;em&gt;FRANK O'HARA: WHAT'S WITH MODERN ART? Selected Short Reviews &amp; Other Art Writings&lt;/em&gt; (Mike &amp; Dale's Press, Austin, 1999)&lt;br /&gt;As Editor with Joe LeSueur, &lt;em&gt;HOMAGE TO FRANK O'HARA&lt;/em&gt; (Creative Arts Book Company, Berkeley, 1980)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CAROLE BERNSTEIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Familiar &lt;/em&gt;(Hanging Loose Press, Brooklyn, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHARLES BERNSTEIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ALL THE WHISKEY IN HEAVEN: SELECTED POEMS &lt;/em&gt;(Farrar Straus &amp; Giroux, New York, 2010)&lt;br /&gt;&lt;em&gt;Close Listening: Poetry and the Performed Word&lt;/em&gt; edited by C.B. (Oxford University Press, New York and Oxford, 1998)&lt;br /&gt;&lt;em&gt;Islets / Irritations&lt;/em&gt; (Roof, New York, 1983 and 1992)&lt;br /&gt;&lt;em&gt;My Way: Speeches and Poems&lt;/em&gt; (University of Chicago Press, 1999)&lt;br /&gt;&lt;em&gt;The Nude Formalism&lt;/em&gt;, with Susan Bee (chap, 20 Pages, a division of Sun and Moon, Los Angeles, 1989)&lt;br /&gt;As Curator with JAY SANDERS, &lt;em&gt;POETRY PLASTIQUE &lt;/em&gt;(Marianne Boesky Gallery and Granary Books, Inc., New York, 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANSELM BERRIGAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Integrity &amp; Dramatic Life&lt;/em&gt; (Edge, Washington D.C., 1999)&lt;br /&gt;&lt;em&gt;Zero Star Hotel&lt;/em&gt; (Edge, Washington D.C., 2002)&lt;br /&gt;&lt;em&gt;FREE CELL&lt;/em&gt; (City Lights Spotlight NO. 2, San Francisco, CA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EDMUND BERRIGAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Disarming Matter&lt;/em&gt; (The Owl Press, Woodacre, CA, 1999)&lt;br /&gt;&lt;em&gt;glad stone children &lt;/em&gt;(Farfalla Press / McMillan &amp; Parrish, New York and Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TED BERRIGAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;On The Level Everyday: Selected Talks on Poetry and the Art of Living&lt;/em&gt;, edited by Joel Lewis (Talisman House, New Jersey, 1997)&lt;br /&gt;&lt;em&gt;Selected Poems&lt;/em&gt;, edited by Aram Saroyan (Penguin Books, New York, 1994)&lt;em&gt;TED: A Personal Memoir of Ted Berrigan &lt;/em&gt;by Ron Padgett (memoir, The Figures, Great Barrington, Mass, 1993)&lt;br /&gt;&lt;em&gt;THE COLLECTED POEMS OF TED BERRIGAN&lt;/em&gt;, edited by Alice Notley, Anselm Berrigan, Edmund Berrigan (University of California Press, 2005)&lt;br /&gt;&lt;em&gt;Dear Sandy, Hello: Letters from Ted to Sandy Berrigan&lt;/em&gt;, Eds. Sandy Berrigan and Ron Padgett (Coffee House Press, Minneapolis, Minn., 2010) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WENDELL BERRY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Continuous Harmony: Essays Cultural and Agricultural &lt;/em&gt;(Harvest/HBJ, New York and London, 1970)&lt;br /&gt;&lt;em&gt;Standing by Words &lt;/em&gt;(essays, Shoemaker and Hoard, Washington, D.C., 1983)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN BERRYMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DREAM SONG: The Life of John Berryman &lt;/em&gt;by Paul Mariani (biography, William Morrow, New York, 1990)&lt;br /&gt;&lt;em&gt;POETS IN THEIR YOUTH: JOHN BERRYMAN, ROBERT LOWELL, RANDALL JARRELL, DELMORE SCHWARTZ, THEODORE ROETHKE AND DYLAN THOMAS &lt;/em&gt;by Eileen Simpson (memoir, The Noonday Press / Farrar Straus and Giroux, New York, 1990)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MEI-MEI BERSSENBRUGGE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Audience (in progress)&lt;/em&gt; (chap #8, Belladonna Books/Boog Literature, New York, 2000)&lt;br /&gt;&lt;em&gt;BEAUTY &lt;/em&gt;with MYUNG MI KIM's &lt;em&gt;COSMOGRAPHY &lt;/em&gt;(chap, Minnesota Center for Book Arts, 1996)&lt;br /&gt;&lt;em&gt;Empathy &lt;/em&gt;(Station Hill Press, New York, 1989)&lt;br /&gt;&lt;em&gt;Endocrinology &lt;/em&gt;with art by KIKI SMITH (Kelsey Street Press, Berkeley, 1998. 1 copy plus 1 copy of Limited Edition with a signed print by Kiki Smith, 1997)&lt;br /&gt;&lt;em&gt;Four Year Old Girl &lt;/em&gt;(Kelsey Street Press, Berkeley, 1998. 1 copy plus 1 copy of Limited Edition with a signed print by Richard Tuttle)&lt;br /&gt;&lt;em&gt;I Love Artists: New and Selected Poems &lt;/em&gt;(New California Poetry, University of California Press, 2006)&lt;br /&gt;&lt;em&gt;MIZU &lt;/em&gt;(artist edition book, Chax Press, Tucson, 1990)&lt;br /&gt;&lt;em&gt;NEST &lt;/em&gt;(Kelsey Street Press, Berkeley, 2003)&lt;br /&gt;&lt;em&gt;Pack Rat Sieve &lt;/em&gt;(chap, Contact II, New York, 1983)&lt;br /&gt;&lt;em&gt;Sphericity &lt;/em&gt;(Kelsey Street Press, Berkeley. 1 copy plus 1 copy of Limited Edition with a signed print by Richard Tuttle)&lt;br /&gt;&lt;em&gt;Summits Move with the Tide: Poems and a Play &lt;/em&gt;(The Greenfield Review Press, Greenfield Center, N.Y., 1974 and 1982)&lt;br /&gt;&lt;em&gt;The Heat Bird &lt;/em&gt;(Burning Deck, Providence, R.I., 1983)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JEN BERVIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;NETS &lt;/em&gt;(Ugly Duckling Presse, Brooklyn, N.Y., 2004. 2)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JILL BIALOSKY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE END OF DESIRE &lt;/em&gt;(Knopf, New York, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RAYMOND BIANCHI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;IMMEDIATE EMPIRE&lt;/em&gt;, with visual art by Waltraud Haas (i.e. press, Los Angeles, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MIKE L. BIGORNIA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Love's a Vice / Bisyo ang Pag-ibig&lt;/em&gt;, Translated by Alfred A. Yuson (National Library of the Philippines, Manila, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEORGE BILGERE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The White Museum&lt;/em&gt; (Autumn House Press, Pittsburgh, PA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MATTHEW BINGHAM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;JUST GIVE ME BORSCHT: From Siberia with Love&lt;/em&gt; (memoir with poems, iUniverse, Inc., New York, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELIZABETH BISHOP&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Collected Prose&lt;/em&gt; (Noonday/FSG, New York, 1984)&lt;br /&gt;&lt;em&gt;ELIZABETH BISHOP: Life and the Memory of It &lt;/em&gt;by Brett C. Miller (biography, University of California Press, Oxford, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EUGENIE BISULCO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Looking for Mrs. Empty &lt;/em&gt;(chap, Argonne Hotel Press, Washington D.C., 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROSE BLACK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CHAPTER AND VERSE: POEMS OF JEWISH IDENTITY&lt;/em&gt;, As Editor with Sim Warkov, Margaret Kaufman, Melanie Maier &amp; Susan Terris (Conflux Press, Prescott, AZ, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STAR BLACK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;October for Idas &lt;/em&gt;(Painted Leaf Press, New York, 1997)&lt;br /&gt;&lt;em&gt;STIGMATA ERRATA ETCETERA&lt;/em&gt;, poems by Bill Knott &amp; collages by Star Black (Saturnalia, Philadelphia, 2007)&lt;br /&gt;&lt;em&gt;Waterworn &lt;/em&gt;(A Gathering of the Tribes / Fly By Night Press, New York, 1995)&lt;br /&gt;As Co-Editor with DAVID LEHMAN, &lt;em&gt;The KGB Bar Book of Poems &lt;/em&gt;(HarperCollins, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PETER BLAIR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Farang &lt;/em&gt;(Autumn House Press, Pittsburgh, PA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LORNA KNOWLES BLAKE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PERMANENT ADDRESS &lt;/em&gt;(___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WILLIAM BLAKE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Selected Poems &lt;/em&gt;(Gramery Books/Random House,New York, 1995)&lt;br /&gt;&lt;em&gt;Songs of Innocence and of Experience&lt;/em&gt;, Edited by Andrew Lincoln (The Illuminated Books Series, The William Blake Trust/Princeton University Press, 1991)&lt;br /&gt;&lt;em&gt;The Essential BLAKE: The Major Poems of a Visionary Poet&lt;/em&gt;, selected by Stanley Kunitz (MJF Books, New York, 1987)&lt;br /&gt;&lt;em&gt;BURNING BRIGHT&lt;/em&gt;, novel based on William Blake's life by Tracy Chevalier&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DIANN BLAKELY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CITIES OF FLESH AND THE DEAD&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALBERTO BLANCO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DAWN OF THE SENSES: Selected Poems of Alberto Blanco&lt;/em&gt;, edited by Juvenal Acosta (City Lights Books, San Francisco, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBIN BLASER&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;THE COLLECTED BOOKS OF JACK SPICER&lt;/em&gt; (Black Sparrow, Santa Rosa, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHANA BLOCH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BLOOD HONEY &lt;/em&gt;(Autumn House Press, Pittsburgh, PA, 2010)&lt;br /&gt;As translator with Chana Kronfeld, &lt;em&gt;Open Closed Open &lt;/em&gt;by Yehuda Amichai (Harvest / Harcourt, New York et al)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HAROLD BLOOM&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;The Best of the Best American Poetry &lt;/em&gt;(Scribner, New York, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LI BLOOM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;radish &lt;/em&gt;(iUniverse Inc., New York, Lincoln, Shanghai, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN BLOOMBERG-RISSMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;2ND NOTICE OF MODIFICATIONS TO TEXT OF PROPOSED REGULATIONS&lt;/em&gt; (Laughing Ouch Cube Publications / Leafe Press, Notingham, U.K. and Claremont, CA, 2010)&lt;br /&gt;&lt;em&gt;After René Depestre’s “My Definition of Poetry”, as translated by Edwidge Danticat, with lines at the end by Lafcadio Hearn&lt;/em&gt; (&lt;a href="http://meritagepress.blogspot.com/2010/02/haynaku-for-haiti.html"&gt;Hay(na)ku for Haiti &lt;/a&gt;booklet, Open Palm Press / Meritage Press, San Francisco &amp; St. Helena, 2010)&lt;br /&gt;&lt;em&gt;Flux, Clot &amp; Froth, Vol. 1&lt;/em&gt; (Poems) (Meritage Press, St. Helena &amp; San Francisco, CA, 2010)&lt;br /&gt;&lt;em&gt;Flux, Clot &amp; Froth, Vol. 2&lt;/em&gt; (Apparatus) (Meritage Press, St. Helena &amp; San Francisco, CA, 2010)&lt;br /&gt;&lt;em&gt;No Sounds of My Own Making &lt;/em&gt;(Leafe Press, Nottingham U.K., 2007)&lt;br /&gt;&lt;em&gt;Nothing Whispering Here&lt;/em&gt; (Bamboo Books, Culver City, 2003)&lt;br /&gt;&lt;em&gt;Only More Burning&lt;/em&gt; (The Rhymin' Bastard Press, Culver City, 2002)&lt;br /&gt;&lt;em&gt;OTAGES &lt;/em&gt;(chap, Bamboo Books, Culver City, CA, 2006)&lt;br /&gt;&lt;em&gt;The Beautiful Distractions&lt;/em&gt; (Bamboo Books, Culver City, 2004)&lt;br /&gt;&lt;em&gt;T to C: SUN&lt;/em&gt; (fabled print-out edition of 1/1, printed out 2006)&lt;br /&gt;&lt;em&gt;Under the Miracle Bridge Flows the Sand &lt;/em&gt;(Bamboo Books, Culver City, 2006)&lt;br /&gt;&lt;em&gt;When Real Was My Favorite Word: Selected Poems&lt;/em&gt; (J&amp;K Productions, Riverside, 2001)&lt;br /&gt;&lt;em&gt;World Zerp &lt;/em&gt;(chap, Leafe Press &amp; Bamboo Books, Nottingham, U.K. &amp; Culver City, CA, 2007)&lt;br /&gt;&lt;em&gt;Zeitgeist Spam&lt;/em&gt; (Bamboo Books, Culver City, 2005)&lt;br /&gt;As Editor, &lt;a href="http://www.leafepress.com/catalog/girlsinging/thousandviews.html"&gt;&lt;strong&gt;&lt;em&gt;1,000 Views of Girl Singing &lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;(Leafe Press, U.K., 2010. 4 copies)&lt;br /&gt;As Co-curator with Ivy Alvarez, Ernesto Priego &amp; Eileen Tabios, &lt;em&gt;THE CHAINED HAY(NA)KU ANTHOLOGY &lt;/em&gt;(Meritage Press, St. Helena and San Francisco, 2010. 2 copies)   &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSHUA BLUM&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;The United States of Poetry&lt;/em&gt;, with BOB HOLMAN and MARK PELLINGTON (Harry Abrams, Inc., New York, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT BLY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Light Around The Body&lt;/em&gt; (Harper and Row, New York et al, 1967)&lt;br /&gt;&lt;em&gt;What Have I Ever Lost By Dying&lt;/em&gt; (HarperCollins, New York, 1992)&lt;br /&gt;&lt;em&gt;LEAPING POETRY: An Idea with Poems and Translations&lt;/em&gt;, chosen by Robert Bly (poetry and criticism, Beacon Press, Boston, 1975)&lt;br /&gt;As Translator, &lt;em&gt;The Kabir Book: Forty-Four of the Ecstatic Poems of Kabir&lt;/em&gt; (Beacon Press, Boston, 1971)&lt;br /&gt;As Translator, &lt;em&gt;MIRABAI: Ecstatic Poems&lt;/em&gt;, Versions (translated) by Robert Bly and Jane Hirshfield (Beacon Press, Boston, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LOUISE BOGAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LOUISE BOGAN: A Portrait &lt;/em&gt;by Elizabeth Frank (biography, Columbia University Press, New York, 1986)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAULA BOHINCE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;INCIDENT AT THE EDGE OF BAYONET WOODS&lt;/em&gt;  (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHRISTIAN BOK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;'Pataphysics: The Poetics of an Imaginary Science &lt;/em&gt;(poetics prose, Northeastern University Press, Evanston, IL, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EAVAN BOLAND&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;IN A TIME OF VIOLENCE &lt;/em&gt;(W.W. Norton, New York, 1994)&lt;br /&gt;&lt;em&gt;OBJECT LESSONS: The Life of the Woman and the Poet in our Time &lt;/em&gt;(autobiography, W.W. Norton, New York, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERTO BOLANO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Romantic Dogs&lt;/em&gt;, Trans. by Laura Healy (New Directions, N.Y., 2006; Trans. 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;YVES BONNEFOY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE CURVED PLANKS: POEMS, A BILINGUAL EDITION&lt;/em&gt;, Trans. by Hoyt Rogers (FSG, New York, 2011)&lt;br /&gt;&lt;em&gt;THE BEGINNING AND END OF THE SNOW&lt;/em&gt;, Trans. by Alan Baker (chap, Leafe Press / Bamboo Books, Nottingham U.K. / Culver City, CA, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAULA BONNELL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AIRS &amp; VOICES&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOE BONOMO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;INSTALLATIONS&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AMICK BOONE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Notes From Outside Sources &lt;/em&gt;(chap, Sea Lamb Press, San Francisco, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JORGE LUIS BORGES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BORGES: A READER (A Selection from the Writings of Jorge Luis Borges)&lt;/em&gt; edited by Emir Rodriguez Monegal and Alastair Reid (E.P. Dutton, New York, 1981)&lt;br /&gt;&lt;em&gt;JORGE LUIS BORGES: Conversations&lt;/em&gt; edited by Richard Burgin (University Press of Mississippi, Jackson, 1998)&lt;br /&gt;&lt;em&gt;Jorge Luis Borges: Selected Non-Fictions&lt;/em&gt;, edited by Eliot Weinberger and translated by Esther Allen, Suzanne Jill Levine, and Elioit Weinberger (Viking, New York, 1999)&lt;br /&gt;&lt;em&gt;Jorge Luis Borges: Selected Poems&lt;/em&gt;, edited by Alexander Coleman (Viking, New York, 1999)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARIANNE BORUCH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GRACE, FALLEN FROM&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAURE-ANNE BOSSELAAR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Small Gods of Grief &lt;/em&gt;(BOA Editions, Rochester, N.Y. 2001)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JENNY BOULLY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;[one love affair]*&lt;/em&gt; (Tarpaulin Press, Brooklyn, 2006)&lt;br /&gt;&lt;em&gt;THE BODY AN ESSAY &lt;/em&gt;(Essay Press, Athens, OH, 2002, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KRISTY BOWEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;brief history of girl as match &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;em&gt;FEIGN &lt;/em&gt;(chap, New Michigan Press, Grand Rapids, MI, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEORGE BOWERING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;George Bowering Selected: Poems 1961-1992&lt;/em&gt;, edited by Roy Miki (McLelland and Stewart, Inc., Toronto, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EDGAR BOWERS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;COLLECTED POEMS &lt;/em&gt;(Knopf, New York, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANNE BOYER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Selected Dreams with a Note on Phrenology &lt;/em&gt;(chap by Anne Boyer, Dusie, 2007)&lt;br /&gt;&lt;em&gt;The Romance of Happy Workers &lt;/em&gt;(Coffee House Press, Minneapolis, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JULES BOYKOFF&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GRINGOSTROIKA &lt;/em&gt;(wee chap, Dusie, 2006)&lt;br /&gt;&lt;em&gt;the slow motion underneath &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KAY BOYLE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Words That Must Somehow Be Said: Selected Essays&lt;/em&gt;, edited by Elizabeth S. Bell (North Point Press, San Francisco, 1985. 2)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JESSICA BOZEK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;cor-re-spon-dence&lt;/em&gt;, with typography by Eli Queen (chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANA BOZICEVIC&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;War on a Lunchbreak&lt;/em&gt; (Belladonna Chaplet, Brooklyn, 2011)&lt;br /&gt;&lt;em&gt;THE STARS ON THE 7:18 TO PENN &lt;/em&gt;(chap, Dusie &amp; Ellectrique Press, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEORGE BRADLEY&lt;/strong&gt; &lt;br /&gt;&lt;em&gt;Terms to Be Met &lt;/em&gt;[Yale, New Haven, 1986]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANNE BRADSTREET&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MISTRESS BRADSTREET: The Untold Life of America's First Poet&lt;/em&gt;, biography by Charlotte Gordon (Litte Brown &amp; Co., New York and Boston, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TAYLOR BRADY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;33549 &lt;/em&gt;(chap, Leroy, San Francisco, 2000)&lt;br /&gt;&lt;em&gt;YESTERDAY'S NEWS&lt;/em&gt; (Factory School, Ithaca, N.Y. 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALLEN BRAMHALL&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DAYS POEM, Vol. I and II &lt;/em&gt;(Meritage Press, St. Helena &amp; San Francisco, 2007)&lt;br /&gt;&lt;em&gt;Simple Theory&lt;/em&gt; (Potes &amp; Poets Press, Bedford, MA, 2002)&lt;br /&gt;&lt;em&gt;&lt;a href="http://presspresspress.blogspot.com/2008/07/greying-ghost-presents-walden-book-by.html"&gt;Walden Book &lt;/a&gt;&lt;/em&gt; (The Greying Ghost, Mass., 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN BRANDI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;In What Disappears&lt;/em&gt; (White Pine Press, Buffalo, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RICHARD BRAUTIGAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE PILL VERSUS THE SPRINGHILL MINE DISASTER: Selected Poems 1957-1968 &lt;/em&gt;(Dell Publishing, New York, 1968)&lt;br /&gt;&lt;em&gt;The Hawkline Monster: A Gothic Western&lt;/em&gt; (Simon and Schuster, New York, 1974)&lt;br /&gt;&lt;em&gt;You Can't Catch Death: A Daughter's Memoir &lt;/em&gt;by Ianthe Brautigan (St. Martin's Press, New York, 2000)&lt;br /&gt;&lt;em&gt;Waltzing with the Captain: Remembering Richard Brautigan&lt;/em&gt;, memoir by Greg Keeler (Limberlost Press, Boise, ID, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FRANCES BRENT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Beautiful Lesson of the I &lt;/em&gt;(Utah State University Press, Logan, Utah, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SUSAN BRIANTE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Neotropics: A Romance in Field Notes &lt;/em&gt;(chap #52, Belladonna Books, Brooklyn, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT BRINGHURST&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Beauty of the Weapons: Selected Poems 1972-1982 &lt;/em&gt;(Copper Canyon Press, Port Townsend, Washington, 1982)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LEONARD BRINK&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;Instress 3&lt;/em&gt; (journal, Saratoga, CA 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSEPH BRODSKY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;TO URANIA&lt;/em&gt; (FSG, New York, 1981-1988&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEOFFREY BROCK&lt;/strong&gt;&lt;br /&gt;As translator, &lt;em&gt;Disaffections: Complete Poems 1930-1950&lt;/em&gt; by Cesare Pavese (Copper Canyon Press, Port Townsend, WA, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LOUIS DANIEL BRODSKY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;STILL WANDERING IN THE WILDERNESS: POEMS OF THE JEWISH DIASPORA&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;em&gt;THE WORLD WAITING TO BE: POEMS ABOUT THE CREATIVE PROCESS &lt;/em&gt;(___, 2008) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DAVID BROMIGE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Difficulties: David Bromige Issue&lt;/em&gt;, Edited by Tom Beckett (journal, &lt;em&gt;The Difficulties Vol. 3, No. 1&lt;/em&gt;, Viscerally Press, Kent, OH, 1987)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WILLIAM BRONK&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LIFE SUPPORTS: New and Collected Poems &lt;/em&gt;(Talisman House, Jersey City, N.J., 1949-1997)&lt;br /&gt;&lt;em&gt;The Body of this Life: Reading William Bronk&lt;/em&gt;, edited by David Clippinger (essays and memoir, Talisman House, Jersey City, N.J., 2001)&lt;br /&gt;&lt;em&gt;The Force of Desire: A Life of William Bronk&lt;/em&gt;, bibliography by Lyman Gilmore (Talisman House, Jersey City, N.J. 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NICOLE BROSSARD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Matter Harmonious Still Maneuvering&lt;/em&gt; translated by Lise Weil (chap # 66, Belladonna Books, Brooklyn, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRANDON BROWN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;908-1078 &lt;/em&gt;(chap, Transmission Press, San Francisco, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JERICHO BROWN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PLEASE &lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KYSHA N. BROWN&lt;/strong&gt;&lt;br /&gt;As Co-editor with KALAMU YA SALAAM, &lt;em&gt;FERTILE GROUND: Memories and Visions 1996 &lt;/em&gt;(Runnagate Press, New Orleans, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAM BROWN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;50-50&lt;/em&gt; (Little Esther Books, Adelaide, Australia, 1997)&lt;br /&gt;&lt;em&gt;Text thing&lt;/em&gt; (Little Esther Books, Adelaide, Australia, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STEPHANIE BROWN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DOMESTIC INTERIOR&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAYNIE BROWNE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Acts of Levitation &lt;/em&gt;(Spuyten Duyvil, New York, 2002)&lt;br /&gt;&lt;em&gt;The Agency of Wind&lt;/em&gt; (Avec Books, Pengrove, CA, 1999)&lt;br /&gt;&lt;em&gt;Rebecca Letters &lt;/em&gt;(Kelsey Street Press, Berkeley, CA 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT BROWNING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Robert Browning: ARCO Literary Critique &lt;/em&gt;by Ioan M. Williams (ARCO, New York, 1970)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELIZABETH BARRETT BROWNING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Sonnets from the Portuguese &lt;/em&gt;(Avenel Books, New York, 1980)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSEPH BRUCHAC&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;BREAKING SILENCE, AN ANTHOLOGY OF CONTEMPORARY ASIAN AMERICAN POETS &lt;/em&gt;(The Greenfield Review Press, Greenfield, N.Y., 1983)&lt;br /&gt;As Editor, &lt;em&gt;THE NEXT WORLD: Poems by 32 Third World Americans&lt;/em&gt; (The Crossing Press, Trumansburg, N.Y., 1978)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SHARON BRYAN&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;WHERE WE STAND: WOMEN POETS ON LITERARY TRADITION &lt;/em&gt;(Norton, New York and London, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TISA BRYANT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Tzimmes &lt;/em&gt;(chap, a+bend press, San Francisco, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRYNNE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WIND IS WIND AND RAIN IS RAIN, &lt;/em&gt; with cover drawing by Kate Schapira (limited edition chap, Horseless Press, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHRISTOPHER BUCKLEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MODERN HISTORY: PROSE POEMS 1987-2007&lt;/em&gt; (___, 2008)&lt;br /&gt;Co-Editor with CHRISTOPHER MERRILL, &lt;em&gt;WHAT WILL SUFFICE: Contemporary American Poets on the Art of Poetry&lt;/em&gt; (prose and poems, Gibbs-Smith Publisher, 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHARLES BUKOWSKI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BUKOWSKI: A LIFE by Neeli Cherkovski &lt;/em&gt;(biography, Steerforth Press, South Royalton, Vermont, 1997)&lt;br /&gt;&lt;em&gt;Charles Bukowski: Locked in the Arms of a Crazy Life &lt;/em&gt;by Howard Sounes (biography, Grove Press, New York, 1998)&lt;br /&gt;&lt;em&gt;You Get So Alone At Times That It Just Makes Sense &lt;/em&gt;(Black Sparrow, Santa Rosa, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SIMMONS B. BUNTIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Riverfall &lt;/em&gt;(Salmon Publishing, Ireland, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARY BURGER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Boy Who Could Fly&lt;/em&gt; (chap, 2nd Story Press, Oakland, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EDGAR F. BURD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;POEMS FROM A TUBAC POET &lt;/em&gt;(chap, Tubac, Arizona, 1993)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MICHAEL BURKARD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Ruby For Grief &lt;/em&gt;(University of Pittsburgh Press, 1981)&lt;br /&gt;&lt;em&gt;Fictions From The Self &lt;/em&gt;(Norton, New York and London, 1988)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WILLIAM BURROUGHS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;NAKED LUNCH: the restored text&lt;/em&gt;, eds. James Grauerholz and Barry Miles (Grove Press, New York, 1959)&lt;br /&gt;&lt;em&gt;THE BURROUGHS FILE &lt;/em&gt;(City Lights, San Francisco, 1984)&lt;br /&gt;&lt;em&gt;Ginsberg, Burroughs, and Corso in Paris, 1957-1963 &lt;/em&gt; by BARRY MILES (biography, Grove Press, New York, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEORGE F. BUTTERICK&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;CHARLES OLSON A NATION OF NOTHING BUT POETRY: Supplementary Poems&lt;/em&gt; (Black Sparrow, Santa Rosa, 1989)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MATT BUYS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Nietzsche Itinerary&lt;/em&gt; (chap, Slipstream, Niagara Falls, N.Y. 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MELISSA BURZZO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;city M&lt;/em&gt; (chap, leona, an imprint of L Projects, New York, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WITTER BYNNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Works of Witter Bynner: Selected Poems&lt;/em&gt; Edited by Richard Wilbur (Farrar Straus Giroux, New York, 1977 and 1978.  &lt;em&gt;Hardcover and Paperback&lt;/em&gt;)&lt;br /&gt;&lt;em&gt;The Works of Witter Bynner: Selected Letters &lt;/em&gt;Edited by James Kraft (Farrar Straus Giroux, New York, 1981)&lt;br /&gt;&lt;em&gt;The Works of Witter Bynner: Light Verse and Satires&lt;/em&gt; Edited by William Jay Smith (Farrar Straus Giroux, New York, 1978)&lt;br /&gt;&lt;em&gt;The Works of Witter Bynner: Prose Pieces &lt;/em&gt;Edited by James Kraft (Farrar Straus Giroux, New York, 1979)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SIGMAN BYRD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Under the Wanderer's Star &lt;/em&gt;(Marsh Hawk Press, East Rockaway, N.Y. 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MAIREAD BYRNE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Nelson &amp; the Huruburu Bird &lt;/em&gt;(Wild Honey Press, Ireland, 2003)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-112115402628918486?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/112115402628918486/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=112115402628918486' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112115402628918486'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112115402628918486'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/07/authors-b.html' title='AUTHORS: B'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14405711.post-112113196984237349</id><published>2005-06-12T00:34:00.000-07:00</published><updated>2011-12-03T20:26:59.186-08:00</updated><title type='text'>AUTHORS: A</title><content type='html'>Unless specified within parentheses after titles, each title is a poetry book. (Trades may also be available for titles where two or more copies are shown.) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEMINO H. ABAD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;IN ORDINARY TIME: Poems, Parables, Poetics 1973-2003 &lt;/em&gt;(University of the Philippines Press, Quezon City, 2004)&lt;br /&gt;&lt;em&gt;Orion's Belt&lt;/em&gt; (short story collection, University of the Philippines Press, Quezon City, 1996)&lt;br /&gt;&lt;em&gt;STATE OF PLAY: Letter-Essays &amp; Parables &lt;/em&gt;(prose, Kalikasan Press, Manila, 1990)&lt;br /&gt;As Editor, &lt;em&gt;A NATIVE CLEARING: Filipino Poetry and Verse &lt;/em&gt;from &lt;em&gt;English since the '50s to the Present: Edith L. Tiempo to Cirilo F. Bautista &lt;/em&gt;(University of the Philippines Press, Quezon City, 1993)&lt;br /&gt;As Co-Editor with Isagani R. Cruz, Cristina Pantoja-Hidalgo, Alfred Yuson and Edna Zapanta Manlapaz, &lt;em&gt;AN EDITH TIEMPO READER&lt;/em&gt; (University of the Philippines Press, Manila, 1999)&lt;br /&gt;As Co-Editor with EDNA Z. MANLAPAZ, &lt;em&gt;Man of Earth: An Anthology of Filpino Poetry and Verse from English 1905 to the Mid-50s &lt;/em&gt;(Ateneo de Manila University Press, Manila, 1989. 2 copies)&lt;br /&gt;As Editor, &lt;em&gt;Likhaan Anthology of Philippine Literature in English from 1900 to the Present &lt;/em&gt;(anthology of poetry, fiction and drama, University of the Philippines Press, Manila, 1998)&lt;br /&gt;As Co-Editor with CRISTINA PANTOJA HIDALGO, &lt;em&gt;The Likhaan Book of Poetry and Fiction 1995&lt;/em&gt; (anthology of Philippine writings, University of the Philippines Press, Quezon City, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EDWARD ABBEY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Confessions of a Barbarian &lt;/em&gt;(journal entries/memoir, Johnson Books, Boulder, CO, 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HAROLD ABRAMOWITZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Three Column Table &lt;/em&gt;(chap, Insert Press, Los Angeles, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SAM ABRAMS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;uncensored songs a sam abrams tributed&lt;/em&gt;, Edited by John Roche (Spuyten Duyvil, New York, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SETH ABRAMSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE SUBURBAN ECSTASIES &lt;/em&gt;(Ghost Road Press, Denver, CO, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SAMAR ABULHASSAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;FOURSQUARE SPECIAL EDITION&lt;/em&gt; of 6 poems (chap, Foursquare, Buffalo, N.Y., 2008)&lt;br /&gt;&lt;strong&gt;)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;)&lt;/strong&gt; (chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DIANE ACKERMAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;ANIMAL SENSE&lt;/em&gt;, with illustrations by PETER SIS (Knopf, New York, 2003)&lt;br /&gt;&lt;em&gt;I Praise My Destroyer&lt;/em&gt; [Vintage Books, New York, 1998]&lt;br /&gt;&lt;em&gt;Origami Bridges: Poems of Psychoanalysis and Fire &lt;/em&gt;(HarperCollins, New York, 2002]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KATHY ACKER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;In Memoriam to Identity &lt;/em&gt;(fiction, Grove Press, New York, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HELEN ADAM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;San Franciso's Burning: A Ballad Opera &lt;/em&gt;with Pat Adam, Al Carmines (music) and Jess (drawings) (ballad opera, Hanging Loose Press, Brooklyn, 1961-1985)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KIM ADDONIZIO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;In The Box Called Pleasure&lt;/em&gt; (short stories, Fiction Collective Two, Tallahassee, FL, 1999)&lt;br /&gt;&lt;em&gt;The Philosopher's Club &lt;/em&gt;(BOA Editions, Brockport, N.Y., 1994)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ETEL ADNAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;In The Heart of the Heart of Another Country &lt;/em&gt;(City Light Books, San Francisco, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARY ALEXANDRA AGNER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Ancient Alternatives&lt;/em&gt; [Another Virginia Reals Chapbook, Boston, 1993]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JULIE AGOOS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PROPERTY &lt;/em&gt;(___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARJORIE AGOSIN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SECRETS IN THE SAND: THE YOUNG WOMEN OF JUAREZ&lt;/em&gt;, Trans. by Celeste Kostopulos-Cooperman (White Pine Press, Buffalo, 2006)&lt;br /&gt;As Editor, &lt;em&gt;TO MEND THE WORLD: WOMEN REFLECT ON 9/11&lt;/em&gt;, Co-Ed. Betty Jean Craige (White Pine Press, Buffalo, 2002)&lt;br /&gt;As Editor, &lt;em&gt;WOMAN WITHOUT BACKGROUND MUSIC &lt;/em&gt;by Delia Dominguez, Trans. by Roberta Gordenstein with Ed. Marjorie Agosin by (White Pine Press, Buffalo, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MILA AGUILAR&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Comrade is as Precious as a Rice Seedling &lt;/em&gt;[2nd. Ed., Kitchen Table Women of Color Press, Latham, N.Y., 1984, 1985, 1987]&lt;br /&gt;&lt;em&gt;JOURNEY: An Autobiography in Verse (1964-1995)&lt;/em&gt; [University of the Philippines Press, Quezon City, 1996]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;dread &lt;/em&gt;(Norton, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HEATHER C. AKERBERG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DWELLING&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAURIE LICO ALBANESE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;blue suburbia: almost a memoir &lt;/em&gt;(HarperCollins, New York, 2004)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SANDRA ALCOSSER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Fish To Feed All Hunger &lt;/em&gt;(Ahsahta Press, Boise, 1986)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CLARIBEL ALEGRIA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Sorrow: A Bilingual Poetry Edition &lt;/em&gt;with translations by Carolyn Forche [Curbstone Press, Connecticut, 1999]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VICENTE ALEIXANDRE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;SHADOW OF PARADISE&lt;/em&gt;, Trans and with an Introduction by Hugh A. Harter, Foreword by Claudio Rodriguez (University of California Press, 1966 original and 1987 translation)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELIZABETH ALEXANDER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;GRAVE RADIANCE: New and Selected Poems 1996-2010&lt;/em&gt; (Graywolf Press, Minneapolix, Minn., 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MEENA ALEXANDER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Fault Lines&lt;/em&gt; [memoir, The Feminist Press, New York, 1993]&lt;br /&gt;&lt;em&gt;Nampally Road&lt;/em&gt; [novel, Mercury House, Inc., San Francisco, 1991]&lt;br /&gt;&lt;em&gt;Night-Scene, The Garden&lt;/em&gt; [chap, Red Dust, New York, 1992]&lt;br /&gt;&lt;em&gt;River and Bridge&lt;/em&gt;[Rupa and Company, Bombay, 1995]&lt;br /&gt;&lt;em&gt;The Shock of Arrival: Reflections on Postcolonial Experience&lt;/em&gt; [South End Press, Boston, 1996]&lt;br /&gt;&lt;em&gt;The Storm: A Poem in Five Parts&lt;/em&gt; [chap, Red Dust, New York, 1989]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROBERT ALEXANDER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WHAT THE RAVEN SAID &lt;/em&gt;(White Pine Press, Buffalo, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WILL ALEXANDER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;IN THE HUMAN NERVE DOMAIN &lt;/em&gt;(Pavement Saw Press, New York/Ohio, 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SHERMAN ALEXIE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;First Indian On the Moon&lt;/em&gt; (Hanging Loose Press, Brooklyn, 1993)&lt;br /&gt;&lt;em&gt;TEN LITTLE INDIANS &lt;/em&gt;(short stories, Grove Press, New York, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AGA SHAHID ALI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE VEILED SUITE: THE COLLECTED POEMS OF AGA SHAHID ALI &lt;/em&gt;(___, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KAZIM ALI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;BRIGHT FELON: AUTOBIOGRAPHY AND CITIES &lt;/em&gt;(Wesleyan University Press, __, 2009)&lt;br /&gt;&lt;em&gt;Quinn's Passage &lt;/em&gt;(novel, BlazeVOX Books, Buffalo, N.Y., 2005)&lt;br /&gt;&lt;em&gt;The Far Mosque &lt;/em&gt;(Alice James Books, Farmington, Maine, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WILLIAM ALLEGREZZA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;densities, apparitions&lt;/em&gt; (Otoliths, Rockhampton, Australia, 2011)&lt;br /&gt;&lt;em&gt;Through Having Been, Vol. 1 and 2&lt;/em&gt; (&lt;a href="http://meritagepress.blogspot.com/2010/02/haynaku-for-haiti.html"&gt;Hay(na)ku for Haiti &lt;/a&gt;booklet, Open Palm Press / Meritage Press, San Francisco &amp; St. Helena, 2010)&lt;br /&gt;&lt;em&gt;COLLECTIVE INSTANT &lt;/em&gt;by William Allegrezza (Otoliths, Rockhampton, Australia, 2008)&lt;br /&gt;&lt;em&gt;Covering Over&lt;/em&gt; (Moria Books, Chicago, 2005)&lt;br /&gt;&lt;em&gt;Fragile Replacements &lt;/em&gt;(Meritage Press, St. Helena and San Francisco, 2+)&lt;br /&gt;&lt;em&gt;In The Weaver's Valley &lt;/em&gt;(Blue Lion Books, West Hartford, CT &amp; Espoo, Finland 2006)&lt;br /&gt;&lt;em&gt;Ishmael Among The Bushes &lt;/em&gt;(chap, Dusie, 2006)&lt;br /&gt;&lt;em&gt;sonoluminescence&lt;/em&gt;, collaboration with Simone Muench (chap, Dusie, 2007)&lt;br /&gt;&lt;em&gt;The Vicious Bunny Translations &lt;/em&gt;(Moria Books, Chicago, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DICK ALLEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;PRESENT VANISHING&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PARKER ZANE ALLEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;DATING TIPS WITH THE GANGLAND MASSACRE OF THE HEART, SMAL TOWN PZA, VOL. #2&lt;/em&gt; (chap, Transmission Press, San Francisco, 2007)&lt;br /&gt;&lt;em&gt;DATING TIPS WITH THE GANGLAND MASSACRE OF THE HEART, SMAL TOWN PZA, VOL. #1 &lt;/em&gt;(chap, Transmission Press, San Francisco, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHARLES ALTIERI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Painterly Abstraction in Modernist American Poetry&lt;/em&gt; (literary criticism and philosophy, University of Pennsylvania Press, 1989)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;IVY ALVAREZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;1 Doz. Poison Hay(na)ku &lt;/em&gt;(Tiny Side, Big Game Books, Washington D.C., 2007, 6)&lt;br /&gt;&lt;em&gt;catalogue: life as tableware &lt;/em&gt;[chap, The Private Press, Wales, 2004]&lt;br /&gt;&lt;em&gt;Bronze &lt;/em&gt;[Valentine postcard in aid of British Heart Foundation poetry reading, Aberdeen, 2003]&lt;br /&gt;&lt;em&gt;Food for Humans &lt;/em&gt;[chap, Slow Joe Crow Press, Melbourne, 2002]&lt;br /&gt;&lt;em&gt;haiku &lt;/em&gt;(broadside, The Private Press, Nov. 2004)&lt;br /&gt;&lt;em&gt;what's wrong&lt;/em&gt; [chap, The Private Press, Wakes, 2004]&lt;br /&gt;As Editor, &lt;em&gt;A Slice of Cherry Pie &lt;/em&gt;(Private Press &amp; Half Empty/Half Full Press, 2006)&lt;br /&gt;As Co-curator with John Bloomberg-Rissman, Ernesto Priego &amp; Eileen Tabios, &lt;em&gt;THE CHAINED HAY(NA)KU ANTHOLOGY &lt;/em&gt;(Meritage Press, St. Helena and San Francisco, 2010. 2 copies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JULIA ALVAREZ&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;HOMECOMING: NEW AND COLLECTED POEMS&lt;/em&gt; (Plume, New York, 1996)&lt;br /&gt;&lt;em&gt;In the Name of Salome &lt;/em&gt;(novel, Algonquin Books, Chapel Hill, N.C. 2000]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANNA ALVES &lt;/strong&gt;&lt;br /&gt;As Co-Editor, &lt;em&gt;Towards A Cultural Community: Identity, Education and Stewardship in Filipino American Performing Arts&lt;/em&gt;, with REME-ANTONIA GREFALDA(anthology with poems, National Federation of Filipino American Associations, Washington D.C. 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;YEHUDA AMICHAI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Open Closed Open&lt;/em&gt;, Trans. by Chana Bloch and Chana Kronfeld (Harvest / Harcourt, New York et al)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;INDRAN AMIRTHANAYAGAM&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Elephants of Reckoning&lt;/em&gt; [Hanging Loose Press, Brooklyn, 1993]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;A.R. AMMONS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Collected Poems 1951-1971&lt;/em&gt; (Norton, New York, 1972)&lt;br /&gt;&lt;em&gt;Sphere: The Form of a Motion &lt;/em&gt;(Norton, New York, 1973)&lt;br /&gt;&lt;em&gt;Tape for the Turn of the Year&lt;/em&gt; (Norton, New York, 1964) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;mIEKAL aND&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;how to spell the sound of everything&lt;/em&gt;, with Sheila Murphy (Xerox Sutra Editions, La Farge, Wisconsin, 2009)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RICHARD ANDERS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Footprints of One Who Has Not Stepped Forth&lt;/em&gt;, translated by Andrew Joron (chap, Black Square Editions, New York, 2000)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LAURIE ANDERSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;WORDS IN REVERSE&lt;/em&gt; (Hallwalls, Buffalo, New York, 1983)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LEN ANDERSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Affection for the Unknowable&lt;/em&gt; (Hummingbird Press, Santa Cruz, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ARLENE ANG&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE DESECRATION OF DOVES&lt;/em&gt; (iUniverse, New York/Lincoln/Shanghai, 2005)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CARLOS A. ANGELES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Bruise of Ashes: Collected Poems, 1940-1992 &lt;/em&gt;[Ateneo de Manila University Press,Manila, 1993]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANONYMOUS&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;Moonjuice II: An Anthology of Poems by Santa Cruz Women &lt;/em&gt;(anthology, Embers, CA, 1976)&lt;br /&gt;As Editor, &lt;em&gt;My mind is an ocean &lt;/em&gt;(chap anthology, A Dancing Dick book, no year)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ROGER APLON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;STILETTO &lt;/em&gt;(Dryad Press, San Francisco &amp; Washington D.C., 1976)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GUILLAUME APOLLINAIRE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Alcools&lt;/em&gt;, trans. by Anne Hyde Greet [University of California Press, Berkeley and Los Angeles, 1965]&lt;br /&gt;&lt;em&gt;Calligrammes: Poems of Peace and War (1913-1916), &lt;/em&gt;trans. by Anne Hyde Greet [University of California Press, Berkeley and Los Angeles, 1980]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;STAN APPS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;info ration &lt;/em&gt;(Make Now, Los Angeles, 2007. 2)&lt;br /&gt;&lt;em&gt;Princess of the World in Love &lt;/em&gt;(Cy Press, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JUANIYO ARCELLANA&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;UNDER THE BREADFRUIT TREE: Poems and Stories&lt;/em&gt; [De La Salle University Press, Inc., Manila, 2002]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MOLLY ARDEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Bedside Guide to...No Tell Motel&lt;/em&gt;, as editor with Reb Livingston, (NoTell Press, E, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;IVAN ARGUELLES&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MADONNA SEPTET: VOLUME ONE&lt;/em&gt; (Potes &amp; Poets Press, Elmwood, CT, 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ARISTOTLE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Rhetoric and On Poetics&lt;/em&gt;, Translated by (respectively) W. Rhys Roberts and Ingram Bywater (The Franklin Library, Franklin Center, PA, 1981)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RAE ARMANTROUT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;VEIL: NEW AND SELECTED POEMS &lt;/em&gt;(Wesleyan University Press, Middletown, Conn., 2001)&lt;br /&gt;&lt;em&gt;TRUE &lt;/em&gt;(memoir, Atelos, 1998)&lt;br /&gt;&lt;em&gt;THE GRAND PIANO, Part 1: An Experiment in Collective Autobiography&lt;/em&gt;, with Bob Perelman, Barrett Watten, Steve Benson, Carla Harryman, Tom Mandel, Ron Silliman, Kit Robinson, Lyn Hejinian, &amp; Ted Pearson (Mode A, Detroit, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TIM ARMENTROUT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;All This Falling Away &lt;/em&gt;(chap, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CRAIG ARNOLD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MADE FLESH&lt;/em&gt; (___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ELIZABETH ARNOLD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;CIVILIZATION &lt;/em&gt;(Flood Editions, Chicago, 2006)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GEEJAY ARRIOLA&lt;/strong&gt;&lt;br /&gt;As Co-Editor, &lt;em&gt;Our Own Voice&lt;/em&gt;, with NADINE SARREAL and REME-ANTONIA GREFALDA (anthology, The Philippine Women's University Center for Culture, Arts, Music / HAB Development Center, Manila; and Firstfruits Books Design and Publishing, Arlington, VA, 2003)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANTONIN ARTAUD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Antonin Artaud Anthology&lt;/em&gt;, ed. by Jack Hirschman [City Lights Books, San Francisco, 1965]&lt;br /&gt;&lt;em&gt;ANTONIN ARTAUD: Blows and Bombs&lt;/em&gt; by Stephen Barber [biography, Faber and Faber, London and Boston,1993]&lt;br /&gt;&lt;em&gt;CONDUCTORS OF THE PIT: Major Works by Rimbaud, Vallejo, Cesaire, Artaud, Holan&lt;/em&gt;, Trans. by Clayton Eshleman (Paragon House, New York, 1988)&lt;br /&gt;&lt;em&gt;Watchfiends &amp; Rack Screams: Works from the Final Period&lt;/em&gt;, ed. &amp; trans. by Clayton Eshleman with Bernard Bador [Exact Change, Boston, 1995]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LISA ASAGI&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;LOVE &lt;/em&gt;with R. ZAMORA LINMARK AND JUSTIN CHIN (broadside, art buffalo production, 2002)&lt;br /&gt;&lt;em&gt;PHYSICS &lt;/em&gt;with art by GAYE CHANG [chap, Tinfish Press, 2001]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOHN ASHBERY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Wave&lt;/em&gt; [The Noonday Press, Farrar Strauss and Giroux, 1981-1984]&lt;br /&gt;&lt;em&gt;A WORLDLY COUNTRY: NEW POEMS&lt;/em&gt; (HarperCollins, New York, 2007)&lt;br /&gt;&lt;em&gt;And The Stars Were Shining &lt;/em&gt;[The Noonday Press, FSG, 1994]&lt;br /&gt;&lt;em&gt;April Galleons &lt;/em&gt;[FSG, 1984-1987]&lt;br /&gt;&lt;em&gt;As We Know&lt;/em&gt; [Penguin Books, 1979]&lt;br /&gt;&lt;em&gt;Beyond Amazement: New Essays on John Ashbery&lt;/em&gt;, ed. by David Lehman [essays, Cornell University Press, Ithaca and London, 1980]&lt;br /&gt;&lt;em&gt;Can You Hear, Bird&lt;/em&gt; [FSG, New York, 1995]&lt;br /&gt;&lt;em&gt;FLOW CHART&lt;/em&gt; [Alfred A. Knopf, 1994]&lt;br /&gt;&lt;em&gt;Girls on the Run&lt;/em&gt; [FSG, 1999]&lt;br /&gt;&lt;em&gt;Hotel Lautreamont&lt;/em&gt; [Knopf, 1992]&lt;br /&gt;&lt;em&gt;NOTES FROM THE AIR: SELECTED LATER POEMS &lt;/em&gt;(ecco/Harper Collins, New York, 2007)&lt;br /&gt;&lt;em&gt;The Mooring of Starting Out: The First Five Books of Poetry &lt;/em&gt;[The Ecco Press, New Jersey, 1956-1997]&lt;br /&gt;&lt;em&gt;Wakefulness &lt;/em&gt;[FSG, 1988]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ASIAN WOMEN UNITED OF CALIFORNIA&lt;/strong&gt;&lt;br /&gt;As Editor, &lt;em&gt;Making Waves: An Anthology of Writings By and About Asian American Women&lt;/em&gt; (Beacon Press, Boston, 1989)&lt;br /&gt;As Co-Editor with ELAINE H. KIM and LILIA V. VILLANUEVA, &lt;em&gt;Making More Waves: New WRiting by Asian American Women&lt;/em&gt; (Beacon Press, Boston, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TIM ATKINS&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;1000 SONNETS&lt;/em&gt; (if p then q, Manchester, U.K., 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;COLETTE LABOUF ATKINSON&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;MEAN &lt;/em&gt;(___, 2008)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MARGARET ATWOOD&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Negotiating with the Dead: A Writer on Writing &lt;/em&gt;[prose, Anchor Books/Random House, 2003]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;W.H. AUDEN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;W.H. Auden: Selected Poems&lt;/em&gt;, selected and ed. by Edward Mendelson [Vintage International, 1934-1976]&lt;br /&gt;&lt;strong&gt;J.W. GOETHE&lt;/strong&gt;&lt;br /&gt;As Translator with Elizabeth Mayer, &lt;em&gt;ITALIAN JOURNEY&lt;/em&gt;, by J.W. Goethe (Penguin Classics, London, 1962)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOSHUA AUERBACH&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Radius of Light &lt;/em&gt;(Livres Books, Montreal, Quebec, 2007)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JANE AUGUSTINE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Woman's Guide to Mountain Climbing &lt;/em&gt;(Marsh Hawk Press, New York, 2008)&lt;br /&gt;&lt;em&gt;Arbor Vitae&lt;/em&gt; [Marsh Hawk Press, New York, 2002]&lt;br /&gt;&lt;em&gt;Transitory &lt;/em&gt;[Spuyten Duyvil, New York, 2002. 2]&lt;br /&gt;&lt;em&gt;Night Lights&lt;/em&gt; [Marsh Hawk Press, New York, 2004]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PAUL AUSTER&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Disappearances: Selected Poems &lt;/em&gt;[The Overlook Press, Woodstock, N.Y., 1988]&lt;em&gt;In The Country of Last Things &lt;/em&gt;[novel, Penguin, 1987]&lt;br /&gt;&lt;em&gt;MOON PALACE&lt;/em&gt; (novel, Viking, New York, 1989)&lt;br /&gt;&lt;em&gt;ORACLE NIGHT&lt;/em&gt; (novel, Picador, New York, 2003)&lt;br /&gt;&lt;em&gt;The Invention of Solitude &lt;/em&gt;[a meditation on fatherhood, Penguin, 1982]&lt;br /&gt;&lt;em&gt;The Art of Hunger: Essays, Prefaces, Interviews and The Red Notebook &lt;/em&gt;[prose, Penguin Books, 1992]&lt;br /&gt;&lt;em&gt;The New York Trilogy&lt;/em&gt; [look for it in house]&lt;br /&gt;&lt;em&gt;Why Write?&lt;/em&gt; (prose, Burning Deck, Providence, RI, 1996)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ECE AYHAN&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE BLIND CAT BLACK AND ORTHODOXIES&lt;/em&gt;, translated by Murat Nemet-Nejat (Sun &amp; Moon Classics, Los Angeles, 1997)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OTHER:&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;AN AVEC SAMPLER #2&lt;/em&gt;, Edited by Cydney Chadwick (1998).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14405711-112113196984237349?l=galateapoetrylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://galateapoetrylibrary.blogspot.com/feeds/112113196984237349/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14405711&amp;postID=112113196984237349' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112113196984237349'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14405711/posts/default/112113196984237349'/><link rel='alternate' type='text/html' href='http://galateapoetrylibrary.blogspot.com/2005/07/authors.html' title='AUTHORS: A'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
